There's Something Wrong with This Disaster Word Game

At first, I thought that lowering the level was just to write more. It doesn't matter. It doesn't matter. Take your time. After a while, I looked at the settings and said that level 8.9 Is considered an early and mid-level player. Another moment, 13.14 Is considered, and 15 is considered a special player. Another time, it is said to be an elite player. These have never been clearly explained and are very vague. Later, it was said that before level 15, you can quickly upgrade with the boss, but after level 15, it is difficult, so why should you lower the level? Levels only add attribute points, not hard power (the attribute points in this book are very rubbish. The hard power depends entirely on equipment and banned books). Previously, I have always written about the protagonist reaching level 8.9 And reaching more than ten levels. When he reaches more than ten levels, he writes that ten levels are very rubbish. It takes too much setting space. Later, he plays the special level at the top. When I write "caiguou", one of the seven villains can be killed in less than three seconds. Not to mention that there is a boss above the seven. Normal special players only fight against the bosses of small organizations below the seven. It is really outrageous. Your villain has ruled the earth for so long. You will have to level up later. The strength is too serious. The special level is described as awesome in the first place but then it is trash. When the protagonist reaches level 16, he is still a loser. Even a slightly famous protagonist in the game can't do it, and he keeps participating in awesome things. I really don't understand. You really don't have it. What about the outline and settings? The settings are not clearly written from the beginning to the end. They are just like a garbage loser who plays all kinds of reckless ways in the game. After finishing the play, I found out that the writing was so awesome but it turned out to be ordinary. I said, why bother? There are a lot of adventures and big plots in the game. What's the use? Strength doesn't add much to the plot, and the plot is slow, so why write so many big plots? Each plot has a lot of things, and the strength is still the same, including the things you got before, right? Do you remember the debt collector's knife, the bat rune, and the summoning bat? I haven't used it once and I have to change the enchantment. It's really boring. I might as well start the eunuch earlier.

I feel like you've lost your mind recently. When you first wrote the protagonist, I thought it was going in the direction of a ranger, but after starting from the bounty hunter and the Firefly family, it felt a bit rushed? And I feel that you have designed the players to be too awesome. They are only over 20 levels and it seems that they have reached the pinnacle of the world. I cannot say the pinnacle. They have already begun to influence the upper levels of the game world. As for the man in white, I remember that he seemed to be a small leader of the Holy Disaster. Although it was accompanied by a major disaster and many criminals were together, it should not be a big problem for the prisoner hunters. But it seems that a man in white singled out a prisoner hunter. It feels like a witch. It's not that powerful, maybe you haven't written too much about the battle of witches, or maybe the New World hasn't been launched yet, but I think it's too early for the real world. For Renshu, although he is a villain's boss, he can pick out special players by himself, and there are six others as powerful as him... Basically, the top combat power is the Holy Disaster, and the real world is now letting go of its pressure. Do you want to write about the gradual collapse of the real world? There is also the protagonist. I feel that the role of the protagonist is strange. Will the protagonist gradually save the real world in the future? As a ranger or something? All in all, I feel that the description of reality is a bit strange, the combat power of Xinri is a bit strange, and the role of the protagonist seems to be changing. Thank you for the above.

Very well written, the author keeps it up

It's almost 300 chapters now and I still can't figure out how experience is added and how it's calculated. It's such a mess. Does killing so many people with your own pet count as experience? There's no panel value at the end. I guess you're also confused. You don't know how to write it. You can write it however you want. A person who writes about game genres. The settings are not clear in the front and I haven't read them in the future. A book of the type that relies on numerical values. Why are the numerical values written vaguely? I can't read it after two hundred chapters. I also paid to read your book. But I won't be able to support you after what you wrote. Forcing me to read it will only make me uncomfortable.

First of all, the combination of the doomsday cyberpunk worldview and word games is a very novel framework with great potential. The author is a novice who designed the protagonist's golden finger to be too strong, causing his combat power and level to begin to collapse in Chapter 20, and attribute points were added at will. There is no description of the 24 major districts, and the entire text basically contains cats in district 8. A career is more like a skill or position with no corresponding name. Many holes were buried but not filled (Bairi Tower, group leader Luo Qing, leader Li Xiang). Summary: The author is a novice and does not have an outline and cannot grasp the content (combat power and level). The theme is very novel and he insists on being meticulous (I have finished writing 24 regions, the Tower of the Sun, the Land of Thin Light, the Land of Darkness, the World Game, and Golden Finger). After writing, it will only have 3 or 4 million words. The ending is too hasty.

Overall, the writing is very good, and it really suits my taste. It made my blood boil. I hope the author will do more. It's too little. I'll give you 9 recommendation votes every day, and occasionally vote for the month. I must do more, it's really good.

You old eunuch, I really don't dare to chase you.

Generally speaking, there are cheats, but the protagonist's cheat is too bad!

The early stage is very good, but later on it feels like there is no backstory. It doesn't quite fit the protagonist's setting. In fact, not many problems in the different world have been solved, and many pitfalls have not been filled at all. It felt like the plot of the book was gone halfway through. It felt like it might not be half yet, but I had a good conscience and didn't continue writing. Overall, the outline may not have been written well.

The settings are really good, but the outline is poorly edited.