White Night Floating Life Record

Completely belated congratulations on the end of the white night and the daylight. I had a great time reading twenty chapters on the last day. The Humanistic, Adventist, and I-want-to-get factions (isn't it a kind of ego-superego egox) all have their own place. I can talk about some of my favorite characters/scenes wherever I want. There is over-interpretation. Yi Huian. The scene in which Kaiyangqing executes his own human part to celestialize him, which ends up directly killing the game, has become my favorite scene in the whole book. I will thank the author for his great genius design and my little genius subconscious (?) I was walking on the road when I saw this, and I looked up just in time to see the bright sunset. I hope that cyberpacking this divine experience will be given to every human, demon or semi-demon who passes by and is kicked by YYB equally, including the author himself. The sun is the oldest totem of mankind, the source of light and heat, and the ancestor of civilization. Maintaining its existence is the greatest justice of the sun. Kaiyangqing has perfectly implemented this totem in his life. It's just that this kind of arrogant light and heat are mutually exclusive with human nature from the beginning: Kai Yangqing's life is a long execution of a person, the bullet flew for more than thirty years, and finally drilled into the bullet hole that Xiao had imagined and simulated countless times during the confrontation with Bai Leng. The sun itself has neither sorrow nor joy. When this ancient totem flies into the sky again, the phototaxis in all living things is enough to overwhelm other primitive impulses, fighting, resisting, plundering, and even survival, which is all that a war requires and involves. What is very interesting is that if the sun is mapped to humans as Kaiyangqing, the phototaxis mapped to humans may be called "hope", which is consistent with Kaiyangqing's desire to preserve the fire of civilization. Longmiao. Wow, this person really likes to preach that I am Kanna-kun and I want to poke him (?) It's just a joke, but I really like this kind of drama. As a character that runs through the four parts, the opinions of people of different races and positions hit this person's heart like a heavy hammer through their words and even their respective fates, leaving no trace behind. Okay, so the question is, why did the remaining flowers in Qinghe stay? He took a fragile first step as a skeptic, but it was also his last step. Meaning will collapse in endless deconstruction. My personal opinion is that the creation he chooses is not creation, it is also a kind of questioning and destruction. Just like the name Yufuhuaihuang, Lord Maoyue has never experienced real life during creation or even in the long period of time, only constant collapse, fatigue, and desolation. Until the end, he only castrated his anger born of loneliness and gave it life to creation. When he finally swam towards the dragon, he was like a lonely drowned dog trying to cross the sea (you). Liang Qiu Muwan. It was only at the end of the fourth part that I felt emotional for a moment when I saw Mu Wan's name again. Back then, this woman came wearing white clothes and holding an umbrella, punched Hongxuan Changye, kicked the Baishou Lord (not really) and finally plucking my heart. I have a name with a very warm origin, but this life is like the weather turning colder step by step, and I know autumn is coming when a leaf falls. Finally, there are Mo Weiming and Wu Hui. My favorite protagonist group among the four movies, they give me a very "concrete" and even intimate feeling, but it is difficult to talk about it in words... In short, the charm of the Ziwei group is that you want to live in the same house with them and then have a chance encounter every day and then go to work with a silly smile. No matter how broken and heavy the experience is, it can never overwhelm the sense of life of these two. The other characters were admired/sad/loved after seeing them, but they felt like this is how human beings should be (?) (In the end, Shuangyue-kun is still my wife)

Helping each other in the cyclical nightmare... It can be said that the Tianquan group has a very profound portrayal in the early stage and is the absolute main line. Later, due to the plot development and the conspiracy was exposed, it was transferred, but this does not prevent the shaping of this pair of characters from being quite successful, with a beginning and an end. As a childhood sweetheart, Jiu Fangze promised to end this meaningless cycle when it was completely irreversible, and devoted his whole life to this end. Yu Ying personally bears the sins of her family. This setting has a strong color of classical tragedy. As a "foreigner", Jiu Fangze took the initiative to shoulder this karma, and formed a mirror relationship with Yu Ying, that is, both of them were suffering "punishment that did not belong to them." Yu Ying cannot have a coherent first-person narrative, and her self is fragmented; Jiu Fangze cannot have an omniscient perspective because he is always trapped in his one-sided cognition. Yu Ying's time is fragmented, and the memory is partially retained or completely reset with each resurrection; Jiu Fangze's time is linear, from youth to middle age, always sticking to the same place and the same promise. This unequal relationship creates huge emotional tension. Compared with Qu Luosheng, Jiu Fangze's behavior has a religious sense of self-punishment. It was salvation in name, but in reality he was penance for a lifetime for a "mistake" that he had not caused at all. This excessive sense of responsibility is the most touching and heart-wrenching thing about the character. Jiu Fangze finally destroyed Lan Amber as a substitute for "Suffering Soul", allowing Yu Ying's remaining consciousness to say goodbye to him in the illusion. But the real tragedy is: he fulfilled his promise, but lost the reason to live. Qu Luosheng needs instructions to survive, and he cannot survive without his promise. The ultimate paradox of a relationship is that one person spends his whole life trying to end something for another person, and when it ends, he also disintegrates. This "redemption is destruction" structure makes the relationship between the two transcend a simple love narrative and enter existential thinking. Jiu Fangze's image in Yu Ying's eyes is quite complicated, and even a superficial look will touch many people's "light points". He plays the absent father, brother, childhood sweetheart, servant, guardian and responsible person. The text neither praises nor criticizes Jiu Fangze's obsession, but presents it as a way of survival that cannot be judged by reason. Yu Ying liberated Jiu Fangze from the position of "rescuer", and his future began to develop "outward". Considering the relationship between other characters, the author's treatment of these two people has been quite merciful. Do not avoid the asymmetric pain in relationships, do not beautify obsessions, and do not provide cheap salvation. This is not a tender story about childhood sweethearts in the usual sense, but the misplaced entanglement of love and atonement, commitment and paranoia in reincarnation. This relationship is "well" written because it refuses all easy answers. There is no promise of "never separation", no miracle of "rebirth". The essence of this relationship is that a person spends his whole life fulfilling a promise, and the result of completing the promise is that he loses the meaning of existence. Let me talk about my thoughts on the text itself... The author is good at using restrained dialogue to carry huge emotions, and using simple and immature images to map huge unsolvable problems. The visual changes in the group portrait narrative show off their skills while serving the theme. Jiu Fangze's complete behavioral logic chain and Yu Ying's clear alienation ladder show that the story is extremely "self-sufficient". Even if all the causes and consequences of the main storyline of millions of words are separated, and even if the complete storyline of other star disciples and impermanence is completely unknown, the emotions of this pair of core characters can already stand and touch people's hearts. This density of "a partial slice reveals the whole picture" is a reflection of the mature writing skills of the long-form author. Looking forward to the next work.

Oh my God, it ended like this... It's so unreal... I've actually been following it for 7 years... Oh my god, my youth... Even my enemies should let go of me... You finish writing it, I'll read it, and we will succeed in everything we do in the future:) Alas, I still like Shigetsuki-kun very much. No matter the first generation, middle generation or the last generation, each generation has its own characteristics. And you died in the sea of fire even though you were called Donglin, yyb you guy... Even though I consider myself to be arrogant, I still felt overwhelmed after reading it. Even though it's an ending where everyone gets what they deserve, it still feels like it's hard to say :( I'm not happy with the psychology committee. Then again, new pits will open, right?

Damn, I really don't know what to say. Tell me, the author. You still have a lot that you haven't explained! ! Ah! ! ! Throughout the whole process, I jumped between "What the hell is this?" And "Oh Mr. Shi is so handsome" and then back to "Why is the author like this!" And "The shopkeeper is so handsome." Jpg Okay, the spoiler protection is almost done. [He] Now let's talk about my thoughts seriously. . . I feel like the last one contains quite a lot of information. It's not that the last few pictures have short dialogues, revealing everyone's whereabouts are different from the previous volumes, and there is no separate and serious explanation of everyone's ending. I don't know if it's due to limited performance or other reasons, but this feeling of unfinished content is also very good? The story was originally very complicated, but it ended up in a quiet and slightly regretful rhythm. It was not a particularly explosive and subversive ending - although the last scene was a bit screwed up. According to personal speculation, it should mean that the last trace of Mo Xuanwei's existence has disappeared, so in order to have a link to this world [or the rules prevent him from breaking it] he has to [or has a research plan] to return to the body of his descendant? As for whether the male protagonist can retain his self-awareness, it may be a topic later, because it seems that he has already realized it. The last knot of the nine knots is oneself, "or the knot of ignorance can be cut off." Because the pace of the story is relatively slow, the emotions fluctuate greatly, and there are many explosive turning points, resulting in a lot of foreshadowing. It is really difficult for me to remember it, but every time I feel as if the author has actually said this before. . . If I don't watch it for a day or two, it's like I've lost my memory! My final thought is, go ahead, it's true! Giving up your brain thinking and being completely carried away by the author is the most time-saving and labor-saving way to read. . . Until the end, the overall emotional tone is very restrained, just right, the dust has settled, it is swaying in the slight attachment of reunion and promise, but it has to let go and walk towards its own future. Everyone is in their own situation, facing various possible difficulties in the future, and making commitments and decisions that are not fully known to each other but are still made by themselves. And in their own values, they may have indeed done their best, and there is a sense that no one is wrong, but everyone is wrong. Everyone is carrying their own things. . I felt a sense of loss at the end. I keep thinking about it, and I always seem to feel that there is still something that has not been explained clearly, and there is still something that has not been completed. He turned over it several times. It was unbelievable that it was indeed over. The middle finger is just right without completely spreading everything out. It has a very delicate sense of design. The story seems to be still breathing, but we readers are no longer walking with the narrative. No matter what the author and readers think, this story is indeed a completed story. He begins and ends in the existence of a void, but something meaningful remains. No matter the character, the author or the reader, everyone should be proud of themselves for completing this journey! ! Come on! Although I was beaten to death by you, I still want to open a new hole to call me, call me! ! I deserve it! I asked for it!

This is a madhouse! I moved in first

Otherwise, Sister An won't be able to take this punch!

I will do this when my former boss is beaten.

You guys are a bit too ambiguous

Sisters, play unlimited streaming with everyone

I don't understand Chinese