Under One Person: Why is the Weapon Refiner's Defense Stronger?

The Golden Finger World Furnace and the refining of weapons give the objects properties, and at the same time share the properties with the protagonist. The setting is actually okay. But, the Heaven and Earth Furnace is placed in the interior scene. First of all, everyone's interior scenes are connected; secondly, the general setting is that there is a Heaven and Earth Furnace in the protagonist's interior scene, and then whatever happens, the name Interior Scene is used. It has nothing to do with the interior scenes in Under One Person. So why does it have to be called an Interior Scene? You can just change the name. In the end, the character of the protagonist is Gou. The first weapon is a shield, and the second weapon is a gourd, which can generate treasures and poisons (I didn't do it well during the upgrade, and the treasures changed from treasures to treasures and poisons). They are randomly generated. The protagonist can't tell them apart, and there is no antidote. In this case, he dares to sell them to Lu Ren, Lu Ci, Wang Ai, and Fengping. It's not very brave. When he was just developing, he dared to just get some money. He was so brave. If it was not controlled by the author's will, if one of them died, the protagonist would be finished. Also, why would you put something like a treasured medicine gourd in the open, as if to say, look, I have a treasured medicine gourd here, it's super rare, come and grab it. (Wear it with you → others are curious → don't give it → others are very curious → exposed → constant trouble) Gou?

It's tasteless to eat, it's a pity to throw it away, it has a lot of AI taste, and some of the private decorations inside are too dramatic.

The gourd is worth 3000, but it can't even command the protagonist😐

That's it. Killing people in a car, I can't even feel the Qi I have practiced or what I have cultivated.

First of all, the sect selection is at least different, and it also involves weapon refining, which is a bit novel. But what about the protagonist's golden finger? It's a bit incompatible with the background of the world under one person, but it's okay to accept it. Secondly, the description of the character's behavior is quite uncharacteristic. As the leader of the hall, Liao Tianlin is probably in his thirties or forties according to common sense. He has been traveling for many years. However, when he was traveling with his own genius and the genius advised him to avoid it, he originally planned to just sit back and watch, but because of the girl's beautiful face, he was "forced" to save people. Even if you say that he compared the strength of both sides, his sense of justice, and polished the protagonist's overly stubborn temper, which one is not better than your reason? In the end, the protagonist's thoughts and actions are entirely due to you, the author, just for the sake of writing, so why are you still going out? They all went out with their hall master and rescued people, but he ran away and watched, and even though he was capable, he still pretended to be stupid and begged to be let go? This is not how you pretend to be a pig and eat a tiger.

I wanted to follow the trick of pretending to be a pig and eating the tiger, but I failed to write the tiger well because I didn't see the pig from beginning to end.

The new ones are so hard to describe in words.

If you use the weapon refining technique to refine a magic weapon, and then rely on the magic weapon to not be afraid of nuclear explosions, then as long as the magic weapon is a magic weapon, it can be taken away, and it can be taken away when you die of old age. It is better to rely on your own strength to not be afraid of nuclear explosions.

The protagonist is trash, because the protagonist killed two Japs and a carriage was almost completely slaughtered. However, the protagonist couldn't sense it, didn't take the initiative to take action and kept watching the show.

Excellent Excellent Excellent Excellent Excellent