Jin Royal Family

For those who say that the protagonist is disgusting, you must understand that the era (this is a fictional novel, you can refer to the late Sui Dynasty) is different from modern times in ancient times. The protagonist has traveled to the royal family and is still a powerful person. In this context, one wrong move can lead to death, the confiscation of the family and the annihilation of the clan. If you are still a modern person, do you still want to say that your fate is up to you? And then raise a flag to rebel? May I ask where you got your money, troops, weapons, and reputation when you just came to another time and space and want to raise a flag for rebellion? If you like Wuweiwen and Xiaobaiwen, there are plenty of them in the library. This book is Machiavellian and not suitable for you. And the ancient people were not fools, we are just more knowledgeable than them.

The fictional historical themes that the author derived based on the Sui and Tang Dynasties are very novel. Based on the Sui and Tang Dynasties, they are different from the Sui and Tang Dynasties. The words at the beginning may be too obscure. The description of the psychological changes of the protagonist in the early stage is rather abrupt, and the emotional changes of the mother Zheng are relatively reasonable, but it becomes slightly abrupt after the eldest son Qingyi. But when you see the later part, whether it is a foreshadowing or a straightforward narrative, it makes perfect sense. Author Chong Chong Chong

I found that no one had read this book. I finished it and didn't see many comments. After reading all the updated chapters, it was about the historical story from the Sui Dynasty to the Tang Dynasty, about heroes vying for the throne. At first, I thought the Tang, Ming and Song dynasties were quite confusing, but the characters are so familiar that most of them will act out, so I don't want to Cheng Yaojin almost couldn't avoid using a very familiar character. As long as he was involved in the early Tang Dynasty, he was there. He doesn't know why he loves to write about him so much. In addition, he will probably be describing war dramas in the future. I don't know if he will be able to watch them. Most of the war dramas are actually not attractive because they lack attractions.

There is no positive energy at all, why are you describing this? Shouldn't people be kinder?

After reading more than ten chapters, the author wrote like a resentful woman throughout the whole process. . . . . . . . . . .

It's just that it's a bit too dramatic, and the plot of the plot is not deep enough. Then it's like a hodgepodge of characters from the three histories of the Tang, Ming, and Song dynasties, and it seems like it's an arm wrestling match with the Guanzhong aristocrats based on the historical process of the Tang, Ming, and Ming dynasties! Anyway, it's a bit confusing. Another reason is that the protagonist lacks the various planning benefits of a time traveler, and he is not decisive enough in killing and long-term planning. If it is not in line with the protagonist's post-travel identity, he should form his own wings as early as possible. The greater the power, the more unexpected his death will be.

The book is indeed well written. The IQs of the royal family, Guanzhong, Guandong, Jiangnan and other groups are all online. (Ancient knowledge monopoly) Some people think this book is full of negative energy. I can only say that people have fed chicken soup to their brains. Since ancient times, Shang Yang's reforms have led to the policy of obscuring the people, and then the Han Dynasty fought against each other, and then civil wars continued. What kind of abnormal things have not happened? In ancient times, common people were indeed sheep (there were also titles such as untouchables and unruly people, and the term commoner was only a matter of later imperial examinations) The most embarrassing thing in the book is the names of the characters. When I say the names, I think of the late Sui Dynasty. The emperor's mentality changes a bit abruptly, probably to promote the plot. Zheng, Pei, Wang and others are just repeating old things. They can support two emperors and they can support the third one. Currently, let's see the main story. The protagonist will not go to Taiyuan, but will most likely go to Jiangnan. Once the waterway is opened, the emperor will not be afraid of the protagonist rebelling against him. The protagonist will also connect the waterway in Jiangnan to stabilize Liaodong. According to the emperor's concern about Jiangnan, the protagonist will definitely take Jiangnan. The waterway leads to Liaodong and other places, and the land leads to Luoyang and Chang'an. The battle should be after chapter 50

There's nothing good about it, nothing really wrong with it, it's just mediocre and boring.

It's really good to read. I haven't read a book in a long time. The writing, logic and script development are all flawless.

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