Evolution and Inheritance

I told Lin Jing all my abilities, even though she was worthy of trust

Big brains, few people, come on

There is no dialogue in the first few chapters, which probably scares away a lot of people, but I think the beginning is pretty good.

The subject matter is relatively new, but unfortunately the content is not to my taste. If the protagonist were ten years younger, I could understand his "innocent" behavioral logic.

To be honest, before the Warring States Period part came out, this book was ok and interesting, and the dialogues were pretty good. But starting from the Warring States Period, I felt that there was a lot of water. First, there was the setting problem. Every time the protagonist fell into a dream, the protagonist in the dream was completely separated from the protagonist in reality. There was no memory of reality and the traveler could not integrate into the dream world. This writing is quite interesting at first, but with this setting, it is difficult to get a sense of immersion. After getting familiar with it for a while, the protagonist wakes up from the dream and sighs about what it was like in the dream. There are less things to write about in reality, so he goes directly to the next dream, and then the next dream has different names, different memories and time-travel settings, and the acting style is all about helping people and rescuing people. After watching it for a long time, I really feel nothing, just boring. Then there is this dream story. What is the story about the Warring States Period? Zilu is killed. The protagonist in the dream is angry and wants revenge. He knocks someone out and the dream ends. Then he talks about what the real protagonist has gained and gained. It's like watching someone collect vegetables. I can't relate to it at all. It's not me collecting vegetables myself. Then after the Warring States Period, I immediately fell into a dream again. Just after I came out of the Warring States Period, I immediately entered Japan. This time it was the other way around. I kept writing about the protagonist using his life to help a Japanese girl, but I didn't have the feeling of escaping in a car at all. It's nothing. What's uncomfortable is that I spent a long time driving to escape, and from the perspective of the protagonist, the enemy, and the mastermind behind the scenes, this is not a movie, it's really light to watch, and the protagonist in the dream is completely different from the real one. The reality is just to obtain the memory in the dream, but every protagonist who enters the dream is the reincarnation of a Bodhisattva. I read the author's idea, and he said that the protagonist in reality obtains the memories of all the protagonists in the dream. He has experienced a lot, and is compassionate. Damn it, the protagonist in this dream is not the protagonist in reality. Just imagine, you suddenly come to a strange place, your memory conflicts with reality, you are dumbfounded and it is too late, save people? It's almost like someone will save me. I really don't have the energy to read the rest of the book. To be honest, the book is indeed good, but it is not suitable for serious reading. Even according to the settings in the book, it cannot withstand a little scrutiny.

The beginning is so well written. You deserve recognition for having a different style of play, but you obviously lost your way in the game. The beginning of the time travel is like a horse. To be honest, if you just wrote that you fainted and then time traveled, it would be more straightforward than your bickering for a long time. If you don't have the ability to play routines, don't play routines. It's shameless to imitate them from the beginning. It's good to have ideas, but if you can't write to a good standard, you're lowering yourself.

The author should promote it like others. Don't just immerse yourself in writing the book and advertise it. Find someone to add to the book list. I have recommended it in some novel communities, which is a kind of support.

It's a pity that there aren't many people there. This book is very interesting. I can give it a 9 for its imagination and an 8 or above overall. It is better than most short-form articles. The style is a bit weird, and it feels like it's written by a man with a science background, haha, it's not quite accurate. It can be rational and logical. If the sense of fate is stronger, it will even feel better. The most touching thing is that the author basically does not talk nonsense and writes the book silently. I feel that it has not stopped. He is also better than those who find reasons to be eunuchs. Come on, come on, keep at it.

It's quite strange. Once you learn something, you'll be fine. What's the point of having to force it out? Just learn it? . . .

The new book continues the author's consistent style. It's very good. Please update~(￣▽￣~)~