Hong Kong Variety Show: I Was Reborn Too Early and Made Arrangements in Advance

I'm currently at Chapter 90, and the protagonist is completely in a bad mood... No one really likes to be in bad shape. Salted fish is because hard work does not get rewarded, and no one will really mess up if they can get rewarded. With the gene seed, a little training can significantly improve it, instead of using life-saving skills as regular skills like now.

The inexplicable second-generation setting, the inexplicable opening of a translation company to return seventeen languages ​​​​from the previous life, and the inexplicable three second-generations accounting for 60% of the company's shares. I originally thought that the protagonist accounted for 40%, but it turned out that the protagonist generously gave 20% to the management and editor-in-chief. . . I really don't understand, why does a translation company need a second generation? Translators from various countries relied on the protagonist and distributed 80% of the shares to others. . . Is the author addicted to being a bull?

Don't know what you want to express? ? ? ? I really can't understand it, just like the descendants of the Eight Banners of the Manchu and Qing Dynasties in the Republic of China, they live one day at a time. Recording what happened! ! ! !

The main plot is unclear, and the writing style is okay. It's just here and there. There's no desire to continue reading, it's not interesting, and I don't know what the protagonist's purpose is. Is it just to be a salty fish? Moreover, writing about Hong Kong film and television would be even more boring without the embellishment of women.

The character of the first protagonist: He is the kind of person who is afraid of death but not particularly afraid of it. He is the kind of person who will help his friends if they can help without causing too much danger to themselves (in reality, most people who can do this are good people). These two points are what I feel most deeply about at the moment. The combat power of the second protagonist: Goldfinger has great potential but also great limitations. The Astartes' gene seeds are very powerful, but they are complete Astartes. Currently, the protagonist only has one gene seed and none of the next 20 surgeries. This is very embarrassing. The book also said that the most important thing is energy consumption. There is currently no way to solve it. They are all temporary solutions and cannot permanently increase battery life. Without a prefabricated stomach, digestion cannot keep up, and without carapace, it is just as deadly as ordinary pistols and daggers. Overall, the combat effectiveness shown is quite good. One drawback is that the career development has improved a bit, but there is no way to solve these problems (energy absorption and replenishment), which is very confusing. The career of the third protagonist: The first pot of gold was obtained through robbery. Later, he wanted to start a career but saw all kinds of dangers and gave up. He wanted to settle down (become a charterer) and gave up when the gang threatened him (he could solve the problem but only robbed the gang's bank. If he showed such fierce fighting power again, all he could say was: Oh, is it you, young man); later he started a translation company in order to gain a foothold in Hong Kong (this step is considered a good move. Translators come into contact with many people at all levels and are dangerous. Relatively small, looking at all the movies, there are not many translators, but in terms of connections, they accumulate quickly, and start at a higher level than gang members) From a financial point of view, the translation company is not profitable, because it only occupies two levels, but from the purpose, it has completely achieved it. After Chapter 50, I started to develop some awareness of people. The progress is a bit slow. In terms of career, it is really okay and there is no obvious disadvantage. The background of the fourth protagonist: The protagonist is a time traveler but he is also considered a native. The two souls interact with each other and cause the memory of the time traveler to be intermittent. This also limits the recruitment of careers and talents. At the same time, it limits the cheating to a suitable position. Otherwise, you can imagine how eye-catching you would be in a world with a comprehensive movie background. You can predict the enemy's plan first. The 4th point on the list is what I have prescribed so far. It is a more realistic way of writing with no poisonous points at present. It is a slow-heating type.

The sense of immersion is a bit poor, but the logic of the writing is not a big problem! The author needs to identify who is most likely to read the book? You write a second generation. . .

The first 10 pages at the beginning of the novel seem to be pretty good, but after that the writing becomes more scattered. I want to write about everything, ramble on, and the content is not refined at all. Without a firm grasp of the topic, the author has no idea what he wants to write about. I don't know what to write that will capture the readers' attention, so I lose interest as I read the novel.

I've read dozens of chapters and it's so boring. It feels like a popular science article. The protagonist doesn't have a strong sense of presence. There are quite a lot of references to the movie, but most of them stop at a superficial taste. There's nothing exciting about it. This book is destined to be a hit on the street.

Is it really okay to have a meal every three days?

Let's talk about time-travelers. I don't recognize this one and I'm not familiar with that one. I'd say I'm not a time-traveler. I can still recognize a few NPCs. I'd say it's awesome but I haven't seen how awesome it is. I'd like to say it's not awesome. I can still clear more than a dozen people's dungeons. The problem is that after so many chapters, I haven't seen much growth.