
Tianxi Prosperous Age
by Reading In The Middle Of The Night
About This Novel
An era that should not be buried in history. An emperor who should not be looked down upon by ancient or modern people. The Five Dynasties came to an end, but the disputes did not end. China ushered in another division between the north and the south, and also ushered in the third generation of Zhao Heng, the monarch of the Zhao and Song Dynasties. Although the Chanyuan Alliance gradually stabilized the regime in the Central Plains, rumors of the unfairness of the three generations in power were wandering around China and abroad like midnight ghosts. As a result, the Heavenly Book Movement, which demonstrated orthodoxy, was vigorously staged. Thousands of auspicious signs are coming one after another. In this pursuit of fame and fortune, an extremely brilliant light comes over thousands of years and turns into clusters of flowers, blooming only for the prosperous age. When he was nine years old, he went to the palace and was tested by the emperor himself. The fourth yuan and the third rank are the best in ancient and modern times. Five dynasties did not fall, and there was mixed praise and blame. The emperor called him "the teacher of all ages". It is known as "Auspicious Heaven". Known in history as "prodigy governance".
What Readers Think
Rating
Community(0)
Official(2)Scraped 8d ago
😥, very good, but a bit toxic. The protagonist is Stallion and the author is Song Chui.
Let's talk about the advantages first. The author's historical knowledge reserve is very sufficient, the relevant information is also comprehensive, and the development of the story is very clear. The writing is excellent, and the content on state governance is among the best among historical texts. The author's skill is at least first-class, and the novel is suitable for slow reading. However, the author also has many poisonous points and problems, which can be divided into two categories. First, there are serious poisonous points in the protagonist's personal relationship, and they appear one after another. If you want to write about a stallion, you should write it well, not too pretentious, too damn hypocritical, and disgusting. The protagonist is a stallion, lustful and has no bottom line. He has relationships with his friend's wife, his own-raised sister, the emperor's concubine, his mother, his sister, his daughter, and the enemy's concubine. There are also many sons, and the relationship is particularly messy. This is the most difficult thing for me to accept in reading, and it has always existed. I know that the author designed the protagonist to be lustful in order to defile himself and protect himself. But some places go too far, such as Qian Yi. This friend got promoted and gave his wife to the protagonist for political deals. He also used his infertility as a reason to cover up the protagonist. The protagonist did not refuse, did not take the initiative, was not sure, and accepted it hypocritically. It was so fucking disgusting and hypocritical. Another example is Zhao Niannian. The protagonist raised her and raised her as a sister. However, she developed feelings for the protagonist. If the protagonist likes her, he will accept her. What does it mean to keep silent? While provoking more women, he hooked up with Zhao Niannian's half-princess sister, while leaving Zhao Niannian in the palace, he went out to live and be unrestrained. No wonder she bit the protagonist's ear. In the end, she forced her to die before the protagonist accepted her. In addition, the protagonist is also full of poisonous points in other aspects of lust and relationships with women. I think one of the criticisms made by the protagonist's enemies about the protagonist in the article is very accurate. The protagonist is lustful and excessive. If the institution where the protagonist established the nursing home had no positive effect, it would have become a hiding place for the protagonist's filth. In addition, the author over-exaggerated the protagonist's ability in the article, and Song Zhenzong had too much trust in the protagonist. In addition, the protagonist is Song Chui, who did not expose the many crimes of Song Zhenzong and the Song Dynasty thoroughly enough. In some places, he even tried to make up for the emperor. For example, Song Zhenzong exaggerated the role and significance of the title of Zen. Yes, the emperor gave his concubines to the protagonist, and his daughter eventually became the protagonist's woman. Can the protagonist not say something good for Song Zhenzong? The protagonist carries out a new coup during the Renzong period. There is no problem with the general direction of the reform, but the narration of the process of the reform is too childish. The protagonist only has the main content of the reform, lacking specific details and preparations. The protagonist is completely a gambler, and the method of dealing with the enemy is too simple and crude. It is completely taken for granted. The success of the reform can only be realized in novels. Reform is not a dinner party, it is a revolution. If you want to revolutionize the lives of literati and bureaucrats today, you must be ready to revolutionize the emperor's life and be prepared to rebel. The emperor is the biggest landowner in the world. The protagonist takes action against the scholar-bureaucrats, but before I saw him take action against the emperor, he planned to regain Yanyun. It seemed that the protagonist was omnipotent and had everything under control, but I couldn't see the specific performance, only the final result.
come on
Very good, at least I can't write it, come on ^0^~,
Rating
Community(0)
Official(2)Scraped 8d ago
😥, very good, but a bit toxic. The protagonist is Stallion and the author is Song Chui.
Let's talk about the advantages first. The author's historical knowledge reserve is very sufficient, the relevant information is also comprehensive, and the development of the story is very clear. The writing is excellent, and the content on state governance is among the best among historical texts. The author's skill is at least first-class, and the novel is suitable for slow reading. However, the author also has many poisonous points and problems, which can be divided into two categories. First, there are serious poisonous points in the protagonist's personal relationship, and they appear one after another. If you want to write about a stallion, you should write it well, not too pretentious, too damn hypocritical, and disgusting. The protagonist is a stallion, lustful and has no bottom line. He has relationships with his friend's wife, his own-raised sister, the emperor's concubine, his mother, his sister, his daughter, and the enemy's concubine. There are also many sons, and the relationship is particularly messy. This is the most difficult thing for me to accept in reading, and it has always existed. I know that the author designed the protagonist to be lustful in order to defile himself and protect himself. But some places go too far, such as Qian Yi. This friend got promoted and gave his wife to the protagonist for political deals. He also used his infertility as a reason to cover up the protagonist. The protagonist did not refuse, did not take the initiative, was not sure, and accepted it hypocritically. It was so fucking disgusting and hypocritical. Another example is Zhao Niannian. The protagonist raised her and raised her as a sister. However, she developed feelings for the protagonist. If the protagonist likes her, he will accept her. What does it mean to keep silent? While provoking more women, he hooked up with Zhao Niannian's half-princess sister, while leaving Zhao Niannian in the palace, he went out to live and be unrestrained. No wonder she bit the protagonist's ear. In the end, she forced her to die before the protagonist accepted her. In addition, the protagonist is also full of poisonous points in other aspects of lust and relationships with women. I think one of the criticisms made by the protagonist's enemies about the protagonist in the article is very accurate. The protagonist is lustful and excessive. If the institution where the protagonist established the nursing home had no positive effect, it would have become a hiding place for the protagonist's filth. In addition, the author over-exaggerated the protagonist's ability in the article, and Song Zhenzong had too much trust in the protagonist. In addition, the protagonist is Song Chui, who did not expose the many crimes of Song Zhenzong and the Song Dynasty thoroughly enough. In some places, he even tried to make up for the emperor. For example, Song Zhenzong exaggerated the role and significance of the title of Zen. Yes, the emperor gave his concubines to the protagonist, and his daughter eventually became the protagonist's woman. Can the protagonist not say something good for Song Zhenzong? The protagonist carries out a new coup during the Renzong period. There is no problem with the general direction of the reform, but the narration of the process of the reform is too childish. The protagonist only has the main content of the reform, lacking specific details and preparations. The protagonist is completely a gambler, and the method of dealing with the enemy is too simple and crude. It is completely taken for granted. The success of the reform can only be realized in novels. Reform is not a dinner party, it is a revolution. If you want to revolutionize the lives of literati and bureaucrats today, you must be ready to revolutionize the emperor's life and be prepared to rebel. The emperor is the biggest landowner in the world. The protagonist takes action against the scholar-bureaucrats, but before I saw him take action against the emperor, he planned to regain Yanyun. It seemed that the protagonist was omnipotent and had everything under control, but I couldn't see the specific performance, only the final result.
come on
Very good, at least I can't write it, come on ^0^~,









