How Did I Get Transferred into Uma Musume?

Oh no, the Three Kingdoms Kill game is really releasing horse girls!

To be honest, I've read both books, but the new one gives me a strange feeling. This unnatural feeling is most noticeable in the "Trial of the Final Battle" section, which I'm currently reading. It feels like the lack of groundwork laid for the male and female leads' relationship in the early stages. In "The Legend of the Condor Heroes," they were established as longtime friends and had interactions like brothers, which made the transition in their relationship feel less abrupt. This also meant that when I read the detailed descriptions of the male and female leads' interactions, I didn't feel the characters were shy, but rather as if they were being twisted by the curse of the three goddesses. Also, are there a bit too many detailed descriptions? I feel that's another source of the unnaturalness. Has anyone read to the end and would like to know if the details are still described the same way later on? Finally, the chubby bunny is so cute! 😊

I ordered the last book but haven't read it yet. I was planning to check it out today, but then I saw in the reviews that Liuli dressed up as a bunny girl and did a pole dance in public. It was so cringeworthy! It's one thing for a young couple to do something like that at home, but to do it in public like that is just baffling. I don't understand their logic at all. I instantly lost interest in reading it. Does this book have similar content? If so, I'll download it.

First and foremost, the following content is based entirely on my personal intuition, after I've read through both Liuli and this book over the past two days. It contains no rational analysis, so please read with discretion. First of all, I think this book isn't as good as the previous one. The protagonist's starting point isn't as "stable" as in the previous one. By "starting point," I mean the protagonist's identity before the transformation—this is the foundation for the transformation. What was the protagonist's identity in the previous book? An outstanding graduate and a corporate slave, which garnered more recognition than the sports student in this book. Moreover, the previous book intentionally or unintentionally reinforced this identity throughout the text, allowing readers to see the working-class person before the transformation through "Liuli." In this book, however, Amber's image before the transformation is very weak, almost blank, making her character seem very "superficial." This is the best adjective I can find, because it's not that she lacks a concrete image; the problem is that this image doesn't resonate with me (compared to Liuli). Or to put it another way, *Liuli* is a very "transgender" novel. I'm not referring to the earliest generation of transgender novels that were overly focused on the realistic and fragmented sense of identity during gender reassignment, but rather the kind of novels that "make the reader realize that the protagonist has indeed changed and has a new life based on that." This feeling is very subtle in this book because the main conflict between the male and female leads isn't about gender, but about social status. To borrow a rather harsh critique for transgender novel authors, "What's the difference between what you're writing and female-oriented novels?" While reading, you get the feeling that the protagonist being a racehorse girl from the beginning doesn't significantly impact the plot. If, for a transgender novel, the "transformation" aspect feels somewhat superfluous, then something feels off. Then, the character development feels a bit out of control. It's clear the author is better at creating characters like "Liuli" than "Hupo." Often, you can sense the author's constraint between the lines. In trying to create a "foolish beauty," sometimes they overdo it, sometimes they hesitate to write. It completely lacks the natural, effortless feel of the character descriptions in "Liuli." Moreover, it often feels like the author is obsessed with simulating foolish thinking, creating a strong sense of restriction. It's as if you can see the author finishing a section and then thinking, "Is this too clever?" Before spending ages trying to figure out how to use foolish thoughts to achieve the same plot progression—that feeling of struggling to write. The resulting reading experience is quite obvious: the character development isn't as good as in the previous book. However, writing always requires experimentation, and stepping out of one's comfort zone isn't necessarily a bad thing. It's just that going from the sophisticated and charming "Liuli" to the naive and beautiful "Hupo" might be a bit too much of a leap. Then there's another problem stemming from a lack of experience in character development. While I've only mentioned the main character, the female lead, the author is definitely more familiar with characters like Yang Hui than Tou when it comes to male leads. In Liuli's novel, each chapter is roughly composed of "40-60% plot, 10-20% descriptive paragraphs, and the rest mixed with ball games, masturbation, jokes about various countries, regions, current events, and even erotic jokes." However, in this book, the main source of the jokes—the male lead—has a changed character. This book's setting isn't suitable for telling jokes anymore, resulting in fewer humorous moments in each chapter, significantly diminishing my reading experience. One harmless point I can't help but mention is that you can feel the author's love for Chinese culture and their enthusiasm for using it in the novel. In the previous book, it didn't feel abrupt even though the protagonist had a background, but perhaps because of the nationality-related plot in the previous book, the male and female protagonists in this book are both Japanese. In this case, the large sections involving traditional culture, while not annoying, do feel quite abrupt at times. I initially didn't want to mention the descriptive parts, but then I thought, since I've already written so much, I might as well add a bit more. Sometimes, the descriptions get too detailed and seem trivial (I particularly remember a few paragraphs about the final battle). Although the descriptions are beautiful and might be suitable for excerpts, I skipped around while reading. This is consistent with the style of the previous book, and it probably has some elements like that in *Liuli* as well. However, I personally don't mind, and I understand that it's difficult for the author to strike a balance between "appropriate" and "excessive" descriptions. I can just skip around. As for why I wrote this point, it's because I felt it would be a shame not to write it down, haha ☝🏻️🤓. A little digression: I generally don't read comments or bullet points when I read books, so I don't know what the reader atmosphere is like on Shuke's site. But I imagine authors who write about marriage and transformation have a high tolerance for pressure. So I'll keep it short: delete the comments, bullet points, and book reviews that need deleting. Why keep them for the New Year? My own experience is that no one will think an author is magnanimous or open to criticism just because a book has unreasonable criticisms and accusations in the bullet points. But there will definitely be potential readers who will leave because of the messy and chaotic comment section and bullet points. If there are any sentences that are difficult to understand, it's most likely because I made a typo. Finally, best wishes.

It's so painful. I don't know why, but I put myself in their shoes, a complete bystander who knows everything. It's both sweet and enviable. When I'm not watching, I feel uncomfortable. I want to watch, but when I am, it's both sweet and sour. To be honest, I still prefer stories that are mainly action-packed with a touch of sweetness. Watching this kind of thing easily makes me emotional, but once I stop watching, I keep thinking about it. Watching it makes me uncomfortable. I didn't finish the last one either. Then, while reading this one, I wanted to go back and read the last one, but while reading the last one, I kept thinking about this one. And there's another reason: the female lead's personality completely hits my sweet spot. #(Blue)#(Blue)#(Blue) It's so painful. I think about this even when I'm watching other things, but I can't get into them. I feel like I'm addicted. #(Crying)#(Crying) I've read stories about women who are remarried, but these are too sweet. Just thinking about living in this kind of reality makes me want to shed little pearls.

Oh my god! Let me read one more chapter, if there's no Amber to read, wow... I'd do anything for the other readers! I've never enjoyed reading novels before. But after reading this book, I felt that it described me perfectly! So! Author, would you be willing to form a band with me for life? Oh, no, I mean, write novels with me for life?

Scarlet Rabbit Amber (✘) Humble Rabbit Amber (✔)

What kind of champion are you? You want to compare yourself to Drunk Cat's "Uma Musume Musume Became My Best Friend"? #(Funny)#(funny)#(funny)

Well, the recent plot is quite entertaining, but it doesn't feel as exciting as it did at the beginning. Even though I know Kohaku will win the race, I still want to see some intense competition. It feels so bland and lacks passion. I think that's the charm of Uma Musume. I still prefer watching classic, action-packed Uma Musume anime. Ahhh, Oguri Hattori, please update soon!

Hey, this is exactly what I came across online! No scheming, no backstabbing, no factional strife, no gravity manipulation or distortion, just pure love and hope. Author, I love you so much! #(Cute)