Diatonic Craze

Hairpin head phoenix Pearl pistil, glass pendant. Don't come to know that it's like you were ignorant before. Maybe it can be avoided, but I would rather do it. It is difficult to fly with wings, so the mind is easy to change. Break, break, break. There should be no regrets. I shed tears in my eyes and wipe my hands to express my youthful years. Looking side by side, whose home is it? The sky was filled with fireworks, the first time I saw them in my life. Scatter, scatter, scatter. After two hours of fussing, I finally wrote the lyrics seriously for the first time.

People who write songs are serious, people who listen to songs are the most ruthless The phone calls between Mr. Prude and the most ruthless lady are still mindless and unhappy. But the chatter beyond the grasslands and hills Is it legitimate? Seriously? Just like the airport has witnessed more sincere kisses than the wedding hall, the walls of the hospital have heard more prayers than the church Really miss every detail The side that feels the poetry and the distance is chattering endlessly to the side that is stuck in front of you...

Another year has passed in the blink of an eye. When I first read this novel, I was not yet 30, and my life was full of unknowns. In the past few years, I have struggled all the way, tasted all kinds of things in the world, slid from one hill to another valley in life, and traveled across mountains and rivers towards another unknown journey. I am 36 years old this year. Life is too busy and worldly. I read other people's stories, listen to other people's songs, drink my own old wine, and meet friends around me. I no longer express opinions easily, and gradually learn to listen and remain silent. The author's writing style has gradually become sophisticated and sophisticated. The characters are still the same, and the story continues forward. But later on, the pictures and context seem to have changed. I can vaguely feel the changes in the author's age and experience, and I can also feel his reluctance and slight weariness towards this work. I stopped at the chapter where Qi Qingnuo and Yang Jingxing broke up, and I was planning to wait until the finale before starting again, but after waiting and waiting, today is here in the blink of an eye. The night before yesterday, I decided to start reading. I spent two nights and finally read the latest chapter "Brother-in-law". I don't know what it feels like. It's been a long time since I wrote anything. I have so many feelings and emotions that I don't know where to start. The author's exploration of the characters' hearts is really shocking. The pictures and the relationships between the characters present give people an unparalleled sense of reality. This sense of reality can even make people feel unsustainable anxiety about the fate of the protagonists, giving people real despair. These girls in 306 are described with flesh and blood, so many characters, so many images, each of them is vivid, as if they are right next to us. Because of this, if we step into the perspective of the protagonist, we will be moved, gratified, trembled in soul, embarrassed, and at a loss... Please forgive my poor expression skills, the following is my brief review. 1. As always, the author has no energy or disdain to create a good lyric, a good movie title, or a good song title for the protagonist. It makes me feel a little embarrassed occasionally, but it doesn't hurt. 2. All the plots serve the girl and love, and are beautiful, but they do lack humanistic care, various aspects of the world, and depth. Some small regrets. 3. There are not many descriptions of the relatives and friends around the protagonist, but they are particularly warm and friendly. But I have always been concerned about the way the protagonist treats his family and friends. The deep sense of alienation in his bones makes people feel helpless and even a little angry. 4. There are three scenes in the later period: Yang Jingxing goes to Jiajia class, attends the graduation ceremony of the elementary school, and talks with Xu Peiyuan on the bus with the driver. These three scenes are particularly prominent in comparison with the overall picture of the novel. It's like cutting from a luxurious world to a grassroots and secular picture. It was unclear, there was a kind of psychological disconnection, and there was a kind of sadness, just like Yang Jingxing's world seemed to be knocked down from the mortal world, which made me see the corner of the veil that was torn away, revealing the reality and ordinaryness. 5. Regarding the characters, it is normal for a seven-year-old work to have some gaps in the context of the work. In the first half, Yang Jingxing behaves in a foggy and unpredictable manner, but in the second half, he gradually analyzes and reveals himself. This is an old drama, too deep and too cunning. As we get to the last 100 chapters, I begin to think that this is a young man. This may be an improvement that the author had to make in order to open up a new situation for four girls to compete on the same stage, and it is a natural advancement of the plot of the novel. The scene where Tao Meng, Qi Qingnuo, Xu Peiyuan and Yu Xiting met in front of Panpan BBQ restaurant was simply earth-shattering. From this moment on, the novel enters another world, and the familiar Liu Buyang mode begins. But obviously, it is still difficult for us to clearly see the direction of the character's fate. Everything seems to have reached a dead end, but no one can predict what kind of big move the author will make. Everything is worth looking forward to and unimaginable. The story begins when Yang Jingxing decides to pursue Xu Peiyuan, which is a particularly tangled story. The entanglement of the fate of the characters' relationships, the helplessness and hesitation, the feeling of being unable to control life, gives people a sense of despair. In particular, Xu Peiyuan has several long narrations. Her positioning of emotions, analysis of human nature, and definition of relationships make people breathless and embarrassed. But obviously, this real taste directly gave me a deep sense of immersion. A long time ago, I remember the author said that Xu Peiyuan was not considered when arranging the heroine. Indeed, Qi Qingnuo is still intersecting with the protagonist. As her best friend and a member of 306, this difficulty is simply too great and unimaginable. This sense of substitution made me feel painful. I happened to meet a girl like Xu Peiyuan when I was in college. The real pain seemed to reappear before my eyes. . . (I also graduated from the Conservatory of Music) The character of Qi Qingnuo is particularly complex and distinct. She is simply the female version of Yang Jingxing. Plump, sexy, wise, talented, kind, gentle, humane and sophisticated, understands people's hearts, and will show all the charm of a woman to the maximum extent. My point of view has always been that Qi Qingnuo actually loves herself more than love, which is a kind of personality strength and life wisdom. Her love for Yang Jingxing is more of a resonance of the spiritual core, a true appreciation, and the maternal nature of women. I particularly like this character, but at the same time I am afraid of this character. But throughout the ages, many wise men have been unable to get rid of the complex life form of love. I think that from the first time Qi Qingnuo questioned Tao Meng in front of the barbecue restaurant, this girl was destined to suffer a lot of grievances. From her hair covering her ears to sudden weight loss, the sunny, cheerful, humorous and confident Qi Qingnuo would gradually step down from the altar. In the later stage, this is a soul figure. She will guide Yang Jingxing and coordinate his backyard. They will be the most perfect comrades-in-arms. Tao Meng, from the time when her younger brother was born and replaced her as the head of the family, to studying abroad and becoming financially independent, there are various signs that she will be one of the Grand Slams that is relatively easy for Yang Jingxing to obtain. This girl is very, very *, she has the most stringent requirements for Yang Jingxing, but she also has the deepest tolerance and patience. She has never truly rejected Yang Jingxing, and she has never been able to resist Yang Jingxing's initiative. Xu Peiyuan, the most beautiful girl in this book, accepted Yang Jingxing even though she knew everything about him. This in itself is the strongest tone that sets the tone of this book's success. In particular, she accepted Yang Jingxing's theories about lines and boxes. This girl is undoubtedly the most down-to-earth, and interactions with her are the most cordial. Especially the three consecutive sentences "You lied to me", I believe every reader can feel something from this tone. I have a bit of low self-esteem and a secret crush. Self-love, self-improvement, and a strong heart have turned into a silly little girl in the world of love. This image is actually reasonable. Compare it to the image of Xu Peiyuan teasing her younger junior brother in the cafeteria not long after they met Yang Jingxing, and the image of the girl's unrepentant words for several years after Yang and Qi confirmed their relationship. There is very little mention in this book, but the image is very impressive. Compare it to the image of her going to the production company to play the sanxian, a group of men who are intoxicated, and to this day. . You will think of many of her mental journeys. Everything seems to be revealed, everything seems to be a premonition, everything has become a foreshadowing. . . I think the most difficult character in the Grand Slam will be Yu Xiting. This girl was the one who was tortured the most by Yang Jingxing. She was raised along the way, giving hope and despair. From the day she took the exam, she was intricately related to Yang Jingxing's fate. She is the most vulnerable, but also the most stubborn. Starting from the chapter where Lip Bubbles returns to China, she has really grown up. . . But it's even more elusive. But I also feel that when Yang and Qi are in love, she can follow them like a little tail at any time. As long as there is the right atmosphere, she can be the same as before. Without Yang Jingxing, this girl has no intention of good fortune, and does not have much ambition. With a little bit of laziness and gluttony, she is destined to need Master Yang's care throughout her life. . . It would be too cruel to push her alone abroad. . He is a victim of Yang Jingxing's mental journey. Observing her later rebellion against Master Yang and the details of her exchange of information with Tao Meng, this girl will take care of Master Yang sooner or later. . Let's wait and see!

"Yuanyuan's Inner Monologue" What's wrong with playing the piano and shocking Julia? I don't want to hear what you say. I want to know what's going on with you and Xiaoyu, and what's going on with Tao Meng. The sonatas and the piano duet at the school anniversary were all things Ruirui and I talked about before. We were both gossipy and proud. But now, I am more unwilling to accept that these shining points, these beautiful crystallizations of life, have nothing to do with me. I know I shouldn't be jealous of Qi Qingnuo. You were boyfriend and girlfriend at that time. She was good to me and understood the truth, but she couldn't control it. Yang Jingxing, do you love me? Love. Love more than anyone else? I dare not ask... I once thought it would be great to be together, but now I really want to trade everything I have in exchange for your past. Are you too dissatisfied?

Let me clear the air for the author. Here I want to ask a book friend who I admire very much to "seriously face" the judgment: Ji Fei has a pathological defense of beautiful things after One Hundred Years of Solitude (that's not the original word, this is probably what it means). Whether it's a forced kiss or a confession, Ji Feo's starting point is not for his own desires, but for his protection of beautiful things. Have you noticed that this confession is actually a bit similar to the previous one where Ji Fei confessed to Xiao Yu? I had always said that I didn't like the scene between Ji Fei and Xiao Yu. When Xiao Yu was sent to the airport, Xiao Yu was in pain, and Ji Feo suddenly said, "Let me take care of you from now on, okay?" Xiaoyu firmly refused, and Jifei even shed tears at that time. I didn't really understand it at the time. I felt that in my heart, the relationship between Ji Fei and Xiao Yu could be a friendship, a teacher-student relationship, or even something like a father-daughter relationship. However, I didn't think it was very reasonable to write it as a relationship at this time. I have been seeing judgments seriously faced recently. After Chicken Feather and Meng Nuonuo Xiaoyu collapsed, there were some things that seemed unreasonable. One is teasing the flight attendant, the other is making love to Yi Zhihua. Another aspect of the author's description that seems unreasonable is that he compares Qing Xi with the four major heroines. The description is very beautiful, and based on his previous abilities, he is also very good. From a person's perspective, I am very temperamental and clean. Qing Xi wanted to work in Ji Feo's company. The previous description was that Ji Feo admired Qing Xi, but he found lame reasons to stop him. Judging from the previous plot, or from the perspective of the protagonist's identity in a book, Ji Feo is definitely a good person, not a pervert. Why does the author write him to flirt with a flight attendant and a flower? If the setting is a protagonist with the shortcomings of a pervert, why not flirt with Qing Xi. Seriously face the book friend and give her the answer, because Ji Feo is not really flirting with her, he is obsessive-compulsive and gives her beautiful things that he feels should be maintained, and uses her way to send happiness. Stewardesses are very hardworking and upright about relationships, and there will be no intersection in the future, so he gave the stewardess a romantic encounter that would not affect the stewardess's love life. Yi Zhi Hua's condition makes men feel inferior and not chase her. Girls who no one dares to chase are also very pitiful. Moreover, Ji Feo approves of the police, so he uses a mean way to give Yi Zhi Hua praise, happiness and confidence. If he really wants to pursue Yi Zhihua, he doesn't have to choose a way to approach Yi Zhihua that makes Yi Zhihua disgusted. Instead, he will choose a way that Yi Zhihua likes. I wanted to bring happiness to these two people without getting into emotional disputes and hurting them, so I did it. He was certain of Qing Xi's talent and appearance, so his behavior in the bar was a sign of goodwill to Qing Xi. However, Qing Xi's subsequent behavior of joining E Yang might bring emotional risks, so Ji Fei refused. Ji Feo's attitude towards relationships has changed. First of all, whether he is a girlfriend or not, he definitely appreciates women with beautiful souls and good looks. Beauty of the soul is even more important. For Mengmeng, there was also a liking factor at the time, but there was also a saving factor in it. After Ji Feo woke up from One Hundred Years of Solitude, he praised beautiful women without hesitation, from the little Italian girl to the school girl who liked him in high school at that time, from Hu Yuqing to Zhang Chujia, and even Ren Chuyu. Mengmeng was the girl she had a crush on before One Hundred Years of Solitude. After he woke up, he still admired and liked her, but Jifei had already had the mentality of an old monster. At that time, the breakthrough in his relationship with Mengmeng was actually driven by Mengmeng. Jifei just felt that in that situation, Mengmeng would be happier if he should do this, so he confessed that he would go sticky according to his wishes. Watching them fall in love at that time, I actually felt a little tired. I felt tired because Mengmeng was too innocent and too pretentious. This is not how normal love works. Ji Fei is completely giving. The only thing he didn't do according to Mengmeng's order was to give up protecting beautiful things, such as Miao Miao Xuexue, Xiaoyu and 306. Then Mengmeng's father beat the mandarin ducks with a stick. No matter whether Jifei continues to persist or not, Mengmeng will be hurt. Persistence hurts Mengmeng (because of the antagonism with his family), and failure to persist hurts Mengmeng and himself. Ji Feo is a person who values ​​family ties very much, so he chooses not to persist. At that time, I felt that he was a little discouraged about relationships at this time. He had not thought about starting a new relationship at this time. He was not only afraid of hurting Mengmeng after starting, but also afraid of hurting his new girlfriend. But at this time, Nono chased her hard. For such a strong girl, she made herself a bit humble. Ji Feo felt that further rejection would be a harm to the beauty, and maybe he had some expectations for feelings, so he agreed to be with Nono. I think Ji Feo has given up on relationships since he separated from Nono. So when I confessed my love to Xiaoyu, I think it was more pity than love. Because he found that he had caused serious trouble to Xiaoyu. Xiaoyu liked him very much, but he didn't even have the courage to take the initiative to be with him. He didn't want Xiaoyu to live in pain. If Xiaoyu agreed, the damage to Meng Meng Nonono would have been done. He worked hard to make this girl happy. However, the mistake has been made and can no longer be undone, and the harm to the three girls is unavoidable. From this moment on, he realized that he could no longer express kindness to beautiful women as he did before. He began to become serious, and he didn't know how to remove the flowers. He would only send warmth when he was sure it was safe. Yuanyuan is the only one he is not sure about at this time. The main reason is that he has always used her beauty to make jokes about Yuanyuan before. Yuanyuan has always been immune, so he may think that there will be no problem. Secondly, Yuanyuan is a girl who seems to be confident but actually has a bit of low self-esteem. For example, she first wanted to make a commercial to pay off her debt but regretted it. And he does appreciate Yuanyuan's kindness, beauty, positivity, and understanding (she has a sharp mouth but a soft heart), and the two of them do have a lot of interactions, so it's like this unknowingly. Going back to this confession, I think the main reason is that Yuanyuan's words made Ji Feo behave like this: Don't torture me anymore. Ji Feo knew that Yuanyuan wanted to cover up the last sentence in the previous chapter and that the two of them were just friends, but he knew Yuanyuan's character and was not the kind of person who could easily be taken up or let go, so he wanted to save Yuanyuan. He didn't want Yuanyuan to end up with hurt because he left behind him, so he took action or spoke out... Therefore, Ji Feo's character has not fundamentally changed. He is a self-suffering psychopath who does not hesitate to do all kinds of paranoid behaviors in order to protect beautiful things. This kind of behavior can also explain why he acted like that towards Miao Miao Xuexue, towards Du Ling, towards Yuan Haonan, towards Cheng Yaoyao, towards Wu Ying, the leader of Zhejiang University, towards Lin Wenfang, towards Du Ling's female classmate, his pretentious behavior and language about wanting to date women, etc.

If I were old and looked back on my years in Beucheng, my conclusion would be three words - messing around. However, there are a few small things that left some impressions, at least far deeper than the scars left by the Crimson Red or Celtics in my memory. After the Crimson faded away from fame, it was just a place to hang out with the mentor, and the Celtics were just a place to drink beer and urinate. Only Harvard Square, and the Shoebox, no, we usually call it the Great Hall, is where the story takes place. Autumn is the performance season, and October is a rare opportunity for newcomers to perform in the Great Hall. Beucheng people are famous for their conservatism and caution. Composers who have not been tested by time, or even composers who have not died, will hardly get a chance here. However, my brother from Berkeley, the last son, had already inquired about the performance time and threatened me to take me to listen to the works of Yang Jingxing, the greatest composer in his mind. I was scornful of this—Berkeley is not a place known for serious music, so why bother pretending in front of me. Moreover, I have basically listened to this man's music. How should I put it, although it sounds good, it is a bit too sympathetic to the audience, or it may be called kitsch. The last son and I had a good argument about this. Moreover, it is very troublesome to go to the city hall to listen to music. Not only does it travel across the entire downtown, but it also requires wearing formal clothes. The old-fashioned conservativeness of Bostonians is as hard as lobster claws. Lobster, well, of course, it doesn't matter if someone invites you to go. It's not just for the lobster. I have to declare this for the record. I'm doing it entirely for the friendship and the music. After staying in the cafe in the front hall for a short time, we started to enter the theater. After finishing our drinks in a few sips, Suozi and I walked into the hall and found our seats - the chairs were always so shabby, incomparable to the best domestic movie theaters, and they were uncomfortable. The opening song is the Night Rain Sonata, and the following songs are all the same, which rapes the ears but is still pleasant. There is not a single piece of music in Chinese modes - I don't know whether it is the stubbornness of the Bostonians or Yang Jingxing's laissez-faire. The repertoire of the performance is only sonatas, concertos and symphonies. What I'm more looking forward to is the Second Symphony, which is the only piece I haven't listened to carefully so far. Suezi's eyesight is really good. After his prompting, I discovered that among the middle-aged and elderly white men and women in Yishui, there was an Asian lady who looked very young, beautiful and very Chinese. It was all because Suezi was too poor. We were sitting a bit far away from the stage and could not see the details clearly. But looking at the thing in her hand, it seems to be a Sanxian. We were both relatively speechless, what was going on? Sanxian? Chinese? As the first movement begins, we have no more communication or movement because we have forgotten it. The theme of this piece is not outstanding, it does not have the usual routine of symphonies, and it feels very singing. I found that I didn't seem to remember the specific melody notes, and I didn't want to confirm it. In short, this piece of music made us two chatty people forget about communication. When I was shocked to realize this, I thought that I seemed to have been a little biased against Yang Jingxing before. It is not until the third movement that the three strings begin to join in the performance. Unexpected but not surprising, surprisingly balanced and harmonious. Among the Western musical instruments of Yishui, the three strings are strong, stable and persistent, neither miserable nor flattering, neither arrogant nor self-suffering, just playing with the theme so calmly. The beautiful Chinese female performer played very well and fit the instrument very well. There were no unnecessary or passionate movements. Only her long hair undulated and swayed to the tune of the three-stringed instrument. Her hair color looked black and bright under the bright yellow spotlight of the stage light concert hall. At the end, the applause in the concert hall was loud, even louder than the First Symphony. In the front row, no, it should be said that led by the majority of people, the audience stood up and applauded. There were also many ghosts shouting bravo. It seemed that they were not so conservative and stubborn. For a Bostonian to give such a standing ovation to a Chinese composer, I think this applause should be more than just applause for such an exploratory move as adding three strings to a symphony. Knowing the tricks of the Boston guy, Suezi and I returned early to the window seat on the south side of the cafe. Because it is spacious and quiet, interviews with music magazines often take place here. We have never paid attention to it in the past. On the way here, Suezi kept praying that this lady would accept the interview so that he could see the goddess a few more times. Maybe even God couldn't stand his talkativeness. Not long after, the beautiful sanxian player and another short Chinese lady, who was probably the translator, came over surrounded by the media. As we passed by, I clearly heard the Chinese conversation and the key words "Huntington, lobster". Drinking terrible coffee, I used the newspaper as a cover to peek at the three-stringed virtuoso. This is a lady with very delicate facial features. Her eyebrows are sharply modified, and her eyes and nose are particularly attractive. Is it because it's your first time here? She moved very little, spoke even softer, frowned a little, and felt a little reserved. Funny, the beautiful lady seems a little distracted? Or your English listening is not very good? Several questions were answered with whispers from the translator. The Boston media is always condescending and they will never spend much time on non-white women. After a brief polite interview, she and the translator dispersed, drinking coffee quietly and talking quietly. The sanxian player tilted his head, his shoulder-length hair was tucked behind his ears and fell down. There was also a slightly youthful hairpin on his head. The translator was whispering something, but the focus of her eyes was on the window. There seemed to be nothing special. Are you still thinking about the applause from the concert? Shouldn't one have such a calm expression after receiving such high praise? Shouldn't it be that ladies should cheer loudly and talk excitedly when faced with such a situation? You should at least make a phone call to the country to announce the good news? Oh phone, the phone is ringing. The weather in Boston is already cold in October. In the shoebox cafe, the sun shone through the light green curtains on the right side of her face. Her cell phone on the table rang, but she just glanced at the screen and did not pick it up. The ringtone of the mobile phone is a song. The sound is not loud but very clear. The sound quality is particularly good, just like the three-stringed string that cannot be covered up by Western instruments. I remember a lyric - "Tomorrow is unknown, but it is close at hand." There were two more lines of tears.

This book has been idle for a year, and it is very difficult to try to continue the plot. I read it again when I have free time, and I have a lot of feelings. 1. In a novel that spans several years, the author's age and experience are constantly changing. The characters in the book have obvious evolution in their human world and sophistication. The protagonist, the author, and the readers are all growing up, which is amazing. 2. I still can't stand Yang Jingxing's loli cultivation plan, especially washing clothes for Xiaoyu, asking for apples, treating guests to dinner, talking about love happily, and then using the name of friendship to compress Yu Xinting's life circle, surrounding her with all kinds of intimacy, and all kinds of specious ambiguities. This kind of cultivation plan really contains evil intentions and is heartbreaking. Compared with Liu Buyang and Su Yishan, Yang Jingxing is much LOW at this stage. 3. Qi Qingnuo is lost. According to the protagonist's behavioral logic and plot evolution, this should be an inevitable consequence. How can Yang Jingxing control Qi Qingnuo at this stage? Even though there are thousands of chapters, the protagonist still can't handle Qi's strong heart. It feels like the author doesn't want to see the protagonist, and uses Qi Qingnuo to give Yang Jingxing a head-on blow. Old Yang is trembling in the emotional world, with all kinds of intensive embarrassment and depression. To be honest, it will be more uncomfortable for readers without taking away the perspective of the protagonist. Because there are too many overlapping circles, he has to meet and support himself. Lao Yang, who thought he had deep expectations and reluctance in his heart, always faced silent ridicule and whipping, and even faced a blow to his personality. But what can be done? Do you dare to avoid seeing me? Can you avoid it? Wouldn't that be more cowardly? This state of loneliness, embarrassment and helplessness is simply so satisfying. Haha, think about Xiaoyu, does Yang Jingxing deserve it? It's just a pain for readers. 4. Tao Meng's old-fashioned first love may be the easiest to fall back on, and the emotional aspect is relatively the purest. Yu Xinting has always been Xiaojiabiyu. Her small aura and stubborn personality make it difficult to compete with the other three girls. Perhaps the experience and accumulation of life as a foreign performer will peel off the thin impression of a little girl like Su Yishan, including her later choices, but readers really dare not say anything. 5. The slander and defamation incident involving Yang Jingxing in a charity song is sad in nature. The sadness can be seen in the protagonist's incompetence and powerlessness in facing the circle, and it even requires the strong background of his ex-girlfriend Qi Qingnuo to deal with it. Even if this incident subsides, even if this incident summons a climax with four women on the same stage, the underlying significance is to further highlight Yang Jingxing's weakness and some disappointment. 6. Is there too much written about the interpersonal relationships within the family and the relationships between the parents? Of course, life requires all kinds of details, but it might be better to have less attention to some unimportant characters. The friendship between the protagonist and his childhood sweetheart, Lu Lin and other friends is somewhat lacking, which is a bit regretful. 7. The pursuit of He Peiyuan is a relatively complex design, which is of great significance. The first is to re-establish the close connection between Yang Jingxing and 306, the second is that He Peiyuan has too many fans, and it will be difficult for the public to follow her, and the third is that this woman has a close relationship with Qi Qingnuo, which will subtly affect Qi's mentality to some extent. What's more important is that this woman knows Yang Jingxing thoroughly and is more tolerant. However, precisely because this woman was Yang Jingxing's first blatant pursuit, if Yang Jingxing made any uneasy and proactive flirtations, it would deviate from the main purpose of the book. Therefore, I have some vague guesses about the shaping of this large harem, but I don't want to affect Suzi's thinking. He Peiyuan's concerns are human nature, and both Qi and He have made their own sacrifices and contributions. But no matter what, in the process of pursuing He Peiyuan, Yang Jingxing still used a little too much force and was a little embarrassed. But it has to be said that after Xiao He caught up with her, the simple love and vivid sweetness he displayed were unmatched by the three previous girls. After all, readers are getting older too. 8. It's several million words long. It's unknown how many years or months it will take Yang Jingxing to reach Tao Meng's financial conditions and Qi Qingnuo's high-level connections. Even the plan to become ordinary good friends failed due to Yu Xinting's resistance and outburst after returning to China. Qi Qingnuo is indeed extraordinary. This woman is essentially a mirror to Yang Jingxing. It is terrifying. She seems to be able to see through the filth in Yang's heart. She is as old-fashioned as life. If the harem comes true, what will defeat her? Is it the reluctance of a spiritual connection? Is it a re-evaluation and reflection on happiness? Or loneliness and jealousy? … Who knows... 9. To be honest, Yang Jingxing's nonsense and frivolity in the early stage really made people uncomfortable. In addition, his behavior of trying to avoid arguments by trying to take all the blame on himself seems to be responsible, but in fact it implies a kind of domineering. It is all my fault, it is all my fault, so let's not argue. Is this good? I personally think that apologizing is also an art, and sometimes you don't need to say too much. 10. Yuan Haonan is probably an interlude, maybe a beautified version of "Lan Yu", but why does Qing Xi use so much space to describe the appearance? Could it be that she originally assumed the position of He Peiyuan? At present, it can be seen that this character has a rather self-centered personality, even a bit extreme. He occasionally shows an inexplicable closeness to Lao Yang's company, but the protagonist seems to stay away from him, as if he is ready to attack, and he seems to be getting further and further away. 11. Gong Shangyu, a woman who plays the violin, should be regarded as the image representative of "Junior Sister" who cherishes the memory of youth. There are indeed many women who have sent Lao Yang to express their feelings, but to be honest, this girl is still exciting. After all, why should Lao Yang have a violin concerto? 12. Regarding Miao Miao and Xuexue, if there really is a harem, these two are probably natural. Is it a 6-a-side game? Hehe. No matter what, whether it has a single heroine or a harem, this book can be regarded as a fairy tale for men. It has flaws and shortcomings, but it also has countless beauties. This novel lasts for several years. The last son is not in a hurry, and the readers seem to be in no hurry. Could it be that this fairy tale will continue forever? Haha... I was barely educated in a music school when I was young, and I turned 40 in a blink of an eye. I really don't know if I will still have such a strange state of mind in two years.

May 16 is the 10th anniversary. I made a video for Xiaoyu. By the way, @fuwajingjing reminds me of the update! Https://b23. Tv/tU7aqt It's a small fish in my imagination. If it's different from what you think, please don't complain. After all, everyone has different aesthetics.

Many people mentioned that this book has the shadow of Red Mansions. Cao Gong's pen is powerful and the mountains are beautiful. But the purpose of this book is different from that of Red Mansions. The Red Mansion is a so-called anachronistic work. The protagonist Baoyu rejects the secular world and creates a tragedy of a household registration book. The melody of the book moves forward, the protagonist Jifei actively participates in the world, and the ending should be satisfactory. This determines that Ji Fei's future must part ways with Bao Yu. Let's talk about my personal speculation that the four girls of the cute fish Nuoyuan drew on the beauty of the Red Mansion. Just listen to it. Let's talk about the conclusion first, judging from the flower name tags of Qunfang in Red Mansions: Meng is Yuanchun + Baochai, Yu is Yingchun + Daiyu, Nuo is Xichun + Sister Feng, and Yuan is Tanchun + Li Wan. First, Baochai is a peony, the king of flowers, and she is the most adorable one in this book. Baochai flapping butterflies is a famous scene, and Meng also learned a bit from it. Meng perfectly corresponds to Baochai and Yuanchun's knowledge, education, grace and elegance. What's even more outrageous is that Meng doesn't need to be as unfathomable as Baochai. In the first chapter, Ji Fei has been thinking about him for hundreds of years. It's unreasonable to be the king of bombs when he starts. Second, Daiyu is a hibiscus, while Yu is from Rongcheng. The kindness of the chicken feathers to the fish is similar to the kindness of the waiter of Shenying to the water of the purple jelly grass. The fish cries the most in the whole book, and it learns to cry in response to Jiangzhu. When Ji Feo was a child, he played with a Sichuan girl on the construction site for a semester. She was not a fish. She was a "fake wood and stone former alliance"? The author's bad taste. Yingchun's non-fighting, inaction, and being bullied are also reflected in fish. Third, Sister Feng doesn't have a flower name tag, and someone on the Internet thought she was a poppy, with a tricky angle. Nuo is a naughty version of Sister Feng. She has all the three evils of human nature: greed, anger, and ignorance, but she is not as delicate and ruthless as Sister Feng. She cannot deceive people or convince the public. Xichun has a cold mouth and a cold heart, while Nuo has a warm face and a cold heart. Xichun was driven into the painting to protect herself, and there are different opinions on the right and wrong. But Nuo only wanted to protect himself and did not share the responsibility for Ling's trouble, which is really unjustifiable. Fourth, Li Wan is an old plum, who is willing to live in a bamboo fence and thatched hut, forbearing and steadfast. Li Wan and Tan Chun took charge after Sister Feng fell ill, corresponding to Yuan's rise after Nuo was eliminated. Tanchun likes novel gadgets, and Yuan said I want them too. Someone asked how to say "Qing is Dai Ying" and "Xi is Chai Fu"? My guess: Meng is Chai, Yu is Dai, Nuo is Qingwen, and Yuan is Xiren. Mengyuan restrained Ji Fei, Chai and Xi Ren tried to persuade Baoyu, Ji Fei obeyed, but Baoyu didn't. Yu's friend's name has the characters "He" and "Rong" in it (taking into account the dispute between water, wood and hibiscus?), And Nuo's friend's name has the character "Qing" in it. Is it a coincidence? Nuo and Qingwen have many similarities. They have a high heart, are pampered, and love to offend others. Baoyu is willing to tolerate Qingwen, but Jifei does not agree with Nuo. What's more, Nuo has the shadow of Sister Feng in her body, and she is a little bit different from Qingwen. Baoyu has the same interests as Dai and Qingwen, and hates being lectured by Chai and Xiren. Ji Feo first chose Meng among Mengyu, and then chose Yuan among Nuoyuan. Different protagonists, different destinations. Chapter 1424

During the break, people who like this book are very anxious. Yang Er is about to make his debut; Mr. Yang is about to go to New York, and there is a high chance that he will cross paths with Mengmeng Xiaoyu again; whether Lao Zhang can successfully renew his contract with Sister Yaoyao; what will be the result of Yang Jingxing's pursuit of He Peiyuan; when will the Mongolian guy make his relationship with Sister Pang Xi public... All are affecting the readers' thoughts. Looking more broadly, a book worth more than 5 million yuan and six years of high-quality updates are really nothing in these few days of interruption. What I mean is that there are an average of more than 200 chapters updated a year. If you exclude long-term interruptions such as the last son breaking his leg, getting married, and the birth of his daughter, if you just say that the last son has tried his best, you can do it... You can see on the web version that there are actually still new chapters being uploaded recently, but they are just modifying the past text. For some stupid reasons, there are too many taboos in web texts at certain times, which is really god damn, so the author said that something is wrong and a bit tired. Most old readers understand and understand. For those who like this book and insist on genuine subscription, I believe that we have the same confidence in the quality of Suozi's articles as the complete winner. But for some so-called readers who don't spend a penny to ask the author to take responsibility for themselves, when you urge for updates, don't you feel... A little bit baffled? You can see the title in the circle. I have said before that readers who subscribe to the full text should be at least the helmsman. Have you ever really supported the author? Don't you know... In your mind? Discussions about the plot and characters are welcome. But if there are any more sinister and eccentric people who use prostitution for free, they will be deleted without mercy!