Immortality Begins with Whale Hunting

The plot is too contrived and there are too many loopholes in the plot! At the beginning, it is said that the Bai family stipulates that all clan members must be sailors (or collateral clan members), which is similar to serving in the military. So here comes the question, why did the children of the Bai family, whose parents are still alive, never come into contact with physical training before becoming sailors? Do you have to serve on a ship to learn it? And why didn't the descendants of the Bai family, who came from a wealthy family, bring their training resources on board the ship? Aren't you allowed to take it? Is this the same starting point appropriate? Also, after the protagonist learns the exercises, he goes to the sea every day to catch the kind of small fish he needs for his own use. Doesn't the fishing boat pay the sailors 200 Wen a day without having to work? Do you have so much personal time every day? If you catch small fish worth a thousand coins that you need to practice, and then give them to other sailors to cook (process) for you, aren't you worried about being cut corners? And just for this, there are sailors with foreign surnames forming a team to ambush the protagonist at sea. What is the purpose? The main character's secret to catching fish, isn't this nonsense? Whether it's fishing or catching fish, if someone tells you the skills, can you learn it? Later, pirates attacked and actually said that there were 1,500 taels of silver on the ship. Why did the whaling ship go out to sea with so much money? Trading with sea monsters? Or is it for pirates? Even if wages are paid to sailors, they should be recorded first and then paid after landing. There is no need to go fishing with a large amount of gold, silver and copper coins, right? Later, the whaling cannon was damaged by a pirate master, and soon the whale came to take revenge. How did the whale know that the whaling cannon on the whaling ship was damaged when he was in the sea? Isn't this funny? The whalers went into the sea to fight the whale, and the protagonist got stuck. On the boat, he kept thinking about giving the whale a fatal blow after it surfaced. The reason was to save his life? If there are a large number of whalers who are at the second and third levels of physical training, but they can't help but kill the whales, how can the protagonist have the confidence to kill the whales to save his life? There is also a problem with the writing of the whaling plot. What should I say? How big is a whale? How big is the fishing boat? If giant whales in the sea will actively attack fishing boats, why should wooden fishing boats go out to sea to hunt whales? Blessed by courage? The main reason why the ancients were able to hunt whales was that whales would not take the initiative to attack fishing boats, and whales were not wary of fishing boats or humans. This gave the ancients the operability to hunt whales. The whaling plot written by the author feels like human warriors fighting great white sharks in the water instead of fighting giant whales! In short, the plot routine is too deliberate and cannot withstand a little scrutiny!

After reading a few chapters, the comments inside were all scolding, and the outside comments were all five stars. It was really interesting.

This book is good, unlike that one where no matter how good you are in martial arts, you just can't beat the early stage of Qi training.

The book is pretty good, but it's just a eunuch.

The content is quite interesting, please update a few more chapters.

Didn't you watch the beginning for a few days and then completely lost your focus? Still fighting the half-step master? Doesn't it seem like you've traveled through time? No longer a cultivator? It took him a lifetime of training to become a half-step master, but he was beaten to death by a warrior like you who had been practicing for a month? Funny? Does your golden finger also provide exercises? Can you improve your skills?

Can you kill a half-step master with just your energy and blood? Are you sure you're not trying to be funny? In addition to having an eternal golden finger? It seems there are no other golden fingers, right? Should we pass it on or not? You are not a grandmaster yourself, how can it be easy to kill a grandmaster? Don't feel embarrassed?

White Lotus Sect? Is it that hard to come up with a name? The more I write about it, the more I get madder, and I apply it mechanically.

Not bad, not bad. It's a bit similar to another book "Immortality Begins His Liver Experience from the Demon Hunting Ship", and the writing is quite good. That Golden Finger book is more about gamification and career change relies on professions and professional skills, while this book is more about martial arts practice and relies on various talents and characteristics. I strongly recommend everyone to read it. Come on, come on, come on!

Different from traditional training, tasks, sects, etc., Small families do not have to be certain who has to do what, or live a task-based life. This kind of gang-like ordinary occupation is actually more free, and the intuitive expression of man's victory over nature contained in "Fishermen" is also more intuitive. The land is prominent, and the shocking feeling of people fighting with the sea and interacting with nature is more fulfilling and full of fireworks (in fact, I personally feel that some weapons, or some commonly used utensils, do not have to follow the traditional form. Personally, I feel that harpoons, boning knives, etc. Are quite handsome). I would like to make a small suggestion here. You can use some reportage techniques to describe some details (the kind of the old man and the sea), and reflect some physical objects that you inadvertently and inevitably see. This can enrich some social background and the meaning of the world. The richness of the characters' behaviors and emotions are rendered in this context (for example, in the article, the Poseidon Cult and the Star Hunter Pirates gradually became rampant, and after a stop with the government, the frequent occurrence of strange beasts in the sea, and people began to gradually move out became more reasonable and smoother. Development issues after the transfer, whether the protagonist will stay or go after the breakthrough, the branch line between the swordsman and the Poseidon Cult, the feeling of estrangement between the protagonist and the Bai family, the sense of depression about the impending storm, the sense of urgency to survive in this environment, etc.), You can fragment all kinds of information and intersperse it here and there. At the same time, some foreshadowing can be added to the plot (such as the scene of rescuing the swordsman. In such a depressing time, what prompted the protagonist to rescue people without knowing who the shark fighter was, or it could be "rescuing people who fell into the sea is a mission of the sailor, which is a manifestation of the sailor's struggle with the sea", etc. This is just an example). Some places that need to be turned and transitioned can be dedicated to the reasons that prompted him to do so. Of course, there should not be too many of these, just like the "literary iceberg theory", more thoughts and emotions should be hidden in the "underwater part". The plot should have a thin layer of fog, which allows us (readers) to vaguely predict the next events, but cannot completely see the direction. The hazy feeling that makes us (readers) fall in love with a novel (to put it bluntly, it is some unexpected and exciting points. We knew that we might do this, but we just didn't expect that unexpected treasures would be discovered by doing so) Finally, always remember that the "tip of the iceberg" can always trigger people's imagination about some problems hidden in the water and make readers think. Of course, these are just trivial suggestions in the final analysis. Regardless of whether the author likes and adopts them, they will not affect my interest in reading and the reason for giving full stars.