Ultraman: TPC’s Villainous Scientist

It seems the author's thinking on technological change is still stuck in preconceived, monotonous arguments. Technology is merely a tool; it must be people-oriented and serve people (if it doesn't align with reality, then you're not responsible for the technology, you're just a consumable). It helps people reduce their burden and expand their capabilities. Ultimately, the application of technology can only be to arm and strengthen existing organizational structures. If a component can be eliminated or replaced during technological changes, it means that it itself has become a burden on achieving the goal, a product of compromise under duress, and a "castle in the air" built up by excessive investment of resources. Reorganization and optimization through technological change are essentially a liberation of productivity, improving basic organization and productivity, and helping to overcome the limitations and barriers of time and space. Just like breakfast shops that make steamed buns nowadays don't raise pigs or grow wheat themselves, because flour and meat are already basic and readily available supplies. As for the growing pains of unemployment, structural chaos, and maladaptive social atmosphere, these are all tragedies under the "phased operating framework" of a "market economy." They reflect capital's detachment from actual organization, its desire to parasitize on the narrow segmentation of production relations. With sufficient planning ability, cohesion, and a sense of responsibility, these issues are not much more difficult than adjusting one's belt.

Is it a pure Ultraman world or a crossover anime? Is Shennong (a legendary Chinese deity) involved?

All I can say is keep thinking about it, and then take action. Constantly correcting mistakes and moving forward is what humanity has been doing for thousands of years. This was also the case in the past. This is even more true now. The future will be the same. If you're not disappointed in humanity, and you're not that extreme! Even though humanity remains foolish now, it is not beyond redemption.

I think we should establish the Galactic Victory Team, similar to the ZAPSPACY (Space Development Bureau, featured in *Mega Monster Battle*), founded on Earth 10,000 years after the Land of Light's ruler, Universe Mebius, to explore the universe (primarily the Giants of Light in Orion) and help the weak.

Has this book had its name and cover changed? What was it called before?

To be honest, I'm not sure if this is the same book I've read before. I feel like there's another one with a similar name on some other platform. In my memory, this novel with a similar title corresponds to... It seems to be the main character, and also Masaki? Then, the main character, who seemed to be writing perfectly fine, inexplicably started resenting Daigo for not being strong enough as Tiga.

Wow, it's updated again after a long hiatus! I'm going to keep up with the updates! Hopefully, there won't be another hiatus this time! #(Cute)#(cute)

It took me a month to read the latest chapter. The author chose a rare perspective, allowing readers to re-examine the worldview of Ultraman Tiga. Admittedly, the world is not a perfect dream where everything goes as planned. Humanity's journey to escape Earth's gravity and venture into space has been far from smooth sailing; many unknowns stand in its way, and countless interests are intertwined. This book aims to portray these aspects, and I hope the author will continue updating and finish it.

I'm shocked! The whole book is folded up! #(Shocked)

Although the author himself said that he wrote it in the direction of ensemble humanism and science fiction, the existing problems are still very glaring, to the point that many times it makes people feel dizzy while reading. First of all, the technological advancements and combat scenes are too small-scale. Throughout the entire film, the initial stunning moment of the fighter jet transforming and burning Melba to death with its jet exhaust is merely a fleeting spectacle. The middle section consists of an entire volume of inexplicable search, attack, and withdrawal sequences. And in the interception operations, instead of deploying the behemoth unit, the mechanical shark, they just have a bunch of small submarines cleaning and polishing the modified dinosaurs?! The protagonist rejects the acquired Crow People's shrinking ray technology, the Wood-Pearl Star People's teleportation technology, and the Magnia bio-regeneration technology all due to his extreme pessimism and defeatism. He's reluctant and hesitant to even offer teleportation technology to improve people's lives. And he refuses to distribute regeneration technology to frontline combat units, fearing it will impact the medical industry—is this the same thing?! The war scenario is just sprinkling some ineffective medicine and firing some ineffective ammunition; do you think this is a DDTank game?! All the technological applications are crammed into Starship Troopers, huh? The WWII mindset can be used forever. When it comes to group portraits, the author goes all out and loses all passion, wanting to break down every expression, action, psychology, and background into 1145141919810 frames. A large amount of content, useful and useless, that has no coherence or emotional resonance is crammed into the chapters. The redundant parts that should have been brief, and the core symbolism of tokusatsu completely absent, cause the spiritual core that should have echoed the original work to fall apart. It doesn't feel like a web novel aimed at the general public, but rather a self-indulgent role-playing record. Honestly, your protagonist is neither bad enough nor good enough, not even conflicted enough; all he serves is his role as a cameraman who disappears at will. That's not enough to create a lasting impression. Readers haven't even given him a nickname, and there aren't any memorable plot points to use as jokes. Isn't that enough to explain the problem?