Killing Ghosts and Gods Alone with a Sword

It's a good book, but it was the foundation-building setting that put me off. I can't say there's anything wrong with the setting, but the author got himself into it and couldn't get out, making it so uncomfortable that the more you think about it, the more awkward it gets. Why can't the method practiced by the protagonist be called Heavenly Dao Foundation Building? Since this method is so awesome, why can't it be directly cultivated into Heavenly Dao Foundation Building and instead be integrated into the sword energy to become Heavenly Dao? The author himself said that he does not write about sword cultivation but thinks that sword cultivation is the strongest method. Moreover, in the Chapter Nine Questions about Foundation Establishment, I slapped myself in the face, saying that the Heavenly Dao Foundation Establishment covers the tunnel, but the protagonist made a tunnel, and later created a Heaven and Earth Foundation Establishment. I had to make amends for myself, why don't you just start with the Heavenly Dao Foundation Establishment? It's really speechless

The writing is good, and it has the flavor of Shushan Swordsman Legend, but the pace is really not flattering! At the beginning of the chapter, I practiced nine levels of qi, and after writing more than fifty chapters, I haven't even established the foundation yet! To be honest, I really liked it when I read the protagonist defeating four evil families in one sitting. But when I wrote about the need to find a great teacher in order to build the foundation, I guessed that this Qi training period would take a long time, so I couldn't help but flip through the catalog. Sure enough, I instantly lost interest! Looking at novels about cultivating immortals in which the protagonist uses a similar panel plug-in and then climbs up from the bottom, he can still withstand a hundred chapters of Qi training. However, the protagonist of this book has a high background, and the external plug-in (the cauldron) has a very low presence (according to the book, it is of little use in the early stage). The protagonist has the golden elixir technique directly in his hand (and in this book, the golden elixir is three levels higher than the foundation building). At the beginning, he can practice Qi at the ninth level. To be honest, he can't handle it even in the forty chapters of the Qi refining period.

The storyline is good, but it's a pity that it keeps talking about real-life games for the sake of character setting. It's too staged and disgusting. The person who wrote the book really has no brains. He has already cultivated to immortality, so what else can he say about the 72-way sword manual? The word count isn't that bad, right?

If you want to be like a toad, you won't be able to do it like a toad. Finally, there is the routine of leapfrogging monsters, once, twice, and every time. If the author does not forcefully cheat, he will die early and be reborn.

In the harem stud story, the past life was so playful, and the possessed master was also playful. Now that the protagonist has traveled through time, it is still the same as in the previous life. He can't control a woman. What kind of sword do you want to practice? It is better to rely on dual cultivation to achieve enlightenment. Instead of focusing on cultivation and wasting time on relationships between men and women, it is better to change the protagonist.

Aren't you talking about being a top demon cultivator in the past life? I didn't see any means of returning to the previous life, nor did I see the role of the golden finger. It was just a matter of changing souls and continuing to practice the original old path. Isn't it?

The plot is similar to Akagi written by Wandering Toad.

Hurry up and update and write well. I'll give you 5 monthly passes first.

My writing skills need to be improved. The plot is quite good, but the writing is really a mess. I always write some incomprehensible words or express myself unclearly. I want to do a little bit of everything, and my own ability is poor.

The content is substantial and the plot is ups and downs.