The Dynasty of the World

From the roadside stall review circle. First person, sweet but not greasy, a superb work. This book tells the story of a woman who inexplicably traveled to a different era after walking into an elevator (she was originally supposed to study painting) and became the dragon of a country. However, the heroine did not live in a privileged life, but entered society for experience under the arrangement of the emperor's brother. This leads to the continuation of the struggle for power between the Feng and Su family, from the carefree life of a noble to the common people's home. The contrast is not dramatic, but it is also real and believable. The love affair with the male protagonist has a faint sweetness, and the Feng family's battle of wits and courage with the chickens and dogs ascending to heaven is gentle and chivalrous; choosing the aristocratic student union and studying in the same house of a poor family, there are give-and-take; it is quite rare to have one's own thinking about society and the future. Highlights of this book 1. The writing is excellent, the plot is smooth, flowing, and completed in one go; 2. The descriptions of several mythical beasts and demon kings are particularly brilliant, including the ghostly nine-tailed fox demon Hua Qi, and the dragon vein guardian Gu Qilin Shengyou. Each one is more exciting than the other! 3. Several companions are also very distinctive: Xibei Mingyue, who was born as a businessman, is lively and down-to-earth; Wu Mingxia, who was born as a warrior, is bold and righteous; Tongwenshe's stuttering brother, Pan Feiyu, nicknamed Fat Fish, and several minor villains are also well-portrayed; 4. Dialogue is another highlight of this book. In general, it is: not awkward, not wordy, IQ is online, and the degree of restoration is high; 5. Delicacy may be what the female author is best at, and it is also very prominent in this book. Even a fallen leaf can set off the mood, and the prose skills are evident; 6. The male protagonist is aloof but not pretentious, praise him; he is forbearing yet tender, praise him; he is chivalrous and responsible, praise him; he is innocent but not childish, praise him again! 7. Dare to insist on the first person without writing collapse, which is very difficult in itself. Keep up the good work; 8. Have a strong sense of picture, meticulous description, neither hurry nor slowness, and steady writing power; 9. The sense of innovation is always there. The plot may look familiar, but it doesn't feel routine or cliched. It won't make people deliberately think about the ending, because the process is already exciting; 10. When female authors write male characters, they tend to be weak, weak, and feminine. This work has basically overcome this.

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First person, sweet but not greasy, a superb work. This book tells the story of a woman who inexplicably traveled to a different era after walking into an elevator (she was originally supposed to study painting) and became the dragon of a country. However, the heroine did not live in a privileged life, but entered society for experience under the arrangement of the emperor's brother. This leads to the continuation of the struggle for power between the Feng and Su family, from the carefree life of a noble to the common people's home. The contrast is not dramatic, but it is also real and believable. The love affair with the male protagonist has a faint sweetness, and the Feng family's battle of wits and courage with the chickens and dogs ascending to heaven is gentle and chivalrous; choosing the aristocratic student union and studying in the same house of a poor family, there are give-and-take; it is quite rare to have one's own thinking about society and the future. Highlights of this book 1. The writing is excellent, the plot is smooth, flowing, and completed in one go; 2. The descriptions of several mythical beasts and demon kings are particularly brilliant, including the ghostly nine-tailed fox demon Hua Qi, and the dragon vein guardian Gu Qilin Shengyou. Each one is more exciting than the other! 3. Several companions are also very distinctive: Xibei Mingyue, who was born as a businessman, is lively and down-to-earth; Wu Mingxia, who was born as a warrior, is bold and righteous; Tongwenshe's stuttering brother, Pan Feiyu, nicknamed Fat Fish, and several minor villains are also well-portrayed; 4. Dialogue is another highlight of this book. In general, it is: not awkward, not wordy, IQ is online, and the degree of restoration is high; 5. Delicacy may be what the female author is best at, and it is also very prominent in this book. Even a fallen leaf can set off the mood, and the prose skills are evident; 6. The male protagonist is aloof but not pretentious, praise him; he is forbearing yet tender, praise him; he is chivalrous and responsible, praise him; he is innocent but not childish, praise him again! 7. Dare to insist on the first person without writing collapse, which is very difficult in itself. Keep up the good work; 8. Have a strong sense of picture, meticulous description, neither hurry nor slowness, and steady writing power; 9. The sense of innovation is always there. The plot may look familiar, but it doesn't feel routine or cliched. It won't make people deliberately think about the ending, because the process is already exciting; 10. When female authors write male characters, they tend to be weak, weak, and feminine. This work has basically overcome this.