A Crossover Everyday Tale

I came from a new book, and everything was fine until the final suicide pact scene really broke my heart. Ten chapters, ten days of updates, and he abandoned all the other female leads, ran away, and committed suicide. If you deleted all the other female leads, leaving only the Yukinoshita and Sawamura families, I wouldn't have anything to say; the three families' ties would hold them together. But what about the other female leads? You promised not to let Megumi experience any tragic scenes, and then you ran away for a year? Without a trace? Oh my god, that's incredible. So, those who are favored are fearless. Yukino died because of the male lead's favoritism, and the male lead died with Yukino because of Megumi's favoritism. They're all dead now. End of story. The later episodes, which I watched in one go, were all garbage. I can't even imagine what it must have been like for them to eat shit.

The problem of not being able to balance things out is huge. Apart from Yukino, everyone else seems like a supporting character. The main characters, Yukino and Yukino, are locked up too early, so the other female characters' romantic relationships can only progress like they're doing something underhanded and humble. This problem wasn't obvious at first, but after seeing the character of Yukino's mother, I realized it and felt that the earlier plot was very awkward. I felt frustrated writing the character of Xue's mother. She had no identity, no status, and wasn't even loved at the beginning. Even later on, it wasn't clear that she was cared for much. The only purpose of writing it seems to be to make Yukino and the protagonist explode; it's really just a tool. Furthermore, the protagonist didn't utter a sound when Yukino and Yukino were having an affair. When the affair was exposed, Yukino broke down. At this point, the protagonist panicked and said, "Yukino, if you die, I will never live alone!" What about the other heroines? It doesn't matter... The others are just a stepping stone for the protagonist's feelings for Yukino. Using other heroines to elevate the protagonist's love for Yukino is just too twisted. They continued to pad it out. He risked his life to appease Yukino, and as a result, the two of them started living a life of two (or three), living in seclusion and not caring about worldly affairs, spending every day together. I can understand why Yukino doesn't want to see the other heroines; who wouldn't want to have their lover all to themselves? But what about the protagonist? Didn't he even bother to let them know he was safe? Were the other heroines just freebies with a phone plan? They'd worry about your life too, and in the end, it was Miyaame, the one the protagonist cared about the least, who came to him himself, just to confirm the protagonist and Yukino's safety. Is the protagonist even human? Then he actually started a round-the-world trip, enjoying himself immensely. Only after he had his fill of fun did he return to face the rest of the people. Could the protagonist be any more irresponsible? For Xue's mother, she lost both her lover and her daughter at the same time. She braved the snow to find them, only to find out that they were both still alive. How ridiculous! She had an affair with the male lead for so long, and then he just disappeared without a word, not even bothering to let her know. In the end, she was even hated by her own daughter. I feel so sorry for her. The other female characters were also humble, just not to the same extent as Xue's mother. It's understandable that the author has their own preferences, but sometimes it really goes too far. Writing it like this might be worse than just having a single female lead; at least that wouldn't cause any sentimental stomachache for artsy types.

Brothers, don't be afraid. After being a literary youth, I've become a moderator. Now the story is about the shocking investigation of the perverted Brother Shan.

It gets more and more disgusting the more I watch it. The beginning was brilliant, but the later parts are a mess. #(So sad)

The emotional descriptions are delicate, but the plot and the female lead's role are a mess. He practically dumped all his other girlfriends while pursuing Yukino, and later it's said his whole family revolves around his will. And the Yukinoshita sisters and mother-daughter relationship is a mess. If they had just been honest from the start, it would have been a problem; the deliberate concealment turns a forbidden act into a combination of forbidden acts and deception. Eriri and Yukino's audacity in turning their backs on each other is also baffling. So what if she liked someone first? Her own hesitation and inability to move forward is entirely her own problem. A possibility is just a possibility; she completely eliminated that possibility herself. What gives her the audacity to turn her back on them? Also, this isn't a harem anime anymore; it's a bulldozer anime. Basically, he takes down every girl he sees.

The beginning was fine, but that's just how artsy people are later on.

From my personal perspective, a gentle god appeared in a world of filth, so all the dirty things wanted to drag him down with them. The book is good, the person is bad.

Having read most of it, I feel that if all the characters except for Yukino, Haruno, Yukino's mother, Megumi, and Yll were removed, the reading experience would be much better. Distributing the character descriptions of the other characters to Yukino's mother and Haruno would make the female leads' development more even, and the major plot points would be concentrated on a few key moments. The focus is already on Megumi, Haruno, and Yukino's mother (the three betrayals), so it wouldn't waste the author's excellent writing and character development. It would basically be a masterpiece. The current Bulldozer style feels so strange, like an old-fashioned crossover harem novel. The male lead is a bizarrely responsible superman, a bizarrely competent superman. It's a pity such good writing is wasted. Limiting the number of female leads would have made this so delicious. I haven't seen such intense emotional descriptions in a long time. Although everyone says writing original content is a dead end, I really want to see it. Bulldozer style isn't a good thing! (Sad)

The protagonist is pitiful; he ultimately entered the mundane world and could no longer transcend it. It's a pity that the initial stunning performance was wasted.

Yukinoshita Family Bucket #(laughs)