Skeleton's Road to Become a King

"The Skeleton's Road to Become a King"-T3 level. 510,000 Words, unfinished. Work tags: Skeletons, Similar to Zhutianliu, Western Fantasy. Rating: A. The author has made certain achievements in the understanding of skeleton characteristics, biological positioning and ability exploration; B. The integrity is currently difficult to evaluate; C. It has a certain effect in shaping the mood and atmosphere, but the expression is a bit verbose. One-sentence review: A radio-readable novel worth checking out for readers who are interested in alien protagonists, undead creatures, and realistic Western fantasy themes. 1. Introduction Ten years after his death, Vader was resurrected as a skeleton in a wasteland. He thought he would dissipate like embers, but he never thought that a mysterious twenty-sided dice would lead him to start legends one after another. 2. Plot, characters and writing level The author designed a plot mode similar to that of Zhutianliu: the protagonist first travels to a different world, and after death in the other world, he is reborn in the form of a skeleton in a wasteland similar to the world of death. This is where the story officially begins. The protagonist's golden finger is a dice, and its discovered function is to open a dream portal. In this way, the protagonist can reach other areas to explore and interact, and can carry non-material existence back to the wasteland. The author has put a lot of effort into character creation, but it remains to be seen how effective it will be. The author's writing skills are average to above average, and the mood and atmosphere are relatively successful. The personal feelings and writing can be further refined. 3. Highlights As you can tell from the title, the first attraction of this book is the skeleton protagonist. The author has indeed thought deeply about the skeleton, a common undead life form. It is different from the cannon fodder image of skeletons in general Western fantasy works. In this book, the skeleton is positioned as an ideal assassin based on the characteristics of the skeleton, which does not need to breathe or heartbeat, has great freedom of joint movement, deforms and adjusts the volume and shape, and the vision of the soul. If you think about it carefully, it does make sense. How to further develop the advantages of the skeleton form and strengthen and upgrade it while retaining the characteristics of the creature is one of the keys to the success or failure of the novel. The Zhutianliu-like plot line set by the author is also somewhat interesting. The dead wasteland where the protagonist is located is an exclusive area created for the growth and development of undead creatures such as skeletons. It is relatively safe except for the natural environment but has relatively scarce supplies. The protagonist improves his abilities and obtains resources through adventures in dreams, using this as capital to explore and develop the wasteland. This is also one of the core joys of the Zhutianliu theme, and it is compatible with both exciting exploration and stable management. The difference between this book and the traditional Zhutenliu is that the wasteland (main world) and the dreamland (dungeon world) may be located in different areas of the same world, which strengthens the interactivity and overall sense of the plot and reduces the messiness and patchwork of traditional Zhutenliu. 4. Questions ①The rhythm is relatively slow and the text is not concise enough, which further deepens this problem; ②The content is relatively divergent, and the writing is devoted to the cultivation of little ghosts when the basic background and main line are not yet clear. It may not be suitable for the current mainstream model of online articles that start with a fast pace and enter the theme; ③Both the exploration of skeleton abilities and the operation of double-crossing upgrades are still at a superficial level, and the core features with sufficient impact have not been fully demonstrated.

Ten years after his death, Vader was resurrected as a skeleton in a wasteland. He thought he would dissipate like embers, but he never thought that a mysterious twenty-sided dice would lead him to start legends one after another. This is just the story of a dead man who keeps moving forward.

Food and grass-bar The writing is good, but the problem is that it is too wordy; the character of the protagonist doing things silently is very good, but the author always writes and rewrites various ideas several times, and the overall situation becomes that the protagonist does not speak but the author is crazy Another problem is the way group portraits are written; it's understandable that after a few books about group portraits become popular, everyone wants a piece of the pie, but don't every passerby write about group portraits? Take the first plot as an example. When the author cut to the perspective of the first pirate, I was a little surprised. I thought it was well written. But then it became very irritating to have a flashback kill any random passerby who was killed in seconds. Who could stand it after nearly twenty chapters of sneak attack on an inferior pirate group? Overall, I can accept that the pace is extremely slow, and if the protagonist and even the sidekick's mental journey has to be written in detail, I can barely chew it.

The end of each chapter and individual chapters express my resentment. I didn't write well enough here, and I didn't handle it well there. Most of the readers encouraged him and told him that he wrote well, but in the end his mentality collapsed and the book was unfinished. I really don't know what he was feeling internally. Do those platinum masters write good books that they like? A book written about the ultimate devil will go away faster than a bad one. Teacher Dagu's new book is like this, and he keeps writing single chapters to appease the readers. The black firebrand who wrote Hell Apartment is now writing weird stories about rules where the male protagonist can change the rules while riding on the traffic of the same track. Yuan Tong, who wrote Sword of the Dawn, is now running wildly on the fan track. Even if it is a squid, the new book collapses like that. Everyone is messing around. A small author has higher requirements for himself than anyone else. He gives up when things don't go his way. To put it bluntly, he is narcissistic. I won't write a book that is not the best. The early plot and pacing of this book are great, but it falls apart in the middle, but it's worth a read.