On a black full-moon night, what is Yueyan's whisper talking about? Under the scarlet sky, which reincarnation are the wandering corpses looking for? The statue in the dilapidated temple opened its eyes and stepped down from the altar, waiting for the flowers of this era to bloom...
Gao Tian opened his eyes, the young man who was born into a puzzle, the ancient town between reality and illusion, the purest and most beautiful feelings, the most complicated puzzle, and the most passionate fight, are all here.
Big dreams confuse cause and effect, long dreams are like an abyss. Let's see how the young man cuts out a ray of light in the eternal night with one sword, and builds prosperity on nothingness.
Seeing this, I feel that the whole story structure is not ordinary.
Chapter 140 The author has something to say about Yuluo
The third volume, the Cangliu volume, is officially opened, which means the sea is flowing across the sea. The outline of this volume is much more detailed than when the second volume was rolled out. There are thousands of foreshadowings, many characters, and many clues laid ahead will also come to light. The richness of the plot should far exceed that of the previous two volumes. I hope that the regrets left behind in the first and second volumes can be made up for in this volume. Sanchi really wants to write a good work and has been working hard. The third volume is a new starting point, and I believe there will be new heights. Thank you all for your company, ah~ Also, I would be even more grateful if you could subscribe. The number of subscriptions is really miserable now, wow.
Thank you, thank you to every friend who reads my book.
This section is so classic
What a great book! Author, please don't write a work that makes you think about what's going to happen next after reading one chapter. The protagonist is endlessly cheating, and his character and strategy are inconsistent with the protagonist's ability. There are many confidantes, there are no twists and turns, and there is no logic. This is the first work that really stood out to me after reading the novels Fighting the Sky and Douluo Dalu. Come on! If you keep at it, it will definitely explode.
Tip 500, vote for a monthly ticket, and be the first to order when it's released
Support the release of San Chi Xian Di's novels. We must persist in our dream. We are people who want to write millions of novels. Even if there are no flowers and applause on the road to our dreams, only difficulties and thorns, we must not forget our original intention and move forward.
I think this is good
Because for example, when I usually do something, many people don't understand it, but as long as I see people I care about understand me, support me, and believe that I have my own reasons for doing it. Then I will be very, very happy, so I will no longer care too much about what people I don't care about what I do, so I may feel that this kind of thing is more important.
Chapter 73: There is a sword in the world. The author has something to say
The plot that follows may be a little depressing, but it won't be deliberately sadistic. Sanchi wants to be a gentle person and look at this world gently. The same is true for my story.
Hmm, after seventy chapters, I started to attack the little girl again
I can't live up to those friends who always advise me to quickly switch to romance writing. Behind me, there are many interesting characters that I have been imagining for a long time recently, including the possible second female lead (don't ask me now who is the first female lead, I know the outline, but I don't). I'm looking forward to it, and everyone is staying tuned too.
Beauty and the Internet - A long summary of the first volume (it's quite long, don't read it if you don't have time)
When I write this summary, it has been more than half a month since the completion of the first volume, but I believe in the truth that if you want to see the world clearly, you need to keep a distance from it, and the same goes for seeing your own works clearly.
In a way, authors are the ones least able to see their own work, so I turn to the magic of time.
The story in the first volume is the starting point for most of the story lines in the entire novel, and is composed of countless hidden lines. But I am writing a story, and every part of my story must be beautiful, and it is best to be beautiful and have rich layers of meaning. Different parts of the story have different beauty.
So after drawing out many hidden threads, I needed to find a nice bright thread to connect all the stories. This bright thread is the story of Ye Mingke leaving the town after two new rains.
The soul of this bright line is the delicate emotional entanglement. I told myself that I must work hard to write the same delicate emotions and texture as Japanese comics.
So there is the sad and beautiful story of two little people, Qiao Qiao and Ye Mingke, the thousand-year companionship of Uncle Jian and Aunt Long, the greatest traveler Dabai, and the story of Tao Yao and the girl in red Yiwan.
Some of these stories are main plots, and some are subplots. In order to prevent the structure from being too redundant and deformed, I have used side profiles and abbreviations for the descriptions of many stories.
From the front and side, the main and secondary lines can certainly enrich the story, but the structural arrangement becomes a big problem.
When I read the story now, what I see is a straight narrative line, but God knows when I first listed all the stories in the outline, what I saw was a mess of lines like an afro.
Especially from Chapter 11 to Chapter 27, Ye Mingke's daily practice in a small town for six years. On the one hand, it is necessary to maintain the rhythm of the story when writing daily life, so as not to be too peaceful. On the one hand, it is necessary to write about the background of the small town, to set up foreshadowing, and to portray the various characters in the small town.
When conceiving, sometimes I get very confused and even feel painful.
In the end, I was inspired by the end-of-volume speech of Squidward's "Lord of Mysteries", so I adopted a similar upgrade mode to grasp the rhythm of the story and increase the changes in the story.
So I set Ye Mingke's training goals one by one, and then embedded foreshadowing and character creation in the process of achieving these goals, and finally all the lines were straightened out.
In fact, the best part of the first volume is about Ye Mingke's six years of daily practice in a small town, which shows that painful efforts are rewarded.
In the writing of the first volume, I feel that I am quite proud of the aura of writing and the creativity of the story. However, I still left many flaws after exhausting my ideas when telling the story, and I often felt a sense of powerlessness.
But this feeling of powerlessness makes me feel at ease to a certain extent, because I feel powerless precisely because I have indeed exhausted all my efforts, so I can barely say a word to the people in the book and the readers outside the book, and I am not ashamed.
Although not without regrets.
The first regret is that the opening chapters were uneventful. This is because when I first started writing, I didn't know the fierce competition in online writing, nor did I know what the three golden chapters were, so the pace of the first five chapters was very slow and gentle. Just like a book friend commented, it has the beauty of prose style, but is like a bowl of very flat water.
Even regardless of the commercial nature of the web article, such a bland beginning of a story will make the story much less attractive.
I might have to eat a whole book for this pain.
The second regret is that I really couldn't find a good narrative structure to express the stories of Uncle Jian and Aunt Long, as well as Dabai, so I hastily wrote the two stories I particularly liked in the simplest and clumsy monologue.
The third regret is that the character creation is still too monotonous, most of it is still freehand, and it is impossible to design a lot of details.
Finally, let's talk about the aspects of this book "Meng Yuan" that may make you feel different from many online books upon exposure to it.
This may involve many commonplace issues in the Internet literature industry, such as whether Internet literature should pursue writing style? For example, should online writing pursue ideas? Love is one of the most eternal themes in human literature. Why is it that in the era of online articles, there are so many articles that directly claim to have no female protagonists? It seems like this is a very innovative and meaningful breakthrough. Even if there is a female protagonist, most of the emotions are written very lightly.
Or to put it bluntly, it's rough.
Not directed at anyone, just a reflection on the general environment.
Different people have different answers to these questions. I don't belong to any school. I listen carefully to the ideas of any school and think about them sincerely.
Listening and listening, I'm still not sure I've found the answer, but I know what I'm going to write gradually, and I know what I want to write about Mengyuan.
"Dream Abyss" will be very enjoyable. The swordsman draws his sword and the martial artist shakes his fist. Our roaring is useless in reality. But in the novel, we can become the protagonist and wage war against everything in the world. We can greatly expand ourselves and gain a kind of spiritual comfort and unparalleled majesty.
"Meng Yuan" will also be very beautiful, the intimate emotions between people, the subtle warmth, this is the gentle beauty of the world. A wise man has a broad mind and an extraordinary spirit. This is the beauty of clear wisdom. The rivers, sun, moon, mountains and rivers are full of charm and move according to your heart. This is the beauty of the blending of nature and people. (Has anyone noticed that I deliberately selected time points during the six years of daily life and wrote all the four seasons of the town...)
Well, these are actually the beauties I see or long for in this world.
If pleasure is a spiritual need that is an extension of our physical desires, then beauty is a spiritual need that transcends our physical desires. The happiness it brings is actually purer and has less sequelae.
Because happiness based on physical desires often ends up being turned into deeper pain by higher desires.
This involves the third feature of "Meng Yuan".
"Meng Yuan" will be average.
The fun of "Abyss of Dreams" is not infinite. The protagonist can greatly expand himself, but it is not unlimited. For example, he can do whatever he wants, destroy the world, dominate himself, etc.
He may do as he pleases, but he doesn't break the rules!
Infinite expansion of the self will ultimately only lead to self-nihility and deformity.
The beauty of "Abyss of Dreams" is also restrained. It will tell the pure beauty between people, but it will not fabricate a perfect world. Its purity is based on impurity.
For example, our lovely and pure little girl Qiao Qiao also has dark thoughts of being naughty and secretly complaining, but she is still pure and innocent. Who can deny her beauty?
The beauty of "Dream Abyss" is always from the chaotic abyss, looking up at the starry sky at the top of the abyss.
Unknowingly, I have written more than 2,000 words, and Sanchi, who is lonely writing a book, chattered a lot. If you really have a true love friend who sees it till the end, you will really be an old friend. If he could leave a message, Sanchi would probably be happy for several hours.
It is said that the author's words are best expressed in his works. But in the era of online writing, authors and readers go through the writing journey together.
There are many more interactions between authors and readers, but if mutual communication does not keep up, insufficient information will cause many gaps in the communication between authors and readers due to lack of understanding.
Therefore, outside of the book, I may complain about the work in the comment area and make some summaries. I write this for my own reflection, and also to let everyone know that the guy opposite the book who updates very slowly is really writing the book seriously. Sometimes he doesn't write well, and it's not because he is lazy, but because he still needs to grow.
Thank you to every friend who has read the book. Books are my whole world. Being clumsy, I give my whole world to you. I hope you like it.
It seems that even the words have become very clean
Seeing this, I feel that the whole story structure is not ordinary.
Chapter 140 The author has something to say about Yuluo
The third volume, the Cangliu volume, is officially opened, which means the sea is flowing across the sea. The outline of this volume is much more detailed than when the second volume was rolled out. There are thousands of foreshadowings, many characters, and many clues laid ahead will also come to light. The richness of the plot should far exceed that of the previous two volumes. I hope that the regrets left behind in the first and second volumes can be made up for in this volume. Sanchi really wants to write a good work and has been working hard. The third volume is a new starting point, and I believe there will be new heights. Thank you all for your company, ah~ Also, I would be even more grateful if you could subscribe. The number of subscriptions is really miserable now, wow. Thank you, thank you to every friend who reads my book.
This section is so classic
What a great book! Author, please don't write a work that makes you think about what's going to happen next after reading one chapter. The protagonist is endlessly cheating, and his character and strategy are inconsistent with the protagonist's ability. There are many confidantes, there are no twists and turns, and there is no logic. This is the first work that really stood out to me after reading the novels Fighting the Sky and Douluo Dalu. Come on! If you keep at it, it will definitely explode.
Tip 500, vote for a monthly ticket, and be the first to order when it's released
Support the release of San Chi Xian Di's novels. We must persist in our dream. We are people who want to write millions of novels. Even if there are no flowers and applause on the road to our dreams, only difficulties and thorns, we must not forget our original intention and move forward.
I think this is good Because for example, when I usually do something, many people don't understand it, but as long as I see people I care about understand me, support me, and believe that I have my own reasons for doing it. Then I will be very, very happy, so I will no longer care too much about what people I don't care about what I do, so I may feel that this kind of thing is more important.
Chapter 73: There is a sword in the world. The author has something to say
The plot that follows may be a little depressing, but it won't be deliberately sadistic. Sanchi wants to be a gentle person and look at this world gently. The same is true for my story.
Hmm, after seventy chapters, I started to attack the little girl again
I can't live up to those friends who always advise me to quickly switch to romance writing. Behind me, there are many interesting characters that I have been imagining for a long time recently, including the possible second female lead (don't ask me now who is the first female lead, I know the outline, but I don't). I'm looking forward to it, and everyone is staying tuned too.
Beauty and the Internet - A long summary of the first volume (it's quite long, don't read it if you don't have time)
When I write this summary, it has been more than half a month since the completion of the first volume, but I believe in the truth that if you want to see the world clearly, you need to keep a distance from it, and the same goes for seeing your own works clearly. In a way, authors are the ones least able to see their own work, so I turn to the magic of time. The story in the first volume is the starting point for most of the story lines in the entire novel, and is composed of countless hidden lines. But I am writing a story, and every part of my story must be beautiful, and it is best to be beautiful and have rich layers of meaning. Different parts of the story have different beauty. So after drawing out many hidden threads, I needed to find a nice bright thread to connect all the stories. This bright thread is the story of Ye Mingke leaving the town after two new rains. The soul of this bright line is the delicate emotional entanglement. I told myself that I must work hard to write the same delicate emotions and texture as Japanese comics. So there is the sad and beautiful story of two little people, Qiao Qiao and Ye Mingke, the thousand-year companionship of Uncle Jian and Aunt Long, the greatest traveler Dabai, and the story of Tao Yao and the girl in red Yiwan. Some of these stories are main plots, and some are subplots. In order to prevent the structure from being too redundant and deformed, I have used side profiles and abbreviations for the descriptions of many stories. From the front and side, the main and secondary lines can certainly enrich the story, but the structural arrangement becomes a big problem. When I read the story now, what I see is a straight narrative line, but God knows when I first listed all the stories in the outline, what I saw was a mess of lines like an afro. Especially from Chapter 11 to Chapter 27, Ye Mingke's daily practice in a small town for six years. On the one hand, it is necessary to maintain the rhythm of the story when writing daily life, so as not to be too peaceful. On the one hand, it is necessary to write about the background of the small town, to set up foreshadowing, and to portray the various characters in the small town. When conceiving, sometimes I get very confused and even feel painful. In the end, I was inspired by the end-of-volume speech of Squidward's "Lord of Mysteries", so I adopted a similar upgrade mode to grasp the rhythm of the story and increase the changes in the story. So I set Ye Mingke's training goals one by one, and then embedded foreshadowing and character creation in the process of achieving these goals, and finally all the lines were straightened out. In fact, the best part of the first volume is about Ye Mingke's six years of daily practice in a small town, which shows that painful efforts are rewarded. In the writing of the first volume, I feel that I am quite proud of the aura of writing and the creativity of the story. However, I still left many flaws after exhausting my ideas when telling the story, and I often felt a sense of powerlessness. But this feeling of powerlessness makes me feel at ease to a certain extent, because I feel powerless precisely because I have indeed exhausted all my efforts, so I can barely say a word to the people in the book and the readers outside the book, and I am not ashamed. Although not without regrets. The first regret is that the opening chapters were uneventful. This is because when I first started writing, I didn't know the fierce competition in online writing, nor did I know what the three golden chapters were, so the pace of the first five chapters was very slow and gentle. Just like a book friend commented, it has the beauty of prose style, but is like a bowl of very flat water. Even regardless of the commercial nature of the web article, such a bland beginning of a story will make the story much less attractive. I might have to eat a whole book for this pain. The second regret is that I really couldn't find a good narrative structure to express the stories of Uncle Jian and Aunt Long, as well as Dabai, so I hastily wrote the two stories I particularly liked in the simplest and clumsy monologue. The third regret is that the character creation is still too monotonous, most of it is still freehand, and it is impossible to design a lot of details. Finally, let's talk about the aspects of this book "Meng Yuan" that may make you feel different from many online books upon exposure to it. This may involve many commonplace issues in the Internet literature industry, such as whether Internet literature should pursue writing style? For example, should online writing pursue ideas? Love is one of the most eternal themes in human literature. Why is it that in the era of online articles, there are so many articles that directly claim to have no female protagonists? It seems like this is a very innovative and meaningful breakthrough. Even if there is a female protagonist, most of the emotions are written very lightly. Or to put it bluntly, it's rough. Not directed at anyone, just a reflection on the general environment. Different people have different answers to these questions. I don't belong to any school. I listen carefully to the ideas of any school and think about them sincerely. Listening and listening, I'm still not sure I've found the answer, but I know what I'm going to write gradually, and I know what I want to write about Mengyuan. "Dream Abyss" will be very enjoyable. The swordsman draws his sword and the martial artist shakes his fist. Our roaring is useless in reality. But in the novel, we can become the protagonist and wage war against everything in the world. We can greatly expand ourselves and gain a kind of spiritual comfort and unparalleled majesty. "Meng Yuan" will also be very beautiful, the intimate emotions between people, the subtle warmth, this is the gentle beauty of the world. A wise man has a broad mind and an extraordinary spirit. This is the beauty of clear wisdom. The rivers, sun, moon, mountains and rivers are full of charm and move according to your heart. This is the beauty of the blending of nature and people. (Has anyone noticed that I deliberately selected time points during the six years of daily life and wrote all the four seasons of the town...) Well, these are actually the beauties I see or long for in this world. If pleasure is a spiritual need that is an extension of our physical desires, then beauty is a spiritual need that transcends our physical desires. The happiness it brings is actually purer and has less sequelae. Because happiness based on physical desires often ends up being turned into deeper pain by higher desires. This involves the third feature of "Meng Yuan". "Meng Yuan" will be average. The fun of "Abyss of Dreams" is not infinite. The protagonist can greatly expand himself, but it is not unlimited. For example, he can do whatever he wants, destroy the world, dominate himself, etc. He may do as he pleases, but he doesn't break the rules! Infinite expansion of the self will ultimately only lead to self-nihility and deformity. The beauty of "Abyss of Dreams" is also restrained. It will tell the pure beauty between people, but it will not fabricate a perfect world. Its purity is based on impurity. For example, our lovely and pure little girl Qiao Qiao also has dark thoughts of being naughty and secretly complaining, but she is still pure and innocent. Who can deny her beauty? The beauty of "Dream Abyss" is always from the chaotic abyss, looking up at the starry sky at the top of the abyss. Unknowingly, I have written more than 2,000 words, and Sanchi, who is lonely writing a book, chattered a lot. If you really have a true love friend who sees it till the end, you will really be an old friend. If he could leave a message, Sanchi would probably be happy for several hours. It is said that the author's words are best expressed in his works. But in the era of online writing, authors and readers go through the writing journey together. There are many more interactions between authors and readers, but if mutual communication does not keep up, insufficient information will cause many gaps in the communication between authors and readers due to lack of understanding. Therefore, outside of the book, I may complain about the work in the comment area and make some summaries. I write this for my own reflection, and also to let everyone know that the guy opposite the book who updates very slowly is really writing the book seriously. Sometimes he doesn't write well, and it's not because he is lazy, but because he still needs to grow. Thank you to every friend who has read the book. Books are my whole world. Being clumsy, I give my whole world to you. I hope you like it.
It seems that even the words have become very clean