At first, Mu Yun thought he was really damn unlucky. Other transmigrators got old men in rings, golden finger Systems, or beautiful girls falling from the sky... So why did he get stuck with a supporting-character System?
And this System was a stupid little girl, like an overworked employee, who could only tell him what was going to happen.
Under the threat of that "curse," Mu Yun was forced into endless cycles, repeatedly living out the sorrowful life of a supporting character.
Reborn stories, good-for-nothing stories, transmigration stories, dark stories...
The protagonists in those worlds all had similar auras, but every supporting character had their own hardships and sorrows.
After dying at the protagonist's hands for the nth time, Mu Yun finally snapped.
"System, over my long life as a transmigrator, I've learned one thing: supporting characters have their limits!"
"I'm done pretending, Grandpa's coming clean!"
"I'm not being a supporting character anymore!"
[P.S. This is a multi-world quick transmigration story.]
This is my third time reading this book after many years, and I feel compelled to share my thoughts. I still really enjoy the first story.
Why has the author stopped writing books? Has she run out of ideas? I've seen many comments saying that Ye Mengxi missed out on a good relationship because of being a "green tea" (a manipulative woman), but logically, she would have been even more miserable if she hadn't been a "green tea." She wasn't particularly good-looking, nor was she exceptionally talented. Her family background was also a burden. Without being a "green tea" (a manipulative woman), she was just cannon fodder at the very bottom. The scheming woman helped her get on the protagonist's good side, using his influence to grow stronger. After the protagonist lost power, she used his remaining influence to get into a prestigious university, thereby getting on the good side of another wealthy man. This is a form of parasitism, specifically the kind where one can easily jump off the vehicle at any time, unlike the bonded, life-and-death dynamic. While jumping off a vehicle is selfish, it does offer greater survival capabilities and adapts to the natural law of survival of the fittest. Her failure this time was solely due to the change of protagonist, a forced intervention from an external force, not a problem with her survival method. Furthermore, her situation wasn't entirely parasitic; it also involved symbiosis, as she provided emotional value in exchange for fulfilling the fantasies of both the real and fake protagonists about the opposite sex. This is why she was able to successfully parasitize them. Although this emotional value was illusory, whether real or fake, as long as it comforts the soul, there's no difference. If a hypocrite pretends to be a good person their whole life, then she is a good person. Heroes are judged by their deeds, not their intentions; and by intentions, no one in the world is perfect.
Will the author write a new book?