Hong Kong Variety Show: Cao Dahua is Undercover by My Side

Hongxing was beaten once and more than 6,000 people died. Is the author serious? I thought you had a brain.

I feel that the protagonist of this book is not a silver snake, but a lustful snake. Those emotional lines are inexplicable. For example, the protagonist goes on a trip and then meets two women. It seems that he just likes the protagonist and sleeps with him! ! I don't understand, hey, sometimes, I just feel that the storyline is not compact at all, but sometimes it feels quite good, which is quite contradictory. Generally speaking, this book is not the kind of book I imagined, that is, one who only wants to be a gangster and then become a white man to help the mainland return. The protagonist should want to be a business tycoon first, and then write about helping the mainland return. Could it be that what you want to write about in this book is: first become a gangster, then do some business, and then help the mainland. But how do you write it after you become a business tycoon? Writing about those Hong Kong commercial films? ? Do you write about those gangster movies from time to time? Use it to transition the plot?

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In the past few years, I didn't touch women when I was working as an undercover agent. As soon as I wrote it, I was like a stud. All the brainless people fell in love with the male protagonist. Is the male protagonist still a stud who falls in love with anyone? What the hell did you write?

You can read it. It's a pretty good book among Hong Kong magazines.

Are you writing a movie commentary? If you don't want to change the plot, then don't write that part. I might as well watch a movie

There are some plots in the book that really cannot be left out, and the protagonist cannot get involved. If the explanation is vague, there will be no sense of picture, and the overt and covert struggles between the parties will not be reflected. If you skip a few sentences, those who have not read it will be confused and lose the immersive atmosphere. We can't ask everyone to simply watch the movie and then read the book. Now it's a popular movie, but as the number of words increases, it's less popular movies and TV series. After watching dozens of episodes of TV series, others can't stand it even if it's a shortened commentary. When I wrote the plot, I focused on the characterization of characters, psychology, and behavior, which is why this book has a better atmosphere. Everyone who the protagonist can participate in participates, and those who cannot participate. If the plot is blurred, people will not know what the protagonist is doing, as if there is a missing clue, and it would be too reluctant to force it in. Some plots are really unavoidable. I originally wrote 5,600 words, but I just kept 2,000 and passed the plot in one chapter. The book is not only read by book lovers who have watched many Hong Kong movies and TV series. There are also many new generations of people reading books, and most of them cannot watch movies or TV series from 10 to 25 years ago. Just like now, few people will look at the classic animations from 2006 and 2009. The style of animation is not right. Yesterday, the rhythm was flying. I really had no choice, otherwise it would only get worse. Understand it, writing a book is not easy. I will mark the chapters so those who have seen the movie can skip it, and those who have not seen the movie can take a look. When it comes to paid chapters, just skip them if you haven't read them yet, and just watch the short video explanation.

I think the author exaggerated a bit. Even if 6,000 people were killed in a battle, it was impossible for the police to do so. Moreover, at that time, only a few hundred people would die at most.

Ever since he became the talker, he has not looked good.

So far, I have read 544 chapters, and I have written more than 500 chapters. I only wrote about the protagonist for about a year. If I want to write until the return in 1997, will I have to write more than 5,000 chapters? Also, in many chapters, there is no vision of the protagonist, all supporting characters are written, there is no sense of involvement, and there is no sense of satisfaction. It feels like it is not mainly about the protagonist, but about the year in the book, the whole Hong Kong drama, it seems that it does not matter whether there is a protagonist or not.