On the Road

Since Zhai Zhu's book Mud God, the ideas of each book have been solidified. They are basically based on the same model. They are all about the boss protagonist being sealed and starting over. Then there will always be a plot in the first ten chapters: the protagonist commits a crime, and then a very capable and noble supporting character comes to arrest him. And it just so happens that the protagonist will suddenly do a good deed and be seen by him, and then he will not arrest him. The point is that this supporting character is a highlight role in the early and middle stages. Are you really exhausted of your talents? Are you still tired of writing the same routine in every book? But readers are tired of it. Every book has this template. Shuan Q

Digression: A common logical problem in the fairy tale genre is that personal power can crush all living beings, so the source of power is not the people at all. When two forces fight, as long as one side does not have an equal master, it can only be massacred. And Xianxia must pay attention to chivalry and comply with the people's wishes (even if they are not chivalrous, they must stand up for the people, rather than preying on the people), otherwise they will be abandoned by most book friends. This contradiction is that becoming an immortal is no longer human (or extraordinary), and mortals are of no use to immortals, but immortals want to protect the people; even in the later stages, ordinary immortals are useless, everything only depends on the strongest immortal. Immortals do not ask for help from mortals, nor do they gain power from mortals. They are completely different species. Mortals are not even livestock to immortals. Why should immortals protect mortals? First, the contradiction between the grand world, long life and personal practice. The world of Zhaizhu is huge, but people who can turn the world upside down do not have the cultivation to match the ability to reach the stars and destroy the world. There are 200 countries in the tiny dust of the earth. The leader of any small country can be happy and calm for 100 years in his life. His laughter and curses are all performance requirements. However, those immortal emperors who rule a universe have lived for tens of millions of years, but they are like ordinary people with no city. They are surprised and sad, and cry casually when they are touched by the situation. How many feelings can you still have after being away from your hometown for tens of millions of years? What's more, he can burst into emotions at any time, and the huge memories formed by tens of millions of years of cultivation, interpersonal communication, and battles are all just clouds? Second, there is no difference between life and death. Those settings that are dead but not completely dead are very awkward. Even if they are dead, they will still be beaten to the head and bloody, and their flesh and blood will be scattered everywhere. Ghosts and humans fight with each other, and blood spills from their mouths. There is no boundary between life and death, and death is not death, so why bother writing about life and death? The most typical one is that Emperor Chaos's lying corpse can continue to interfere in the present world. There are also masters who can easily destroy both body and soul, and some people don't have much magic power. After death, the soul can always go to the underworld and be retrieved and resurrected, which is even more speechless. The one who can kill the protagonist's soul can only blow the breath, but he has to let the protagonist go to the underworld. And some people definitely want a knife, which means their souls will be destroyed in one blow. Third, the empty avenue. When Zhai Zhu wrote about the confrontation between Dao, he wrote Dao as an entity like roads and meridians. It seems to be concrete, but in fact it is empty. Because there is no content, all kinds of Tao can only be described as quasi-entities, like the meridians that have been cultivated. The strength of the Tao will become the growth of the meridians, and the damage of the Tao will become the damage of the meridians. Take the martial arts in Ascension of the Other Day as an example. It is a complete empty shell with only a name. The author blurred it out by writing some scenes of martial arts training, and mentioned it when necessary. As for how the martial arts functions, he did not write at all. No matter what, I have to write about situations where one can see the weakness and kill with one strike, and the Tao method naturally suppresses other Tao methods. For example, when facing the way of wind, one is like a crane, and when facing the way of water, one is like a fish; or when one uses force to suppress the void, the world will rhythm with the rules of martial arts - the beating of the heart affects the rhythm of other people's heartbeats, the rhythm of stretching muscles and bones crowds out other principles, and other principles will collapse when encountering this rhythm. Fourth, the narrow Tao and the grand world. The grand scene described by Zhai Zhu shows that it is possible to pick up the stars with one hand, or even destroy the universe with just one palm. However, when describing the Tao, it turns into mountains and rivers - the Tao of wind, water, and wood... Are just phenomena on the planet. For example, the earth's wind causes the air to flow due to uneven cold and heat. It is also the earth's gravity that attracts the air that gives the air fluid characteristics. Another example is water. It is also the earth's environment that allows water to exist in a liquid state most of the time. If the world is the earth, then of course the natural laws on the earth apply. However, in the world of Zhaizhu, there are always galaxies at hand, and it is very narrow-minded to rely on the natural phenomena on the surface of the planet. This is the same as the first point, just like a small horse pulling a big cart.

The writing is like fighting monsters and upgrading. The supporting characters are all idiots, and they are killed one by one. They all got up from the bottom. Don't write the same thing as others.

Good book, the first work after returning from the failure of stock trading. The writing style of the whole book is concise and solid, the plot is not procrastinating, and the characters in the book can be well created with a very small part of the text, which is impressive. The description of the characters and plots is close to the atmosphere of life, and it is rich in depth and humorous. This is the most obvious advantage of Zhai Zhu's book. So far, it's a good book, nothing bad, and worth reading. You still have to trade in stocks. There are still many good stock markets in the world😘.

Why is it so slow to update? It took so long to reach just over 700 chapters. I thought it was finished when I uploaded the video version on site B.

I have to say that pigs have a long-term vision

Two updates a day > One update a day > One update every few days > One update a week > Unfinished! ! ! My word is fulfilled!

After reading more than 60 chapters, there are a lot of flaws (later it is said that porcelain can only turn into living things, but the rice soup that Jin Hongying drank in her mouth turned into porcelain. There are also a lot of people saying that Baidu rice can breathe, but cooked rice cannot? Of course, it is possible that their living habits are different from mine. The rice soup they usually drink is uncooked rice soaked in cold water), and the masterminds of solving the magic transformation are two children. The high-level old monsters are just thugs who have no real skills at all. How can they be immortals when they sit at the table with children every day? In this regard, if you learn from the Xuanjian next door, the person with the highest level of cultivation will always take the lead. Even the son of luck can only bow his head and sit on the sidelines, not being able to distinguish priorities. There is also a big difference in the fighting scenes. As a result, the opponent did not even have time to react and was killed. The people next to him were like NPCs, waiting for the protagonist to kill one by one without even moving. The writing and imagination are top-notch. I bet that 80% of the readers are die-hard fans of the author. Not many newcomers can watch it and compete with Jianlai.

Beautiful, wonderful. Worth a look.

Zhaizhu's works are worth a look! I hope to make each storyline more complete and vivid, and don't rush but be steady.