Zhutian: a Random Keyword in Each World

First, the system. There is no difference between having a system and not having one. Some authors pull out the panel properties for each chapter to calculate the number of words. What about this? I watched six worlds (Little Joy, Ode to Joy, Love Apartment, The Long Season, Pi, Golden Years), and not even a full panel appeared once. In addition, I personally don't like the system's mechanism. It's the same as the previous task-based system, just replaced with keywords! The protagonist still acts around keywords, just like the previous tasks! The puppet system has been withdrawn from the market, brother! Nowadays, free style golden fingers are popular! . . . Second, the way to write the pipeline. Some book friends who like to read about daily life may like it. I personally think that writing should be more concise in order to be good-looking. It does not require more exciting plot arrangements. However, at least in terms of writing, it should be more concise and highlight the key points, rather than being long-winded and full of daily dialogue (basic daily dialogue is enough, but it is too long-winded here). . . The third one is related to the first question. The protagonist is too puppet-like, and everything he does and his actions are subjectively based on keywords! I understand the golden finger, but you can't lose yourself because of the golden finger, right? After looking at six worlds, there is no one saying that if the [key value] is not enough, it will kill the protagonist and prevent him from continuing to travel! Simply put into the role of the protagonist, there is some tiredness, such as [deserting a beating] and [bastard] in the previous world. Humans, occasionally need a beating and are a bit of a bastard. This happens to everyone! However, when the protagonist takes the initiative to do these actions for [keyword value], I personally feel very awkward and disconnected. . . Fourth, it only represents my personal thoughts. For this theme that the author chose, it would be better to choose an emotional value collection system written by many authors now, such as the key word of "desperate beating", and replace it with the protagonist to collect angry emotional values. Wouldn't it be better to write this way? Doesn't this make the protagonist's puppet nature diluted a lot?

Everything is good. The greatest evil is good in the author's opinion? In the early 2000s, Zhao Meilan was able to let Su Mingyu continue to study in a normal university after she finished high school. During her college years, her family also asked Su Daqiang to provide her with living expenses until she became independent (would Su Daqiang be rich without Zhao Meilan's guidance?), And they did not ask her to repay the family until her death. How did Su Mingyu do it? I never saw my mother until I died! Not only did she not repay her kindness, but she also always resented her mother. In the original work, Zhao Meilan spread rumors at the health center that she was cheating. Otherwise, why would she marry him? Do you really think that rural women of that era had human rights? Is redness common to all women? In the TV series, Su Daqiang himself told a rumor full of loopholes that she had cheated on her. What else could Zhao Meilan do in that era? Do you really want to give all your family rights to Su Daqiang? Come to Qiao Zuwang from the Qiao Family Courtyard?

The first volume, Xiao Huanxi, is very well written. The second volume is Ode to Joy. I hope Qiu Yingying is the heroine, even one of the heroines. I really like this role.

Come on, the spring breeze is not as good as yours, change Yaodao and Wang Yuxiu

Book shortage, come to make up for the time. At the beginning, there was a Tongzi, and when he said that he would ascend to heaven when the collection was complete, Tongzi immediately became invisible. Finally, I stopped at Chapter 55. I can only say that the author hahahahaha.

The writing of Xiao Huanxi is okay, but the rest of the story is just so-so, with no highlights. The unified routine is to weaken the existence of golden fingers, and pretend to be a coquettish girl by changing the skin but not the core. When I got to iPartment, I couldn't stand it anymore. The iPartment chapter is considered the longest one, and it's still a daily one without a main plot, so I skipped through it. Although the author intended to write a cross between a student article and an urban article, it was still very boring to read. Didn't the introduction include Demi-Gods and Dragons? You have been writing about ancient times, and you have been writing about modern times. The routines are the same, and the aesthetics are very tired.

Who is the heroine of iPartment? Is it Meijia? It's a pity that Meijia and Lu Ziqiao are together, Lu Ziqiao is a scumbag.

The content of Xiao Huanxi is better than the first one. Please keep up the good work while following Young Pi.

To be honest, I want to ask, what is the use of wearing an ordinary mobile phone for such astronomy? First, there is no world of black technology, and second, there is no world of high fantasy. What's the point of wandering around in the ordinary world? After all, you are still a mortal. You may have some regrets when you are reborn (time travel) for the first time, but your lifespan is definitely limited. Isn't it annoying to keep wandering around in the ordinary world? Just pretend to be cool and pick up girls in one world day by day, then live your whole life in this world, and continue in the next world?

Is it interesting to have a harem in a youth film?