Linghuai Immortal Clan
About This Novel
When he woke up, Jiang Yuan turned into a thousand-year-old locust tree, and the Jiang family was sheltered under the locust tree. Under the protection of Linghuai, the Jiang clan members used their blood and sacrifices from generation to generation to make the whole family famous all over the world, ushering in a magnificent era of great struggle for the Jiang clan's Immortal Mansion.
What Readers Think
Rating
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Official(1)Scraped 2d ago
There's a little bit of chivalry in my chest.
The author is a newbie, and it was the first time I received a manuscript through the Qidian editor's mailbox. At that time, my editor in charge read my 20,000-word text, and then asked me about the content behind it, so I quickly added more editing, and now I have 20,000 words, which is 40,000 words for the submitted manuscript. The author is a person who likes traditional literature. Compared with modern Shuangwen, I read some when I was in school. But as I get older, Shuangwen's so-called pretense and slap in the face, pretending to be a pig and eating the tiger's plot, I can do these, but rarely write them. It is impossible to have these Shuangwen techniques in this book. I hope that every big plot of this book can allow readers to feel the struggles of these characters in the world of cultivating immortals, just like the struggles of us cattle and horses in this world. I think the best writing is to give readers a rich reading experience. If I can't do it now, it's because the author's writing is not strong enough and he can't express it. But I will work hard to write and perfect these expressions bit by bit, so that the emotions of the characters in the story can be seen in front of the readers like pearls. This book has 130,000 words so far, but the overall test results are particularly poor. The number of collectors and readers is low. It even made me wonder if I wrote in the wrong direction. The data made me hesitant, confused, and even anxious. But when I write out the emotions of each character and match them with corresponding music, I will still be happy to write them out. No matter what the final result of this book is, trying to portray full-bodied characters and write a harmonious plot is my original intention for this book. If this book hits the streets, then the next one will continue Xianxia. Until I can write a little bit of the Jianghu spirit in my chest. I especially like one sentence: Wanderers in rivers and lakes, meet by chance, hit it off and drink, there is no need to say hello, don't ask your name.
Rating
Community(0)
Official(1)Scraped 2d ago
There's a little bit of chivalry in my chest.
The author is a newbie, and it was the first time I received a manuscript through the Qidian editor's mailbox. At that time, my editor in charge read my 20,000-word text, and then asked me about the content behind it, so I quickly added more editing, and now I have 20,000 words, which is 40,000 words for the submitted manuscript. The author is a person who likes traditional literature. Compared with modern Shuangwen, I read some when I was in school. But as I get older, Shuangwen's so-called pretense and slap in the face, pretending to be a pig and eating the tiger's plot, I can do these, but rarely write them. It is impossible to have these Shuangwen techniques in this book. I hope that every big plot of this book can allow readers to feel the struggles of these characters in the world of cultivating immortals, just like the struggles of us cattle and horses in this world. I think the best writing is to give readers a rich reading experience. If I can't do it now, it's because the author's writing is not strong enough and he can't express it. But I will work hard to write and perfect these expressions bit by bit, so that the emotions of the characters in the story can be seen in front of the readers like pearls. This book has 130,000 words so far, but the overall test results are particularly poor. The number of collectors and readers is low. It even made me wonder if I wrote in the wrong direction. The data made me hesitant, confused, and even anxious. But when I write out the emotions of each character and match them with corresponding music, I will still be happy to write them out. No matter what the final result of this book is, trying to portray full-bodied characters and write a harmonious plot is my original intention for this book. If this book hits the streets, then the next one will continue Xianxia. Until I can write a little bit of the Jianghu spirit in my chest. I especially like one sentence: Wanderers in rivers and lakes, meet by chance, hit it off and drink, there is no need to say hello, don't ask your name.
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