Ex-wife Villain

There are too many foreshadowings and hidden clues, and some plots look so tiring and confusing. Moreover, the plot is a bit old-fashioned, and the stitching seals the loneliness. The heroine is also unlikable and a bit poisonous, especially the stupid setting of Li Guanshi at the beginning that he will become a useless person if he does not cultivate with others for less than a year. It reminded me of the national master of Dafeng who was a watchman. However, the writing of Ma Bao Na is indeed more reasonable, while Li Guanshi's writing is a bit disgusting. Later, Ran Qingchen was also disgusting. At the beginning, the author asked Ran Qingchen to have an inexplicable engagement with the protagonist. Of course Ran did not accept it and looked down on the protagonist, so he began to abuse the protagonist. Later, he fell in love with the protagonist and began to pursue her husband. The template is old-fashioned, and it doesn't matter if it's well written, but in order to clear the heroine's name, the author always arranges some disgusting plots between two people to force a relationship and create feelings, and also wants to show that the heroine is not green tea or something like that.

Cactus is used as a dowry, which is inexplicably interesting

If you don't write the book well, it's pure torture😦The main plot is not clear. A lot of characters have appeared in the 60th chapter. You can't even look at them. There are also a lot of Riddlers. Why is the male protagonist better in the Six Doors? I only see that if he has no cultivation, just use this fire system. Complete Hong'er is so useless that he doesn't even think about practicing. He dreams about calling "nm" every day. He is possessed by a demon. His ex-wife, the heroine, even sees that his face looks the same as her husband's. She is still wondering if she has admitted her mistake. What the hell is this trick? You don't want to investigate. I copied the above paragraph. If you want to delete your comment, I will continue to post it.

1. Foreshadowing, all foreshadowing 2. The Riddler, alas, I just don't know. 3. Do you think that the description of the environment, the characterization of the characters, and the description of the world can become a fine article if you use vaguer words and make the wording look more noble? Are you thinking too much? 4. The writing is messy, and the subplots of various characters are intertwined. The writing is messy and looks tiring. 5. Water, all water. After reading the plot of a few chapters, you can see that the author has put most of his energy into other parts of the article. The core content about the protagonist in one chapter is very short, and he has no intention of promoting the main plot. It is conceivable that the main plot will be promoted very slowly. It is obvious that the author wants to write about the overall situation, and it is also obvious that the author's skill is not as deep as he imagined. In my opinion, this novel looks gorgeous, but in fact it is messy inside. It has its merits, but there are too many shortcomings.

There are too many foreshadowings, the plot is depressing, and the villain doesn't die quickly enough. I'm a little tired of watching it. I can only say that I prefer the pseudo-invincible genre.

At first, I thought it was a fairy tale novel, and I read it with the expectation of a fairy tale. Then I thought it was a temple novel, and then I read it with the expectation of an upgraded detective. Then for some reason, the author started driving frequently, and I started reading it as a mindless harem novel. Finally, the author started to be affectionate again. . . I was immediately confused. The more I looked at the protagonist, the less human he became. The author has established the images of the four women, Ran, Shuang, Hong, and Miao, including Li Guanshi, Queen, Jiang Yi, Dugu Luoxue, and even Spring, Summer, Autumn, and Winter, Calm, Queer, and Erliang. Each female character has a different image, and the writing is really good. There are more and more emotional scenes, and plots such as marriage changes have also been added. But you may have overlooked the most important point. The male protagonist you wrote is so rubbish. Your male protagonist has completely become a tool to establish the image of the female character! What I feel is that the fuller the images of these female characters, the stronger the trash feeling of the male protagonists. Are the male protagonists of more than 200 chapters and the male protagonists of more than 20 chapters still the same person? The male protagonist in more than 20 chapters is a smart and wise time traveler, and the male protagonist in more than 200 chapters is completely a teddy who only knows how to go to bed! Why should the male protagonist ruin these female characters you wrote? I hope you can restore the image of the male protagonist in the fourth volume. Your advantage lies in the layout of detective stories, and you can also write emotional dramas, but how do you write emotional dramas with so many female protagonists? We have to keep updating daily. Even if Jin Yong is resurrected, he won't be able to write this. I suggest that two female protagonists die in the fourth or fifth volume so that you can continue writing it later, otherwise it will definitely collapse. Not only the emotional drama will collapse, but the harem will also collapse, and the hero's character will also collapse. As for the heroine who was written to death, a single chapter announcement was made to give fans an explanation, indicating that she would be resurrected later and have a happy ending. A bad ending is just a few bad chapters, so don't fail. The other thing is that you, the author, write too many red herrings. There are several places in each chapter. If you add too much, it will really lead to aesthetic fatigue. The character of the protagonist has also collapsed. From a young and promising Zhang Wuji with magical powers, he turned into Teddy Yun Zhonghe who only knows how to go to bed. To be honest, the protagonist's current character is not even as good as Lu Renjia. Ran Qingchen still didn't know whether to live or die, so he and Qu Hongling started having sex again. It's absolutely amazing. The writing of your book is really neither good nor bad. For vulgar readers, it is definitely not bad enough. For romance readers, the male protagonist is definitely too disgusting. For fairy tale readers, the protagonist is too vulgar.

You want to say it's a cool novel? This isn't a cool novel either. The protagonist is a loser and is so blindly confident that it makes me feel embarrassed.

In the past, I occasionally calmed down and tolerated it. In the wedding chapter, I directly turned to violent behavior to promote the plot without any logic. Then I posted a single chapter to explain and put the blame on the readers. It's really your fault

You created a protagonist with a good character, but if you, the author, take a good look at what you wrote, he is almost like a pimp. It's a big deal, I don't mind if you write a little bit, and I don't mind if the plot drops, but I just ask you not to be a pimp. What kind of master is this? He still has less than a year to go without taking a double break with anyone. What happened was that he vomited blood after touching him by chance, which aroused the protection of his current wife. What kind of boss is so beautiful that he can only be called a brother but when he meets the protagonist, he becomes like a stick. Sewing everything doesn't mean it doesn't look good, but if you can't write well and sew everything, it really doesn't look good.

It's hard to tell whether it's chocolate-flavored Shi or Shi-flavored chocolate. The several female protagonists portrayed all have full characters and different charms, but the male protagonist is like a brainless and incompetent Madonna stud stitched together with an attractive hook. I don't see any advantages in the male protagonist that are independent of cheating. If there is no cheating, he can be just anyone...