Tianbang

To be honest, I can accept the other protagonists' points. But the part about falling in love with that sister and best friend was really poorly written. Originally, the two of them got along with each other, not that it was well written, but I could barely read it. I really can't accept the part where the main character's sister is PUA. It is always said that the protagonist was not worthy of her best friend before, so does she deserve to be the protagonist now? Just because of her absolutely not rare appearance? What else? At first, she was a sugar daddy. Later, she was forced to have a sister who was not happy without a sugar daddy, so she wanted to be a sugar daddy so that it would be safe. How can such a person be helpful to the protagonist? Is it that one day the protagonist cannot give her the sense of security she wants and she will immediately kick him away and find someone else? This character is really poorly written, extremely poorly written, and so is the protagonist. I wrote a bit at the beginning that I had a bit of a yearning for this female character in ordinary times, but later on there was basically no intersection. They were all forced by the protagonist's sister to have intersection. If it weren't for the poor writing of Jiang Xingyu's character later, I feel that this role would be more suitable. Of course, the author later wrote the character Jiang Xingyu poorly, and it was definitely not suitable for the protagonist. I hope the author really doesn't write these scenes involving the protagonist's sister, Pua, the protagonist. It looks really disgusting This book only sees the main character, sister pua, as the main character, so I won't read it. I really can't accept it. .

It's just rubbish. Qidian banned me. I guess my account has been sold. How old is it? He's a genius to be able to write such an embarrassing and ridiculous plot.

It doesn't matter if I don't touch Xiaoyu at first and make her transparent. You 🐴 didn't even give me a single Bai Yuan Jing when I slept with him, and you're really not a human being when you kept him in the dark about something as serious as the end of the world. And this Ji Qingqing encouraged his younger brother to harm his best friend. After using so many white source crystals for himself, he didn't even think about getting one for his best friend and sister-in-law. He even said that his younger brother had his own ideas. No need to say more. If you haven't read it yet, please don't read it. These two siblings are really not the same thing. Let's just say that men need to take responsibility. Author, you really need to give it a try.

It's really baffling to watch. Every time Chengfeng writes family scenes, it's quite embarrassing. Except for the ones like Lu Qingyun, which are okay, the others like Lin Mingyue make me want to vomit🤮

He already has a loan and a company, and his sister is live broadcasting there. It's too weird. Do you want to make a plot? It's really not that. The climax of your plot can't be reached. And it will take a while before you are strong enough. If it's too sexy, why don't you just confess it without even telling the people close to you? It's too sexy for the protagonist to give this person SB.

In just the second chapter, a person goes from super scared (the article describes that he hasn't seen anything yet, and then he is so scared that he can't move) to fearless (alone) (takes the initiative to look for it) (yells) (knows the monster's weaknesses and habits???) (Solves it in two or three times) (laughs). Of course, this is not as good as what was written in Chapter 3, and it actually still has the physical instinct accumulated hundreds of times. But I suggest you take a look. After all, it might just be me who doesn't like it. Of course, if you don't like it either, then let's share the pain. [Emot=default,05/]

Exactly 10 years, not even a day is missing, what a coincidence, man

There has really been progress, the emotional writing is actually okay, it's just a matter of perspective, and it's too sharp. I still say the same thing. Analyzing it directly from this perspective, good writing or bad writing will offend people. It is impossible to please people on this kind of topic. Is there a flattering way of writing? Yes, the book next door is of the same genre. The author's writing style is that you used to ignore me, but you can't reach me now. It is really refreshing to write from top to bottom from a different angle. It is full of emotions, but the disadvantage is that it is not deep enough. But this is actually not a disadvantage for most readers, they don't want to know about this. But I like it very much. It is considered a more detailed and in-depth genre of fantasy. After all, the purpose of most fantasy authors is to be pure and happy. They only focus on results. If you want to be emotional, I will just fill it up.

1. The protagonist's abilities are too strange. The protagonist in the four-year apocalyptic dream has been stupid for four years? The improvement is too fast because the explanation of death in the dream is too strange. Do you still need skills to supplement your later abilities? 2. I don't want to complain about the title of the book. 3. I don't know how many people complained about my sister. The protagonist was submissive, but the author's character changed drastically after just a few lines. It was so strange. Especially after the big change, the protagonist looks like a quail in front of his sister, which is very uncomfortable to watch. 4. Crystal, Lao Doom's text has been set. Good guy, I saw that this spiritual energy recovery text is still there. The orc who was told at the beginning had it in his hand, but later it became inexplicably that the orc had it in his head?

"Riding the Wind and Riding the Sword" realm deduction: two realms above the Eternal In the worldview of "Riding the Wind and Sword", the Eternals are already at the pinnacle of spiritual practice. They transcend time, control laws, and are nearly immortal. But if you continue to extrapolate upward, there are still higher levels of realm. The following are two reasonably deduced realms, and elaborate on their capabilities and ways to achieve them. The first realm: "Taichu Realm" (or "Chaos Taoist Ancestor") (Beyond eternity, return to the origin) Realm characteristics: Although the Eternals transcend time, they are still limited by "laws" - they can control the laws, but they cannot create or erase the laws themselves. The existence of the "Taichu Realm" is no longer bound by the laws, but stands on the original level above the laws, able to evolve, create, and annihilate the laws. Ability performance: 1. Realization of laws: You can create new laws at will, and even change the operating rules of the entire world according to your own will. 2. Concept manipulation: Not only can it affect matter and energy, but it can also directly interfere with "concepts", such as modifying abstract concepts such as "life and death", "causality" and "fate". 3. World Creation: A complete world can be created out of thin air and given independent operating rules, and the Eternal One can even become a "mortal" in it. 4. Chaos Assimilation: Able to merge into the "chaos" state, making itself unaffected by any known rules, and even invalidating the Eternal's attacks. How to achieve it? 1. Beyond eternity: Eternals must give up their obsession with "eternity" and no longer pursue immortality. Instead, they must actively step into "change" and find the origin in the change of laws. 2. Understand chaos: You must contact and understand "chaos" - the original state before the birth of the law, and understand the "order in disorder". 3. Transformation of Tao Heart: You must allow your own "Tao Heart" to evolve to the state of "no self and form", no longer existing in any fixed form or concept, but becoming "the law itself". Symbol: The existence of the Taichu Realm is like the ancestors of chaos before "Pangu created the world". They can create or destroy the rules of a universe at will. The second realm: "Final Realm" (or "Lord of the Ruins") (Beyond existence, control endings and rebirth) Realm characteristics: The existence in the Taibei Realm is still "creating", while the "End Realm" transcends creation and destruction and controls the end and rebirth of all existence. They are not only the "strongest", but also the "terminators" and "rebirthers", who can determine the survival of a universe and even affect the fate of the multiverse. Ability performance: 1. Multiverse control: You can observe, interfere with, and even erase multiple parallel universes at will, and even affect the overall operating logic of the "multiverse". 2. Ending and rebirth: You can actively end the operation of a universe (return to ruins), and you can also regenerate a brand new universe from nothingness (creation). 3. Causal erasure: Can completely erase all traces of a certain existence, including timelines and laws of cause and effect, making the target "never exist." 4. Eternal annihilation: Even the eternal ones cannot escape from the final state, because the final state can invalidate "eternity" itself. How to achieve it? 1. Transcend existence: We must transcend the concept of "self-existence" and no longer be bound to "existence" or "non-existence" in any form, but become "the unity of existence and nothingness." 2. Witness the end: You must personally experience the "end of the universe" (such as the Great Destruction and Return to Ruin) and find the possibility of "rebirth" in it. 3. The Tao and the End: You must unite your own "Tao" and "End" to understand the ultimate truth of "destruction is rebirth." Symbol: The existence of the Final Realm is like the "Lord of the Returned Ruins". They can end an era at will, and they can also give birth to a new era from nothingness. Summary: Realm level (advanced route) 1. Mortal → Monk → Holy Realm → Supreme → True Immortal → Tianzun → Eternal One → Taichu Realm (Chaos Taoist Ancestor) → Ending Realm (Lord of Guixu) These two realms are in line with the transcendent setting of the "Eternal One" in "Riding the Wind and Sword", and are further deduced on this basis to make the practice system more grand and profound. The Taibei realm represents "creation and origin", while the final realm represents "end and rebirth". Together, they constitute the ultimate pinnacle of the path of spiritual practice. (If you have a more specific novel setting, you can further adjust the details of these realms!)