Mercenary War Chronicles

Summary of discontinuation: Level T3. 730,000 Words, no updates. Work tags: traditional style, simple and steady, DND-like, Western fantasy. Rating: A. The main traditional style is organically combined with some innovative elements, and the protagonist's character and behavior are comfortable; B. The integrity is still difficult to evaluate, there are some problems in the details, and the main structure is cautiously optimistic; C. The author's writing skills are relatively solid, his ideas are clear and not boring. A brief review in one sentence: The longer the name, the more powerful it is, a traditional Western fantasy world story. 1. Introduction Gaoganuo had absolutely no idea how he, a herbalist apprentice from Driftwood Town, ended up working as a mercenary in Nanhai Town. He just heard the bard say: "Life is not only about the goblins in front of you, but also about dragons and the distance." Fararo is a world where religion is paramount, and mortals here are accustomed to praying for holy names and blessings from the gods they believe in. In this regard, Gaugano said: What materialists lose is only one god, but what they gain is all gods, saints, angels, Titans, giants, elements, demons... 2. Plot, characters and writing level The plot leans towards the traditional Western fantasy style, but the actual plot design is not overly conventional; in addition, the author does not arrange for the protagonist to become a "special one" from the beginning, and the step-by-step story rhythm is more traditional. He has made some achievements in character creation, especially the protagonist. The author's writing is of high quality, and the embedded plotting techniques are quite smooth, making readers smile without destroying the overall atmosphere of the story. 3. Highlights Personal opinion: The most striking feature of this book is the overall style of neither arrogance nor impetuosity, and a measured advance and retreat. This is reflected in all aspects of the work: 1. In terms of background and settings, the author did not overly mix redundant content. He used "technology and ruthless work" that he pieced together to attract attention. The introduced foreign elements were modified and not obtrusive. For example, many online articles directly copied the game entries to make people laugh. In this book, the author packaged them as "holy names", which is quite in line with the Western fantasy style, giving the world in the story a highly consistent, simple and simple beauty. 2. The character and behavior of the protagonist in this book are very in line with my personal taste. First of all, the character is not destined to influence the world, which avoids the sense of "the world is focused on you" from the beginning. Secondly, the protagonist is calm and upright in dealing with things. He can calm down and level up after gaining developmental abilities. Make careful choices while actively trying; again, the protagonist uses the combination of his own abilities quite well, is logical, and achieves the effect of 1+1>2; finally, the protagonist can face himself honestly and generously, neither coquettishly nor pretentiously, neither giving up easily nor being too showy. 3. The scale of the plot in the early stage should be appropriately grasped. The adventures or conflicts the protagonist participates in are mainly based on self-improvement, supplemented by the harvest of external objects. Once the risk is higher than psychological expectations, stop in time. This not only further consolidates the protagonist's character, but also avoids a series of problems caused by the whole world revolving around the protagonist. 4. Questions ①The detail processing is slightly rough, and the rationality of some bridge sections deserves further polishing; ②For readers who are accustomed to the protagonist being born extraordinary, it may be a bit bland.

Gao Ganuo had absolutely no idea how he, a herbalist apprentice, ended up working as a mercenary in Nanhai Town. Perhaps it was because he heard the bard say: "Life is not only about the goblins in front of you, but also dragons and the distance." Fararo is a world where religion is paramount. Mortals here are accustomed to praying for holy names and blessings from the gods they believe in. Gaugano's view on this is: What materialists lose is only one god, but what they gain are all gods, saints, angels, Titans, elements, demons...

Finished chasing, re-evaluate: It is a Western fantasy novel with a world view based on the design of Kanhara 2 and Warcraft. Its advantages are smooth writing, vivid supporting characters, and interesting battle system design. But as the plot develops, this book feels more and more strange to me. The male protagonist is like a ruthless level-up machine. He seems to be indifferent to everything in this world and just wants to level up. The male protagonists of traditional Western fantasy are basically characters with strong personalities and desires. Some like women, some like power, some love to show off, and some just love to save the world. For example, in "Mission Manual" the male protagonist is drunk now and drunk the next. Even if the players themselves play the game, they are not playing purely for combat power. For example, some people want to collect unique props, some people want to play tricks and unpopular tricks, etc. But the male protagonist is very conservative in choosing talents, adding points, and behaving in a very conservative way. He is so rational that he doesn't even look like a living person. In most cases, upgrading is a means to advance the plot. When there are difficulties in the development of the plot, let the male protagonist upgrade. Then the male protagonist can face the next conflict, and the readers can also experience the next plot. Only traditional male fantasy literature will regard upgrading as the only driving force for the protagonist, but they usually arrange high-intensity plots to dilute the sense of repetition. But the plot intensity of this book is very low. The male protagonist is indifferent to the world and at the same time very wealthy. He has few desires and at the same time is very rational. All these combined lead to a story in which the plot is bland, the male protagonist is bland, the world is turbulent, and the male protagonist's years are peaceful. Dude, have you really come to travel to the Bright Medieval Times? Some of the plots the male protagonist is currently involved in are indeed exciting, but you can see that the male protagonist's subjectivity in the plot is getting worse and worse. He was either involved in an accident, or he entered the battlefield because of the set restriction that only by defeating intelligent creatures below level 2 can he gain higher experience. If this setting is not forcibly added, it is easy to imagine the scene where the male protagonist decides to practice leveling in a sub-professional profession in a dark corner for ten years until the end of time. The current situation is that the combat power system is exciting, learning new magic with unique characteristics is exciting, the secrets behind the gods are exciting, and the conflicts and conflicts between various NPCs are exciting. But every time the camera returns to the male protagonist, why is it so boring? The character with the most descriptions is the most boring character in the whole book. I would rather read the stories of the low-level NPCs than the male protagonist. Generally speaking, I can rate it from a large cup to a medium cup. Depending on the later adjustments, the writing style is okay, but the core feels very boring. Once I put it down, I don't even have the interest to open it again.

It's the kind of down-to-earth fantasy novel that I like very much. There are no major events that focus on the protagonist right from the beginning. I just open a small panel to upgrade step by step. If I like it, I will continue to read it.