Tokyo Girls Have Big Problems

From the first time I voted for Qing Ye Shen, I have always wanted to encourage Ya Sang. When I was writing about Love Game, Ya Sang really said a lot about not being able to persevere, so later I saw that Love Game became popular and I was really happy. Maybe Ya Sang never paid attention to me. Just like Qingye left the spiritual world of Yasang, even if the characters are gone and readers have mixed reviews, I sincerely hope that Yasang can continue writing and meet different characters. Even if he is not liked by everyone, I am grateful that Yasang has brought us

The author's brain is still not enough. After reading it for so long, I feel like I don't have a clue about every line, so I just make random comments.

This male protagonist, the poet, was fine in the first few dozen chapters, but started to get sick around the hundredth chapter. It was like the left and right brains fighting each other. He was really wretched, salty and self-deprecating to the extreme. He was rated as not as good as Long Aotian's cool novel.

The male protagonist says that the system is him, but at the same time he keeps feeling guilty for using the system, cutting himself off from the system. If you feel guilty, are you using the mud horse? Both acting and standing up, compared to the pretense, the character is very unpleasant and not pleasant to watch at all.

Ono Mika is awkward and arrogant, thinking that if she rejects Aoyama, she can push him to Mika. The more she writes, the more unlikable she becomes; Ono Mizuki is young and ignorant, so naturally she will not move forward on her own, and Aoyama completely treats her as a family member; Mikami Ai is sober but arrogant, sitting there waiting for the Ono sisters to be eliminated, but does not hide that she is too lazy to move, and she is always a few steps behind Miyayo Yaeko by relying on small accidents to advance; Aiyusha has a strange brain circuit, so this option has a very low priority in the eyes of Aoyama; Miyayo Yaeko is the most sober and capable, hiding herself in front of the Ono sisters, and cutting in from a unique angle. Even though she only has the smallest scenes, she has the highest strategy. It is expected that the first 90% will be Hachi. If this is not a harem, otherwise this situation will only be played by Hachi as a single female protagonist in the future.

In the new era, we are still making shit from the past. Even if shit is retro, it won't become an antique.

I still really like Crow's Daily. Although Crow's daily writing power has dropped a lot after getting the first 100 million yuan, but Qidian has no competing products of the same type (I haven't seen much of Qidian and I really don't know), so I insisted on watching it. This work is even more twisted than "The Bad Lady" because Cheru Watanabe has been the protagonist from the beginning and is the top of the world. Even if there is no system, he will rise to the top, so he doesn't get entangled and dares to let go and love. Aoyama Ri is an ordinary person, even worse than ordinary people. He lost his mother when he was young, and the awakened memories of his past life did not make him more mature. He is afraid of losing it. After all, even the most important mother's love can be lost in a car accident. Therefore, he does not dare to overuse the system. As mentioned before, he feels that the system is not him and may be lost. If he keeps relying on the system to shine, it will be even more painful when the system disappears. The twist of this work is that all the characters are moving forward but Ri Aoyama remains the same. Mitsuki Ai went from not believing that she would fall in love with others to being really sure that she fell in love with Riko Aoyama; Hachi's favorability has always been full (don't worry about how full it is, Nikgarubun has its own way of playing), and she shows love more and more boldly; Mika goes from being wronged to be her younger sister at the beginning to looking forward to a threesome, Mitsuki will also go through this process. As for the more than 300 chapters of this book, Aoyama Ri has not grown at all: he still believes that Ai's love is vicious and unwilling. He feels that Hachi's love stems from the illusory suspension bridge effect and is pure possessiveness. In his opinion, the female rivalry between the two eldest ladies was just a competition, and he was not his lover but the prize. Regarding Meihua and Meiyue, he still worries about gains and losses. He clearly knows why Meihua refused before, and even though Meiyue hinted so before, he still goes in the opposite direction. The more the knot is pulled, the tighter it becomes. In Miss Nasty, the bond between Teru Watanabe and the four of them was born from scratch, and their love stemmed from the complete recognition of both parties; while Ri Aoyama and Ono have been a family for ten years, and have an indissoluble bond with Hachi who escaped from a car accident. What he has to do is not to create a relationship, but to first destroy (or sort out) the previous shackles, and then build a love nest from the ruins (or the past). From God's perspective, the writing may seem distorted. The writing power of Ya's article is indeed not as good as before, and the characters in many places are broken or out of touch, but I still prefer Aoyama Ri to Watanabe Che, because Watanabe Che is too far away from people, and is an unreachable god; while Aoyama Ri is worse than ordinary people, this article is more like a peach fantasy of mine (another reason is that I really like Miki and Mai, but Ya is too partial, Kiyono has too many scenes, and even the linkage with this article is basically only Kiyono). At least up to this point, this book is only rated 8 or even lower, but I believe that he can write my beautiful girl into my heart from the arrogant eldest lady at the beginning, and can make the bad eldest lady turn from a dog-licking novel in the first hundred chapters to the starting point of youth. Then he can also bring this book back to life. Maybe in another hundred chapters, all the plots now are the perfect foreshadowing for the future.

I seriously doubt that "Love Travel" was written by a gunman

I haven't read this book yet, but I'm willing to give it five stars for Miki and Rin (Koizumi Aona feels it's forced, and as for Asuka Mai, the content is too little). After three readings of the nasty eldest lady, I understand more and more that it used to be difficult to make a difference. Except for the poem "Wushan is not a cloud," I always feel that it's almost meaningless when I read other Tokyo novels. Especially for the author's other novels, the more I read, the more I think of the nasty lady, and then I have a feeling of uneasiness. Therefore, I only read a small part of each of the author's other novels, and then I review the classic episodes of the nasty lady. I feel like I am sick, very ill. In addition, can the author negotiate and continue to update the comics of the nasty lady? To my completed youth

Although I wasn't interested in the last book "Psychiatric Hospital", the movie "The Bad Lady" still gave me a strong sense of the same channel. I hope this one can also bring me the same channel😹