Who Said You Have to Be Loyal to the Witch?

Thanks for reading, meow😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

In terms of characters, the shaping of the male protagonist is undoubtedly lacking. The character traits and behavioral motivations are vague, and there is a lack of subjective initiative. The result is that the male protagonist has always said that he wants to change the female protagonist's stereotyped feudal master-servant mentality, but any commendable behavior is invisible. It is more of an emotional pull that is labeled as regulating the female protagonist. The female protagonist has never truly recognized the equal status of the two in her heart. Charity and fantasy are the starting point of the female protagonist's relationship. The shortcomings are not hidden, the description of the heroine's tsundere character is indeed worth reading, but there are also certain problems. The interaction between the male and female protagonists is necessary, but each interaction cannot be carried out from scratch. Due to historical behavioral feedback, the heroine's behavioral views will also change, and the coherence of the rhythm is also based on this. However, as mentioned earlier, more interaction progress is cleared every time they meet, and the changes between the two parties are minimal. The plot is completely stuck in the repetition between xx and tsundere. If the main line serves emotions, then events must advance the emotional process. If emotions intersperse with the main line, then IMHO, the main line of the book is limited by the shaping of the protagonist and the background. It is a castle in the air. Hundreds of chapters have made no progress. The contradictory descriptions of dragons and people, witches and civilians, and humans and elves are all scratching the surface, and there is nothing worthy of praise at all. Overall, it is a work worth watching with a tsundere heroine, but if you are not interested in tsundere emotions, it is better to turn left; if it is based on dragon and adventure elements, then forget it.

The author is indeed a new kid on the street, and now he has discovered that he has many shortcomings. He is slow to update and write, and can't stop writing. As a result, the pace of the plot is relatively slow. He cannot have a plot with explosive characters and good characters like the big brothers, so he has to choose to use a slower plot to shape the characters. It is because the author is aware of his own shortcomings that he invested in the light novel section, hoping that some old two-dimensional novels can match the airwaves. Please stop it, and don't believe the rumors leaked by the black fans. It's really good.

It's really fairy grass. This book is just for reading about the heroine. The tsundere is described so well. It's not like the tsundere on some light novel platforms now, where the tsundere is just a bitch.

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Is this a light novel? The male protagonist has to work hard to survive, and then he will be the first to fight the dragon with righteousness. His moral standard is so high, I really want to kidnap you morally.

It's very exciting, has a good grasp of the rhythm, and the characters have outstanding personalities. Anyway, it's worth watching and much better than the fanfic.

It's 200 chapters, and the protagonist has always been talking about how to change the opposition between the witch and the lower class, and let the witch return to the crowd, as well as the last paragraph of the introduction. If the author only wants the protagonist to fall in love with the witch, don't describe it too much. Otherwise, you don't want the protagonist to be a strong king. Talking about it, but not doing anything, will only make my perception of the protagonist worse and worse. Until the first chapter, nothing has changed except the emotional line. The same goes for Faria, except for the emotional line, there is basically no growth, and it has not changed at all in 200 chapters. I think the emotional line of this book is good, but the author must describe a change in social form, and want to shape the protagonist into a person who promotes social progress, then it is a failure. Either write romance stories honestly and write less about social changes, or let the protagonist make some progress. Now I see the protagonist and the heroine discussing the operation of society, and I just feel annoyed. Now my impression of the protagonist has changed from a progressive person to a keyboard warrior. Just talk without doing anything, and Faria has not changed at all.

From the introduction, it sounds like the protagonist picks up the sword and goes to create a rebellion against the witch. Is there any rebellion behind Shen Nong? After reading the previous chapter, I feel that there is no substance at all. Where to coax the witch?

My previous book was neither light-hearted nor everyday nor fantasy. Reading it felt like being in jail. There was also a plot in the back where the main character turned into a transvestite (it wasn't mentioned in the introduction, but I didn't think the book was good enough and only saw it when I wanted to write a review). It made people's heads go numb after reading it. This book is a little better than that book, but not much better. The reason is very simple. The author is a newbie who likes to write about battles of wits. He throws out three characters with different views on the same thing. He does not write the protagonist's thoughts and leaves readers to argue. This is the most terrible thing because no matter what kind of ending the author gives in the end, some people will be dissatisfied, and it is definitely the vast majority of people who are not satisfied. Author, don't you know the plot of battles of wits? Even among those great authors, if one of them fails to guide them well and causes the readers to quarrel, will the entire book be scrapped? Also, author, what about your description of the protagonist? You must know that in light novels, readers mainly pay attention to the protagonist and the two or three important supporting characters around him. Everyone only has a little impression of the other characters. Normally when writing light novels, one focuses on either the protagonist or the supporting characters. But you, the author, are different. You focus on the narrative, and you don't focus on the narrative. It is a light novel narrative, a fantasy and mainstream narrative. In light novels, in many cases, readers only need to have a rough idea of the life background and living environment of the protagonist and supporting characters. Natural history and humanities are fantasy and lords, which need to be highlighted in this type of novel. Why are you describing these? You have written so much natural history and humanities, I don't even know the general living environment and background of the protagonist.