Rebirth of My Animation Era

The author went to work. This book was a book I had prepared for a long time. The editor at that time was Wu Xing. After I communicated with the editor, he thought it was very good. However, he did not write it immediately. Instead, he collected a lot of information and took almost three months to write it. Finally, he signed the contract, but found that he did not pass the first round of PK (perhaps there was no first round of recommendation at all). Later, the author could only update once a day, or even once every few days. Because no one read it at all, I didn't expect that someone would read it in the end. The author here thanks everyone for your support. I communicated with the new editor a few days ago and she said that there will be no recommendations in the future. She asked me to find her for 300,000 words to put on the shelves, so there are about 70,000 to 80,000 words for free. Everyone, please be patient and read. After it is put on the shelves, there should be more updates. After all, you have to eat to earn money. Finally, thank you for your support. I would like to explain!

The main plot of the novel is that the protagonist He Jianjun is reborn and returns to the past. When he wakes up, he finds that he has been assigned to the Magic City Art Film Studio. He started as a line artist at the lowest level, and with his own hard work and talent, he gradually promoted to a background designer, animator, and animation designer, and finally became a famous animation screenwriter, director, and world animation master. In this process, He Jianjun participated in many animation projects. For example, "Nezha Makes the Sea", in which he made a meritorious performance and received the first royalties; and also produced works such as "Three Monks", "Tales from the Heavenly Book" and "Nine-Colored Deer". He has also experienced many events, such as being designated to go to the Cannes Film Festival, winning the Palme d'Or, facing various cooperation and negotiations, and encountering creative difficulties and challenges. As of the latest chapter, He Jianjun has achieved the following achievements: - Nominated for the Academy Award for Best Animated Short Film; - Won the Palme d'Or, the highest award at the Cannes International Film Festival for "Three Monks", and received a bonus of US$500,000; - The works "Tales from Heaven" and "Nine-Colored Deer" were successfully filmed; - Serve as a mentor for new animators; - Won the Golden Rooster Award for Best Art Film; - Transferred to CCTV; - Become a member of the International Animation Association; - Became the director of the branch of Meiying Factory; - Produce works related to interstellar "crossing"; - Bought a "school" and prepared to launch an urban musical animation show. In addition to his career development, He Jianjun's personal life is also highlighted, including his relationship experiences, getting along with family and friends, etc. He has continued to grow and progress in pursuing his animation dream, and at the same time he has witnessed and promoted the development of China's animation industry. The characteristics of this novel include: taking rebirth as the background, allowing the protagonist to have the opportunity to exert his own advantages in the past era; describing the animation production process and industry conditions in detail, allowing readers to have an in-depth understanding of the animation field; showing the protagonist's struggle and growth, with certain inspirational elements; and reflecting the social background and changes of the times through the protagonist's experience.

The writing is dry and not smooth to read. 1. There is no rationality in doing things, and he is too influenced by the surroundings. He does things here and there. The author did not have a good balance when designing the plot. 2. I feel that the protagonist is too old and good, and his personality is too contradictory, so he was not well-shaped. 3. There was a problem with the thinking. It was a planned economy at that time. How many films were made were all planned. There were more wolves and less meat. It was too difficult to write or direct alone. Therefore, in the process of learning animation, the most important thing for the protagonist was to increase his reputation, whether it was through serialization of comics or literary works, etc. However, in the article, the protagonist did not highlight this point. Ranking according to quality, it's the year of the monkey and the month of the horse.

The author can localize One Piece, Naruto, Bleach, Detective Conan, Kung Fu Panda, and Mulan, a Chinese character used by the United States. Toy Story, Frozen, Resident Evil, The Lion King Simba, Slam Dunk, Dragon Ball, Yu-Gi-Oh!, Pokémon, The Legend of the Gods,

It doesn't look good. I can't control things by myself.

What the hell are you writing! If you want to do animation well, do it yourself. Even if you are drawing comics and submitting them for comic strips, don't go to animation film studios to scheming.

The crisis facing Chinese animation is multifaceted, such as the popularization of television, the reform of movie theaters, and the introduction of foreign animation.

There is no sense of involvement at all when working for others.

It's very interesting, but I need ten words to send it out.

Okay, there's a problem with the first picture of Golden Chapter Three.