Who Are You Scolding for Eating Soft Food?

At first I thought it was the kind of soft-hearted novel where women are oriented towards women. However, after reading it, I couldn't say that it was about strong women and weak men. It didn't take the usual path. It's a soft-hearted novel about strong men and weak women. It can be said to be a typical example of a soft-cooked novel. First of all, the appearance of the protagonist is described in the book. His skin color is yellow, he looks mature and he is strong. It can be seen that although the protagonist is not ugly, he is not a handsome little puppy or a little fresh meat. At best, he has a middle-aged appearance, maybe a little handsome. This point almost passes the first condition for eating soft rice. Secondly, the protagonist's character is "upright", he has no morals, and he doesn't want to be a lowly person (to be honest, no one can be a lowly person except for some rich women with steel balls because of the protagonist's appearance). He unabashedly writes "I want to spend your money" on his face. Rather than saying that he is a soft rice man, he is more like a scumbag. Because the system is a multiplier cashback system for the money the girl spends on him, so instead of saying that the protagonist is eating soft food, I feel more like he is defrauding the girl into giving him money. However, the most important ones are the heroines and supporting characters. 1. Chun, the protagonist's sister, is a professional policeman. She is full of enthusiasm, like a college student who has just entered the society. At first, I thought that my sister would not be a target of the strategy, but the system counted her in it (I don't understand, is a sister spending money for her brother considered a softie?) As of Chapter 51, there are not many scenes, and the normal sister has not exceeded the rules. I don't know if she will be promoted later. 2. Xiaoquan, cute and weak, a silly roe deer. There is no doubt that she is the heroine. She has an average family background, but she wants to buy a house to save her mother from domestic violence, so she is extremely frugal. 3. Meiko, a wife, was domestically abused by her husband. Koizumi's mother, after being helped by the protagonist who witnessed domestic violence, became very fond of the male protagonist and is suspected of having an unknown relationship with the protagonist's dead father. I don't know if the author plans to drive in the future. 4. Yumei, wearing black shoes and a torn crotch. The protagonist's ex-girlfriend cheated on the protagonist after dating for more than a month. A few years later, he was afraid that his cheating boyfriend would be exposed and his family would cheat on him, so he came to the protagonist to pretend to be her boyfriend. The family is well-off, and the protagonist spent a lot of money on his design. 5. Satomi, a high-end green tea bitch. Judging from the description, she should be the most beautiful among the female protagonists. Because he and the protagonist are of the same kind (?), So he looks at each other and wants to conquer the male protagonist for fun (?). I also cooperated with the male protagonist to catch a rotten crotch (yes, it's Yumi above) and a victim. The current identity is a bit mysterious, and it is only said verbally. Due to some unclear details in the front, there is a very low probability that it may be reversed later (similar to Not Green Tea, Rich Girl Game World or Green Tea But Pure). It must be said that the plot of this book is magical, and Satomi's plot is the best in terms of magic. 6. Xiang Lian, the social butterfly of the police station. Not long after his appearance, he met Chun at Chun's celebration banquet, worshiped money, and then set his sights on the protagonist. Except for Koizumi, who is normal, the other female protagonists and supporting characters are a little abnormal, especially Ikumi, who almost killed people with thunderous thunder. If the author doesn't write something normal and sweet, forget it. If you can be more thorough and just punish the bad women, I can accept it. The key is that the garbage system does not reject good or bad, and the threshold for cash back on money is extremely low. (I even doubt that it is not impossible to have bad feelings. For example, if you are cheated by a bad crotch, you still have good feelings. Anyway, it all depends on the author's arrangement) The protagonist is also a talent. You can't give money to a woman and ask her to spend money on you (the system can't give you cash back), but it's okay for a woman to give you money and pay her back (I tried it, I asked Koizumi to treat me to a meal and give her back a hundred times the cash back), but you should just say it directly, pretending to be a rich second generation and say something like setting up a test for you, isn't this a quick way to earn money? The protagonist's favorability is also random. Obviously, the higher the favorability, the greater the cashback multiplier. The protagonist obviously desires money, but he just doesn't care.

It's pretty good, but I don't know why it's so unpopular.

Generally speaking, the emotional description is a bit literary, not particularly exciting but not bad. The writing is still there

Chapter 8 insists on going to someone else's house. There is no logic at all to force the plot forward. There is no purpose at all. It is completely result-oriented. It sucks.

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The ones I mentioned earlier that are a bit toxic are basically those who have never read Japanese novels. The style is just like this. If you can't accept it, there's nothing you can do about it.

It's pretty good. Alas, it's sweeter than my first love anyway.

Did the author get inspiration from the Japanese soft-boiled guy? It's really good. This kind of setting is indeed not written by anyone. It's quite interesting. I hope the author can add the character of the rich woman in the domestic TV series, the one played by Xu Zheng, and the character of Che Xiao. It will be very interesting.

Keep updating, don't be a eunuch

Boss, hurry up, hurry up, more, more, more. . . .