Zhao's Huzi

In order to compete for hegemony and portray a happy family, so many plots were used to describe it. In the end, one chapter was completed, and then the whole family was killed and became orphans. This kind of plot is very powerful. I like it. An orphan who time-travels has made some preparations for hegemony in the early stage. Why bother to kill the family and kill the whole family to set an example? It's okay if you are born and raised. If you have hatred and motivation, a time-travelling person has to kill his whole family to give motivation

After waiting for so long, a new book is finally released. Please give it a try, the author. There are only a dozen chapters so far, so I can't see much yet. I'll read it later and briefly talk about my feelings. Has the author's writing style changed? I don't know why, but it feels like the style is similar to that of many cool articles. Maybe it's my misunderstanding. It wasn't very attractive at first, so I thought I'd work harder in the later stages. Good cheers for the author. In the author's previous novels, even if the protagonist traveled through time, the author would not point it out explicitly. Instead, he would use various descriptions to make readers feel his uniqueness and the protagonist's domineering nature. However, I don't feel this way at the moment. It will also be a war and hegemony story. I hope it will still feature all kinds of battles of wits and courage as always, including famous generals and ministers. I hope it will still infect us as much as Da Wei (it's sad, after reading Da Wei, I am no longer interested in other similar articles and can't find good articles). I wish the author great success and new highs! Come on!

The author can start a continuation of The Palace of the Wei Dynasty, which is the second part, but don't talk about the Palace of the Wei Dynasty II. The time is decades or hundreds of years later, and the protagonist can be a local, so there is no need for golden fingers. The early plot is about Lao Ba's last imperial grandson. After all, the longest period of a dynasty is about 800 years. But because the identities are different, the training is also different, so they can appear superior to others. Some protagonists should also have the aura. After all, the ancestors are so strong, and how useless the grandson can be. What's more, the protagonist can be described as hiding something or showing off his full potential. As for the direction of development, it doesn't necessarily require war, that's all. Of course, there can be some, but it can also be biased towards governing the country and being a political enemy. After all, the author has written this part quite well. It can even be said that we have discovered a new continent, rebelled against the king, and invaded by foreign tribes, which is not bad. As for the protagonist, he entered the officialdom for some reasons [100 words omitted]... Just when he was about to resolve the internal disputes and bring peace to the war-torn country, he encountered external problems [actually it can be written, there are already faint signs of it. For example, when the Silk Road was opened or other times, the merchants on both sides... Looked like the Mauryan Dynasty. Of course, maybe the plot will require this Mauryan Dynasty to be much stronger]... Then there will be two top dynasties... I think it might be interesting to write it like this. A protagonist of this book, a sub-protagonist who can compete with the protagonist in the middle or even later stages, and also has the aura of the protagonist [that is, the king of the Maurya Dynasty]. By the way, I'm not a fan of peacocks, it's just a metaphor. Suddenly I realized that it looked like the palace of the Wei Dynasty! Ha ha! But it would actually be good if there was some internal and external pressure on the protagonist I portrayed. You can write it as Liu Xiu! But his background is much more special than Liu Xiuhao's, but he is stronger without his ancestors, and at the same time, the outside world... Uses this to get through the early stage. Another idea came to mind. In fact, the protagonist can be the villain. Similar to Sima Yi, Sima Zhao! But he would never do anything like Sima Zhao and his descendants, at least he would not attract outsiders. It might be better to write it like this, Sima Yi's resourcefulness, [What is the name of Ji Ba's military advisor? You can write about his family. After all, Ji Ba's father was unhappy with him when he saw him. I won't go into details about the reason.] Cao Cao's ability, coupled with Sima Yi's lifespan... A half-evil king who dares to be the first in the world feels good. Like a mix of Cao Cao and Sima Yi, the background family is... Don't worry about Bojun's smile. Please forgive me if you really feel stupid.

The writing is a bit unsatisfactory and too sloppy.

Because you, the author, particularly like to antagonize readers, as if the readers are your father-killing enemies. If you don't write something disgusting in every book, you will feel uncomfortable all over. I know you don't want to write pure nonsense. We don't want to read purely entertaining novels, but you don't have to write plots and supporting characters that readers will abandon the book, right? Are you deliberately screening readers? Having trouble with income?

Haha, has the author changed his style? Or what happened? Always write about quiet girls! This is a story about Jingnu's taming husband, why don't you go to a female channel? A little maid was first pampered by the male protagonist's mother, and then became his companion at the age of 10. She opposed the male protagonist in everything, stirred up trouble in everything, expressed her own opinions, and wrote ruthlessly green tea, and was shy, crying, and blushing. Would a normal man be able to handle it? Not to mention that this is a feudal society, even modern men who kneel and lick like this are not so bottomless, right? This book is useless. Whoever is disgusted and unable to eat for three days, the author should close it.

It doesn't feel like when I read Wei Dynasty. .

I wrote so much in the early stage, and the whole family was suddenly wiped out overnight. I have never seen such a sudden plot. Moreover, in the early stage, we had made good friends with two or three "upper-class figures" with real power or connections. The army marched into a county and massacred all the households. The ones who were massacred were the local princes. They also said that there was a military order. Wasn't there any warning before? This is simply the author's nonsense for the sake of the subsequent so-called "human king" setting! How embarrassing!

To be honest, I really like the Wei Palace, but it's too late to be an emperor. The beginning of this book is not as attractive as the Wei Palace. The protagonist is not in a position where he can see the overall situation, and he does not have the right to start the Wei Palace, so he is left to be slaughtered. The revenge process is really detailed and various war strategies. This is obviously a big strength, but it must be read by slow and patient people. As the game goes on, many people read the book vicariously. In the early stage, the protagonist is so weak that his whole family is killed and he doesn't know who the mastermind is. Many people are unwilling to see the specific process of becoming stronger. The protagonist almost becomes a grassroots riser. What I like more in the early stage of the Wei Palace is that the protagonist can be near the center of power at the beginning. In this process, even if it takes a long time to ascend to the throne, it can attract many people. I've probably never written about someone who is an emperor from the beginning. Personally, I prefer that the protagonist changes the world from the top down. Of course, grassroots rise from the bottom up is also acceptable. It's not easy to write either way well. Of course, I am only a reader and I know nothing about writing books. I just need to be steady and steady. I really liked the first few books I read. I liked them very much.

After reading for a while, I had a confusion. The author described the protagonist's parents as amiable, kind and generous, and the husband and wife were harmonious. At least there was no concubine or concubine of the protagonist's father. In this case, it is reasonable to teach the protagonist through words and deeds. However, the protagonist started to branch out. This is really illogical. Maybe this is the author's dream!