Uma Musume Have No Weird Letters

Another point I've repeatedly emphasized is that it will soar to new heights. It's exactly the same as what Trigari emphasized all day long: Smailusmailusmailusmailusmailus. The show repeatedly emphasizes this point, and so do the reviews written about it. I forcefully tell readers that my book will ultimately be glorious and righteous. This is something readers can see with their own eyes; it doesn't need to be repeatedly emphasized. Ultimately, it boils down to readers feeling uncomfortable or unhappy with what they're reading, which makes the author unhappy. They then seek validation, a sense of importance, and their own righteousness through this method, as well as emotional catharsis. Just like Antrich, who eventually became a Smailomic, instead of Thomas becoming a Promised Superman instead of a Promised Human.

The uncomfortable parts of this book almost all stem from the fact that if the protagonist's name were changed to that of a trainer, and the storyline focusing solely on horse girls were taken out of context, it would be a very complete and excellent story. That's why I said it looks good. But when put together, it gives the impression that the protagonist doesn't grow at all, and even later on, there's still a sense that it's impossible, fake, and that the protagonist doesn't want to face it at all. But I think there's a reason why it's not popular. Perhaps the author misdefined the book's purpose, claiming it wasn't a "feel-good" novel, but in reality, it followed the typical "feel-good" formula of falling down and then taking off. However, because the author didn't want to make it feel like a "feel-good" novel, and didn't want to write it in a particularly awkward way, more specifically, the author didn't want to provide any "feel-good" moments, and didn't want to relax or be low-key or provide any "feel-good" moments. I just want to write a simple three-line logic: a weak beginning, a frustrating middle, a period of progress, a simple setup, a conclusion, and then, wow, it flies to the sky. This is suitable for video animation but not for novels. The core idea of this type of novel is that light can burst forth from beneath the mud, but the author's shortcomings lie in the foreshadowing and the development of the main characters. The best example is the part where the emperor runs himself ragged; that's where the author forcibly knocks the protagonist down, makes him depressed, and then starts blaming the document and the horse farm. Even from the perspective of strange documents, there's absolutely no need for that. It would be better to just let the Emperor of the East Sea win there, and then awaken his exclusive power to carry out the most common type of strange document for the Emperor of the East Sea. In layman's terms, it's the author's writing style that overdraws on the idea of "for the sake of something else."

Overall, it's a good read, but it's understandable that it's not popular. From today's perspective, it's understandable that this book isn't popular. The protagonist doesn't feel a sense of frustration, but rather a sense of helplessness. He feels helpless both externally and internally, which is quite pathetic. He also seems to lack emotional intelligence and doesn't even seem to understand the situation as well as the Golden Ship. Even the villains are the same. Although it's said that they can be treated as original characters, they are essentially based on the president while adding some priest elements. But in fact, without the help of the strange document, they feel like roadside grunts, just like those grunts in other novels who jump out to provoke the protagonist in the early stages and are eventually killed off. In short, he's disgusting, but rather than being the final villain, he'd be better off as an early transition character. Anyone who picks up the strange book would look exactly like him. The overall flow of the novel is also quite poorly handled. In the early part, Fanny's appearance alone is enough to make you want to leave. In the middle part, the protagonist is not only frustrated, but also seems to lack emotional intelligence. From an omniscient perspective, he has no personal charm whatsoever. He is neither filled with the golden spirit of hope, nor with the absolute dark will to firmly establish himself.

This book has strength