I Teach Kendo in Tokyo

It's really poisonous. Didn't the protagonist travel through time? How come you still have the IQ of a child after you graduated from college and started working in the society? Both his parents died and he still had a younger sister. Who gave him the courage to fight against the Yakuza? Don't you understand that no matter how good your kung fu is, you can kill him with just one shot? You still don't buy a dojo out of consideration for your sister's feelings. Why don't you have an AC number in your mind? Not to mention that in the era of rampant Yakuza in Japan, there were still not many people who had their families broken up and their lives destroyed? It is normal for his sister to be defiled and then sent to the red light district. This alone can ruin her for life. If he buys it, she will be with her for a lifetime at most. This is something that can be thought of with any thought. And the Yakuza who can get along with the construction company will not be able to get guns? What is the use of so-called kendo in this situation? By the way, you can commit seppuku so that you can die with dignity. That is to say, her sister was fine just because she was writing novels. If it were a real underworld, her sister would have been fucked countless times. To write this kind of novel, you have to at least see what the real Yakuza is like, right? Playing Ji Dao is not just playing house, right? You can look at the development history of the Yamaguchi-gumi in Japan, or the development history of other Yakuza, but they have published books.

Ning, what is this written about? Is this the daily life of youth? Ning spent his youth fighting against the underworld? What about daily life? I've read Chapter 30 and I'm still dealing with the matter of not selling the house. I'm afraid that after the underworld is defeated, their superiors will come again. After the superiors are defeated, there will be superiors.

A common man is so angry that he can even take five steps to spatter with blood. A swordsman is almost ready to shit on someone while he is riding on his head. He can't even move with his dead hand? Not to mention the modern world view, there are many people who kill impulsively.

I really don't know what those who gave one star are arguing about. They are talking about real things and novels. Is it their problem or my problem? Isn't the purpose of reading novels to enrich one's own vision and satisfy one's spiritual needs? I have to argue with reality, so I just want to ask, isn't it tiring to live like this? The reason why a novel is a novel is that it does not talk about the whole world but the world seen from one person's perspective, so there will definitely be some people who don't like this book. This is normal, but if you don't like it, you don't want to argue with it, so you can just leave and change the book. It also gives one star to compare reality with novels. It upset me and affected my mood. Damn, it's not easy for an author to write a novel. He has to sit for several hours or more every day to finish it. You guys are like this. Don't you know that this is very bad for the author's mood and the quality of the book? Why don't you give me some hard work? It's okay to complain a few words if you don't like this book, or give it one star, but at least you have to find a suitable reason! Those who say that the extreme is not enough, the author has his own ideas, but you still have to say, if it is really so close to reality, it is better to look at the historical classification, what are you doing here? He also said that selling the dojo was not decisive enough. I would like to ask if you would hesitate if you brought in the main character. Also, someone has traveled through time. In today's society, would you sell the house regardless of your family's opinions? There are also people who argue that times are different after time travel. I just want to ask you how quickly you can adapt to time travel. Don't be misled by those time travel novels. That's because you ignore this step for the sake of fun. Some people also said that in the scene where the protagonist competes with his sister, do you really understand the way of the sword? Did you bring into it their relationship, the background of the era, and the reasons for the competition at that time? If not, don't talk nonsense. Also, after the fight, the protagonist feels disgusted by talking to his sister. The nature of the duel is different. He is fighting for his own determination. After the fight, shouldn't he talk to his only remaining relatives? In my opinion, not caring is the poisonous point, there is no human touch at all, and if this happens, there will be no follow-up things. Do you want to see a scumbag who doesn't care about his sister? If you want to, haha! In my opinion, if the writing style of this book is not very suitable for the taste of today's public, it must be a masterpiece, because this book is humane, and it writes about the helplessness and unyieldingness in facing social problems, the courage to roar against injustice, and it also inspires people's positive spirit. Don't be the bottom of society, but be the goal of the top. Having said so much, they are almost all my own complaints about the unfairness and unworthiness of this book. [I hope the author will delete those book reviews that randomly give one star without sufficient reasons. It is annoying to read. [I'm just discussing the matter, don't criticize me. I'm not invited by the author or anything. I don't have that ability.

I forgot about the book review, I thought this one was not good. Book friends think the rating is too high. I'll help you brush it off.

The setting of the buff is very interesting. It is good enough with swordsmanship as a clue, or handsome enough. There are no obvious bugs in the plot and characters. Overall, it is worth looking forward to. However, most works of the same type do not end well, not to mention that there are tool people everywhere who want to earn one star, and there are also idle people who will trample the story and trample the author when they see the island country. In the early stage, the pressure of the Yakuza was used to avoid direct conflicts of love lines, but if the follow-up was not handled well, it would lead to a harem. I hope the author's outline is robust enough and doesn't collapse halfway.

As for the duel between brother and sister in the dojo, I really didn't want to watch it. The brother hit his sister's hand directly, and the knife was knocked off her hand. Then he asked if everything was okay? Nothing happened after that. My sister said it was okay and my brother didn't care. I was confused. How did you write during the battle? Everything will be fine after the war. Bring your own blood pack? Although this is not his biological sister, at least he has the memory of the original owner after time travel, and it is not that he has no feelings at all. The attack is too cruel. It can be said that there is no prominent brother-sister relationship in it. Obviously this showdown can be written very well.

The protagonist is worried and indecisive, the younger sister has a bad brain, the security system in the 80s is terrible, the Yakuza can completely make them disappear even though their parents are dead, but they still care about their sister's feelings. If you don't sell it for 70 million, why don't you wait for the Yakuza to reason with you? Others are powerful, and you are not an easy group to deal with. Not to mention that you are related to the official, but even if you don't, it is still very easy.

The level span is too big. The protagonist is at level 3, the first powerful opponent is about level 6-7, and the sword master is at level 9. If the gap is smaller, you can still accept cross-level challenges! It's a bit difficult to fight the protagonist at level 3 against his sister at level 4. You have to rely on the suppression of strength to win. It's also a bit difficult to fight against level 23. They are still 20 levels apart. Not to mention that the opponent has no sword heart. The protagonist's sword is not to protect his family. He just wants to be a master (or rely on capital rather than kendo). The even more outrageous level 90 has come out. Your level is about the same as others. Even though you haven't used any skills, there is no difference in momentum? So what are the level 80s doing in the middle? It's so fascinating to watch! In the early stage of the book, the protagonist only considers his own capital ideas and ignores his sister's ideas. The transition from the determination expressed by the sister and the words of the protagonist at that time is a bit uncomfortable. The sister's classmate and his classmate who have met once met are inexplicable in the Shura field (what the two girls said when they met for the first time, your host was watching the excitement? The protagonist's classmate misunderstood the protagonist and did not stop him. What about the reputation of the sister's classmate? Is it uncomfortable to talk nonsense for the first time when I come to your house? Is it the etiquette of your family, the protagonist?) The arrangement is unreasonable.

It's really not good to watch. You can do it if you want to do kendo. You also compose music, study, and engage in ambiguity. The plot is too messy. Everything is mixed together, and it is called buff. There are even many chapters where the protagonist's kendo experience has not increased. , Hey, your system is a kendo system, not a daily life system. The priorities are reversed. The author wants the protagonist to pretend to be B, but he doesn't know which parts should be written in detail and which ones should be omitted. In the end, it will only make people feel verbose and messy. Moreover, the beginning is too vicious. You have to suppress it first and then expand it. That's fine, but you have suppressed it for more than ten chapters. This is too long-winded. Who doesn't want to have fun reading novels now? If you do this, even if the rest of your writing is okay, a lot of readers will just abandon it after seeing that paragraph. All in all, there is no distinction between priorities and details, the writing is okay, and the plot is bloody.