Emei Martial Arts

About This Novel

The novel uses the "White Ape's Clothes and Crown" as a token to connect the five historical periods from the Spring and Autumn Period and the Warring States Period to the late Ming and early Qing Dynasties and the development of Emei sect's martial arts. In the Warring States Period, after the defeat of Situ Xuankong, the general of Shu, he observed the ape and realized Taoism, created the "Tong-arm Boxing", split the white clothes as a legacy, and opened the Emei lineage. In the Wei, Jin, and Southern and Northern Dynasties, Master Danran integrated Buddhism, Taoism, and martial arts and hid them in murals, and the Black Clothes Society began to take revenge; in the Southern Song Dynasty, Taoist Baimei wrote classics, and martial arts protected civilization under the iron heel of Mongolia; in the Ming Dynasty, the Eight-leaf Master formed an anti-Japanese formation, and revealed the spirit of "White Ape" as the name shared by three generations of masters and apprentices. In the early Qing Dynasty, Yunshu, a tea-picking girl, realized during the three-party siege: "Clothes and hats are not objects, firewood is in people." Thousands of years of grudges finally disappeared, martial arts dispersed into opera, health care, and disappeared in the market. White clothes, white apes, and clothes are sublimated from physical objects to spiritual symbols, echoing that "the essence of martial arts is not a killing technique, but a cultural bloodline." The modern stage reappears the ancient tricks, and the fire is endless, and the millennium inheritance is reborn in the fission of the times.

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