So You're a Girl Too

This book has many flaws. It's constantly torturing the protagonist, and there are always CS and troublesome people causing trouble. Even when the daily life is very heartwarming, it has to be filled with exasperation. After reading more than 200 chapters, the protagonist's family background, apart from the little devil, has almost no presence. The other members are all more inhuman than the last. Even when the protagonist is under protection, there's still a CS bodyguard to cause exasperation. The relationship has only been established for a few chapters and it's already starting to make people irritable. What was the idea behind writing it like this?

The Hedgehog Cat community is already a chaotic mess, and this book is particularly notable for it. The crematorium of Xiao Liu's family in the early stages further illustrates how many people are starved of love and have twisted personalities.

Read the new book first, then this one. The author truly lacks the ability and talent to write long original works; he should stick to writing fanfiction from now on.

Xiao Liu is adorable, but it got a bit tiring to watch in the middle. The endless stream of scheming villains, especially the scene where they used the white-haired boy to blackmail Xiao Liu into helping them during the mayoral election, was just too much to bear. How dare some bastards talk to me like that?

To be honest, while reading this book, I started to understand Eileen from the author's first book. Seeing Xiao Liu and Yiwen being all lovey-dovey didn't bring the joy I usually feel when reading yuri novels; instead, I was thinking, "Get away from my daughter, you pervert!" It gave me a feeling of being a helpless mother. Overall, it was a bit uncomfortable to read.

Having read Yimi's book, I can only say that the polarized reviews for this one are to be expected. The constant stream of negative points really ruins the reading experience. Luckily, I read Yimi's first, otherwise I wouldn't have dared to buy this one. It seems the author has included every single flaw in this book (you know what I mean).

The rest of the book is alright, but Yiwen's character development is truly a mess. Otherwise, you should follow Yimi's example and focus on developing the main characters, not writing about major or minor supporting roles. I stopped reading this book a long time ago because of Yiwen, and even after finishing Yimi's book, I still couldn't stand this Yiwen. She's just a pure formulaic character.

The biggest problem with this book is Yiwen. I really like this kind of clueless, clueless character (cute!), But Xiao Liu's mental age is too young. She's probably similar to the characters in the new book; she's still just a child and not suitable for a romantic subplot. Everything else is a 9 or even 10 out of 10.

In my opinion, this book has captured the essence of superpower novels. It features a glass cannon and various superpowers with weak countermeasures, much like Old Deng's [Nothingness]. It is invincible within 60 kilometers, but is limited in many ways due to morality. However, apart from [First Strike], which causes both halves to be injured, resulting in poor combat record, Old Deng can kill everyone.

Book reviews and online comments are filled with self-indulgent sentimentality and people who sympathize with others' opinions—there are more people than ants. Turning these off will more than double your reading experience. Reason: Novels are inherently polarizing, with some reviews saying they started strong but ended weak, while others say they started weak but ended strong. Some people dislike Yiwen's romantic storyline while others like it. But note that expressing liking something and offering normal suggestions on the author's writing won't make people feel bad, but constantly yawning at the characters and certain comments can really make people feel bad. The fundamental difference here boils down to the fact that brainless people can't even distinguish between primary and secondary contradictions, and think that the descriptions of characters and plots are something that people jumped into the real world and forced the author to write. In conclusion, this book does have many shortcomings, and suggestions can be made to the author. Please don't get caught up in your own opinions about the protagonist's romantic relationships and many plot points; otherwise, frankly, you'll end up with situations where the characters themselves have no complaints, but the cat in the hall is inexplicably hissing – it's quite funny. (But it's no use offering suggestions now; we can only accept it, because almost all the minor flaws in the descriptions and plot of this book have been resolved in the new book.)