
The Chat Thinks I'm a Really Good Person
弹幕都觉得我是大好人
- Status
- Completed
- Length
- 802k Words
- Genre
- Urban Youth
- Updated
- 1y ago
- English
- Request a translation
Synopsis
Stats
All-time: Clicks, Favorites, Recommendations.
390Chapters
19.8MClicks
46kFavorites
118.2kRecommendations
513Reviews
In booklists 2
In same booklists
Honkai: My Art Style Is Off
Reincarnated as an Ant Queen, Starting with Egg-Laying!
Lobotomy Corporation Simulator: The Best Dating Simulator
The Escaped Arknights Bishop, but a Fourth Calamity
Then Let Them Live with Regret!
The Chat Says Going Dark Makes You Three Times Stronger
RT
Infinite Replication: My Army of Beautiful Girls
RT
Dad, Please Let Me Solo Stan You!
RT
Can a Thousand Lives Beat Honkai?
The Eldest Senior Sister Has Given Up on Treatment
The Tartarus Fleet's Wonderful Adventure
The Sucker System and Me, a Battle Maniac
RT
The Thousand-Person Ruler's Personal Opinion
I'm a Little Cat, and My Stand-in Is Making Me Starve
Reader comments 4
Google Translate










Who wrote this?
I stopped watching it after finishing it for free back then because I didn't have any pocket money. I watched it intermittently afterward, and now I've finished it. It's great!
Just finished watching it, and I have so many grievances...
Like the embers after a dazzling firework display. It's so painful, so empty. I stubbornly dislike this ending, even though it is indeed reasonable. Yes, as a tragic character, Kita Kirihara's ending can already be considered a happy one. Even the strongest emotions will be worn away by tens of thousands of experiences. Only A-Yuan's absolute emptiness and absolute self-deception can allow him to still have something to cherish after returning to his original world, or rather, to have a purpose and act like a person. A-Yuan anchors herself in love, and thus her love is an emotion so profound that it allows readers who empathize with her to savor this ultimate emotion. But her story is tragic because the background of this story is tragic. A world facing crisis uses all living beings as a stage to earn energy, continuing for thousands of years and countless cycles. The crisis is external and extremely severe. As the only driving force to break the deadlock, A-Yuan is destined to sacrifice herself. From another perspective, if the ending is a family portrait, then what is the crisis plaguing the world? A child's game? But the greater tragedy stems from the dissolution of meaning. The whole story is permeated with love, and everything A-Yuan does is for love. But if love itself originates from a fiction, then what is the point of everything? The ending fundamentally questions meaning, revealing the nihilistic nature of A-Yuan. Everything seems like an empty container, reacting to the outside world like a walking corpse—what are those two hundred-plus chapters of the story? A dazzling firework, blooming and then disappearing without a trace in an instant? This is A Yuan's most fundamental tragedy. She loves acting and stories, but in my eyes, acting and storytelling are means to achieve a goal, not the goal itself. Therefore, she is empty and inhuman. I like this character and hope she can have happiness as a human being, so I feel sad. So in my eyes, this is a tragedy, a story of a fully fleshed-out character being emptied out and reduced to a machine. But this is only a tragedy in my eyes, because whether a person is happy is never defined by others. Kita Kirihara's sorrow is only as I perceive it. I hope she can be influenced by emotions, rather than playing a role with absolute rationality, performing a stage play, and telling a story. I believe that irrational impulses stemming from emotions are fundamental to being human, the source of meaning, and what distinguishes humans from machines. Ah Yuanyuan is like a machine programmed to "play a certain role". So the twist in the ending was a bit hard for me to accept. It's not even a tragedy, because if it were a tragedy, I could savor the despair and sorrow, allowing my senses to be numbed by the intense emotions. It left me with a feeling of emptiness. All the brilliance and emotions in the story are like dazzling fireworks; even though they will eventually fade, they will leave a shining mark in the hearts of the audience. Turning into ashes is not the end of fireworks; it is being denied that they ever existed. But as a story, it's plausible, because if A-Yuan were a person, anchored by emotions, she absolutely couldn't survive in this scripted world. Only by abandoning meaning herself could she achieve a "happy ending" in this story where "the world is a script, and everything is meaningless." So, beyond the story itself, it becomes a tragedy. I really like this book, so I'm so sad. I was a little angry when I first read the ending, and I spent an hour writing some words. But I'm not sad anymore now that I've written this far. I've figured it out, but it's still a little bitter. It's a good ending, but I really didn't want it to be like this...
Hey everyone, do you have any other similar books that feature characters from *Revue Starlight*? I'd like to read them.