Do You Know: I Am Yuan Wenshao

The author is not very good at strategy and layout, and the protagonist he wrote is a bit clumsy! This in itself is actually nothing, but it seems very awkward to have to write about the protagonist trying to make various plans! In fact, it is enough to write about the protagonist's amazing strength at the beginning. If you strengthen it a little, for example, let the protagonist wear heavy armor and be able to defeat thousands of troops, then you can basically break the game if you know the plot! For example, it is mentioned many times in the book that the protagonist actually sends secret guards to rescue the team and train the envoys if he really wants to participate in the war and not go to the capital to judge. Is this appropriate? If you secretly train secret guards, even if you save the new emperor, won't the new emperor be jealous? Also, when fighting for the throne, the two sides will win over each other's civil servants and generals, and will also attack each other's civil servants and generals who defect to their opponents, but they will never dare to intimidate a military general with a high status to join the side, absolutely not! Not to mention that it is easy to force the opponent to join the opponent's side, even if the emperor is not dead yet, would the person who takes the throne dare to use such despicable methods? Is it a conspiracy for the returned prince to visit the protagonist's home? So if this prince visits all the civil servants and generals, will it be done? Isn't this nonsense? Why else would the Prime Minister use his own nephew to be beaten as a very clever way of provoking a civil-military dispute? Is there any need to provoke it? In order to harm someone else's son, apart from completely becoming an enemy of the military's top boss, what else can you do to be clever? If they were secretly friendly and openly enmity, it would be a strategy to make the emperor feel at ease, but it was definitely not that clever! Also, he keeps following the plot of the original work and repeatedly says that it is difficult to change the direction of the plot. But the question is, has the protagonist reversed the plot? There was no way to secretly send a reminder letter to Wei Xiaoniang. Writing a letter was actually very risky, and it failed to change the outcome of Wei Xiaoniang's death in childbirth! But he just reminded Gu Erlang twice in a vague way. Does this count? If it were directly written that the protagonist didn't care about Gu Erlang and didn't want to meddle in other people's business, then forget it. Since he wanted to care about it, just find an excuse to say that his subordinates accidentally found out about Mannia and her brother, which would directly wake up Gu Er. There is also the matter between Minglan and the Crown Prince. When the Crown Prince is involved in the vortex of competition between Princess Yong and Rong Feiyan, if the protagonist reminds the Crown Prince not to see Minglan until he escapes from the vortex, otherwise he will harm Minglan, and the Crown Prince will most likely not be entangled with him all the time. At least he will have a lot less things to worry about.

I watched most of it. What can I say, the character is a little bit bad. Firstly, in terms of political acumen, it does not fit the character of a prince. Not to mention the experience of studying in ancient times for the past ten years. After being granted the title of marquis, he returned to the capital and was as ignorant as a white man. Secondly, in terms of family, he was not very good at raising his daughter, and he did not take the initiative to take concubines. Both of these performances were not in line with his status. These two aspects are my least favorite aspects. Of course, aside from these two points, the author still made a very good choice to write according to the original plot line. I hope you will continue to work hard!

There's no point in trying to force your wits down. For example, getting up early to serve tea when getting married. You are told that you can't afford it and then you are reprimanded. Isn't this just looking for trouble? There is no sense of immersion and I can't watch it.

You can watch it, but it's not very enjoyable to watch. There are also poisonous points, such as writing a letter to remind Wei Xiaoniang. In addition, the protagonist has been plotted several times, and there is no effective counterattack. Of course, this may be closer to reality, but I just read novels for entertainment. What is brought into the protagonist's sight is that it is quite unpleasant to be plotted and not fight back.

Is this time travel? Pig's feet are like a fool

Please don't write this kind of illogical rescue plot. Don't you think it's outrageous? People who have no connection should be saved. If you want to be substituted, don't write this kind of plot from God's perspective.

There is no content in your time travel. I went through the entire plot. In the end, I wanted to find out that Minglan did a lot of plots and rescued people, but ended up being anticlimactic and sent it back to Gu. The writing is really rubbish. I will give you two points so that one point will not be included in the score statistics. It is not unreasonable to have a lot of comments and one star. It is an exaggeration to still have 8.4 Points.

I spent a long time and wrote someone to death. What were you doing before?

The author's writing skills are too poor. He didn't write the inner house scenes well, let alone the temple scenes. He was clearly ahead of everyone in time travel and his strength was amazing, but nothing changed. He just followed the main plot of the original work. The emotional scenes with Hualan were as light as water. He also had to push Minglan out. It was impossible to watch.

How do you keep waiting to collect Ming Lan, but finally give it away? There's no strategy at all, just a bland side story? I keep suppressing the protagonist, I don't know what's so cool about it, it's too ordinary