Binary Train of the Dead

I don't know why, but I just think it's okay. She's obviously a bit poisonous. That policewoman from QAQ is so annoying! Could it be that the anti-toxicity caused by Shuhuang has been improved? The first dungeon passed so quickly, but the second dungeon dragged on so much. Maybe it's because the author said that many people think the real world is ugly? But I think it's still okay as long as I don't write the story about the policewoman. But now I feel like the copy is too slow (｡ì _ í｡). Just look at the number of likes. If there are more people who think it's not good, I'll download it.

Mechanical Ascension, the protagonist is a college student. During the internship, the last subway train entered the world of the dead. After completing the task, he gained the ability to transform the machinery. I felt that the transformation was a bit shabby... Kill decisively and never leave anyone alive to leak information.

[Jun Tucao·Reading new books] [Column to be reviewed] [Reading progress] Chapter 126 (serialized) [Jun style label] Type keywords: science fiction, pan-light novel, infinite stream, pan-dark stream, upgrade stream; Content keywords: pan-modern urban background, cyberpunk, flesh and blood machinery; Character keywords: Decisive in killing, wise and brave; partial to urban behavior, chaotic neutral camp (lean to evil); no female protagonist yet; fake group portrait. [Short Comment] The shortcomings are obvious, and so are the advantages. This book is divided into two major world stages, the city line is very exciting, and the dungeon line is very brain-burning. The protagonist accidentally enters a "Train of the Dead" while taking the last subway train, starts a dungeon mission commission, and uses the rewards from the commission to upgrade his own technology. The upgrade direction is the "flesh machine" type that is rarely used in science fiction novels. The description is very detailed and very interesting. The flavor of a hard-core science fiction novel hits you at the beginning. The first copy has a novel setting, compact rhythm, self-consistent logic, and rich characters. It firmly grabs the reader's attention in less than two chapters. But if you continue reading, you will find that the author only borrowed the concept of cyberpunk in setting the world view (this is not a label I put, but a label that the author has been diligently labeling in this chapter). However, in the logic of writing, especially the plot and character interaction, it completely follows the style of Japanese light novels. As a result, the behavior of the characters gradually becomes "floating". A 1.74 Million-word light novel written by the author is probably the root cause of this bad habit. If you hold the expectation of watching "hardcore" science fiction, it is easy for your mentality to gradually explode during subsequent readings. Unfortunately, due to the traffic and recommendation problems of the Science Fiction Channel, the book did not receive a large number of readers to interact with it until the eve of its release. In other words, the author did not receive timely feedback from readers to realize his writing problems and correct them in time. As a result, the previous chapters of more than 60 chapters looked "full of poisonous points", and the author temporarily did not have the energy to return to the factory for revision. In the end, the review section for the first sixty chapters of this book was terrible. The only good news is probably that there is no fan threshold for commenting (laughs). To be honest, Ah Jun personally has had enough of these poisonous points, such as "relatives and friends look down on the protagonist", "silly and sweet violent little policewoman", "childhood sweetheart who is obsessed with the protagonist and constantly transfers the firepower of the suitor", "bloodbaths the enemy's family only to leave an ignorant child who will turn around to cheat the protagonist". These decade-old poisonous points that can be called "Renaissance", I simply can't imagine encountering it in a book that advertises itself as a cyberpunk novel. It really made me roll my eyes the whole time. But the reason why Ajun can describe this book in such a restrained tone here is mainly because he is optimistic about the author's potential. As long as you don't write those silly urban literary scenes, once you write the plot of the train dungeon, whether it is the setting, description, difficulty of the puzzles, or handling of the protagonist, Ajun is amazed. For authors whose key parts are extremely exciting but whose connecting parts are bumpy, I generally judge them to be "refined" novices who just lack positive training. Ajun always believes that this kind of creative aura is far more important than technical proficiency.

5 star recommendation:★★★★★ Looking at