Filmmaker Legend

Works by Qingcheng Wuji! Many people who are reborn in the entertainment industry are copycats. Why are they copied? To get rich! Entertainment is mainly divided into several sub-categories. There are those who follow the path of copying novels and become great writers. They span several categories and are aloof and reclusive. The highest achievement may be to win a Nobel Prize. From popular literature to in-depth literature, English to Chinese, French to Chinese, in the final analysis, we use their culture to conquer them, and our culture conquers us. There are few people who write about cultural self-confidence! Of course, there are also those who take the film and television path. The film and television path is most likely to sell songs and scripts. Some people directly become star actors, enclose their own land and set up companies, and use copywriting knowledge to capture talents and accumulate capital. There are also those who have become directors, making Chinese blockbuster films and translating foreign films into English and becoming major international directors. There is an obscure upgrade route in the entertainment articles, which is also in line with the readers' curiosity and curiosity. Moreover, because of its inherent life atmosphere, there are many places of empathy and a strong sense of immersion. It seems that a lot of nonsense above me has nothing to do with the book I introduced, so continue reading. Qingcheng Wuji's last work, Film Teacher, started from his identity as a teacher at Peking University, and set out to cultivate actors in the early 21st century, strengthen their future competitiveness against actors from Hong Kong and Taiwan, and create his own company. Although he started as a director, he has a high sense of protagonist as a film practitioner. From the establishment of the company to the choice of filming movies, we focus on two things: to make movies that represent cultural confidence and to cultivate industrial talents who can integrate with international standards. Participate in the creation and innovation of film awards, international layout, and enhance the country's own film system under the industrial chain. This was something that no cultural and entertainment works at that time could achieve. The old book has been blocked due to some sensitive elements. After the new book came out, I didn't see Qingcheng Wuji's name in this book until yesterday. There are no surprises, only surprises. This is a work that surpasses film teachers in terms of writing and conception. What is slowly revealed between the lines are the feelings of the filmmakers. Every word is told in an orderly manner about the people who struggled for Chinese films in the 1970s and 1980s. What the protagonist is doing is not to make money, or to make his wealth and status far higher than that of ordinary people, and to be a high-minded person. He is using actions and thoughts to fight against the entire era! Break the closed-minded view of literary and artistic supremacy, break the dilemma of monopolized film sales, truly influence a group of people, and lead this group of people to build a new Chinese film! Movies are culture, and what he wants to do is to let the Chinese people stand up culturally! Above!

A new book from the author of "The Film Teacher" who was born again as a director It will be on the shelves on May 10th, and it will be available on the 13th. The beginning of the rebirth of the fifth generation of directors. At the age of 16, he entered the film academy with advanced concepts and techniques, and became both a student and a teacher.

Recommended, hope to finish the book well

Male protagonist ★★★ Couple√『Growth Period』 Director's article, the male protagonist is reborn. In 1978, he studied in the directing department of Beijing Film Academy and became the same batch of directors as the national teacher. There is a lot of useful information, not routine writing. I personally like movies from that era, they have a depth of reality.