Mountains and Sea Hidden in the City

After reading Chapter 10, it has strengths and weaknesses, but the graphics are very good and can be added to the book list. There is nothing wrong with the writing. The naturalness between the picture and the characters, coupled with the clever plot design, should be quite popular among readers. The writing is very good, so it is actually quite difficult to improve. The main problem is that the architecture leaves insufficient space for reading. This is a very hidden issue. Let me take the connection of artistic conception as an example. Read the first short story. First, the picture of the man is given, the dialogue is suspenseful, and it has a religious feel. What follows is a series of rapid life switches that underline the pianist's emptiness. Next, the incense is started, and now it feels like the Palace of Eternal Life on July 7th. Perfect! However, at this time, the best thing is to leave a space for readers. For example, a pianist in tears plays a piece of piano music with one hand and his lover's disembodied hand, and then the scene flashes. If he wants to regret it, kneel down and repent. If the incense burner is going to break, you can arrange for him to try to possess it and then have an accident. In this way, the artistic conception is connected, and his story and pain are left to the readers. Next, you can return the incense burner, reply to the same dialogue, and then the daughter comes to act like a spoiled child, the hero loves her, and turns her into his friend or something to ask for help. This allows the male protagonist to rationally use "power" to expand the core and continue to give readers room to think. This book did not do a good job in this area, which makes the writing style slightly limited. It can be solved by repeated reading and relaxing the control of writing style.