Chu Tomb Town

Read Chapter 20. This book is not friendly at all, and there is no compromise with the market, no concessions to readers, and no preparation for business. Have you ever seen the cramped and withered countryside among loess, rivers, sand, dead trees, winding mountain roads, dried noodles, withered ears of rice? Such is the picture of this book. The layered story relationships and vivid group portraits, like the layers of soil and gravel recording geological changes, extract individual family skeletons into this painting. After reading in depth, readers can feel such pain and have great concern for women. In fact, from the Han Dynasty to the present, such ethics and ideology have never stopped suppressing rural women in the central and western regions. The bullwhip on Fang Tong, the waving people and the cold spectators are actually around everyone. Each picture scroll in the book is similar to the clay of history, which the author lonelyly refined into pieces of black porcelain, scattered in an imaginary town, a lonely self-taste. The book is excellent. The author has an essential resonance with literature. In his intuitive creation, he avoids many mistakes and has extremely high artistic charm. I hope readers can understand what Lei Qiyun means, uncover ignorance and prejudice, and truly love the women around them. To improve, the writing style needs to be polished, and some children and kind people should be used to contrast and balance the overall tone. If possible, civilization, religion, and art should also have a place. Lei Qiyun wants to bring salvation that symbolizes reality, which is wealth and law. Finally, the reading difficulty is reduced, such as adding occupation and appearance, establishing a relationship with the protagonist, and a better sense of reading helps readers travel through this historical town. Clumsy works of each other.