The Scholar and the Warrior Clash

First of all, let's talk about Confucianism in "The Confucianism and Wushu Zhengfeng". A book called "The Supreme Sage of Confucianism and Taoism" allows us to see that Confucianism and Taoism can be played like magic, and poetry and poetry can also have powerful power. It also opens up a new writing direction for fantasy: Confucianism and Taoism. However, after more than a year of booming prosperity, there are very few Confucian, Taoist and fantasy works left. Perhaps because the works of Confucianism and Daoism require a lot of writing skills and knowledge on the part of the author, and require enough patience on the part of the readers to read them, Confucianism and Daoism are short-lived and do not have an advantage in wireless reading. Under such circumstances, it took great confidence and courage for Gu Yue to choose Confucianism and Daoism as the genre of creation. Let's talk about the martial arts of "The Confucianism and the Martial Arts", "The Peerless Martial God" made Jing Wuhen a super god, and also made hatred and slapping people in the face the mainstream of wireless fantasy novels. This can be seen from the current situation that *bookstores are full of books of this type. Gu Yue also used some of the fast-paced writing techniques in Wuxiang's works this time. But the commendable thing is that his hatred is not a mindless hatred, but a hatred that is quite reasonable. Because the villain's supporting role is lost, the transition of hatred is also very natural. The line of hatred starts from Liu Zhenwu taking away the male protagonist's green tea girlfriend. It has been close to 200,000 so far, and has not been broken or lost. It has become more and more intense, evolving into more conflicts. Far from being someone who bullied me, I was reborn and bullied me back, such a simple plot. Gu Yue's technique of slapping people in the face is also very good. It is not simply about overwhelming people with force, but a lot of brainpower. This is most obvious from the battle in Mingsha Valley where Yu Qing is planned to be eliminated. Every step is planned without leaving any trace, especially when he is clear of suspicion under the heavy siege of the Department of Law, escapes safely, and is at large. It makes me feel like I am watching a crime novel where a highly intelligent criminal is teased*. It can be seen that before writing this book, Gu Yue not only studied Confucianism and Taoism in depth, but also mastered the writing methods of mainstream fantasy novels, and added her own ingenuity to form the current "Confucianism and Military Confrontation" that is full of color, flavor, and so exciting that it can't be stopped. It took ten years to sharpen a sword. Judging from Gu Yue's first book, it seems that he has been writing for seven or eight years. It is time for him to produce results. I sincerely wish Gu Yue to write better and better. Next time I'll write a long review with a million words! I will be a leader next month and I will do what I say!

To tell a joke, in his last life he was a Confucian sage, but in this life his sister sat next to him and made his blood boil. . . Give you two smiles

I want to ask, how did such a waste get such a brother?

I have read a lot of online articles and published literary novels, covering fantasy, fantasy, the Orient, time travel, romance, and spiritual cultivation. From Xiaoding, under the tree, to San Shao, Tomato, and various pits in Jiangnan, I looked at them all the way and had different feelings. Until I came into contact with "Confucianism and Wushu Zhengfeng" by chance, I discovered some personal differences. (I will not compare the works of the great masters, I will only explain my reading experience.) When Confucianism and Wushu compete, the key point is the word "struggle". However, what we only saw was the severance of Confucianism and Taoism to its revival, and then the battle with the Wu family. We only saw the protagonist Qin Feng fighting against the demon clan, ghosts, Wu family, etc. If we just watched it and enjoyed it, then we would have failed to live up to Gu Yuejun's investment. It is not new for waste material to start against the wind, but this is just the lead and foreshadowing of the first "fight". What he wants to fight for is "life". It is a struggle against the destiny arranged in the dark, starting from childhood and college, it is quite like the starting point of each of our lives. Learning knowledge, increasing experience, overcoming obstacles, and sharpening human nature are not only the protagonist's way, but also the way of survival for every natural person. "The Shawshank Redemption" says that people are either busy living or busy dying. How appropriate to put every life-and-death battle between Confucianism and Wushu into exploring the reasons and significance of each battle. Aren't we all "not accepting our fate"? The protagonist is tested in heaven and has heated arguments with others many times. Many readers think that the protagonist is brave and fierce, strong and victorious, or that the protagonist has the aura of not losing or dying. But what does the protagonist represent? In addition to its own mission, there is also the progress of human civilization. Can he afford to lose? The rut of historical development also gives us a spoiler: he will not lose! It is not difficult to find that there are many quotations, modifications and applications of realistic literary works and religious schools in the book. The design of the small world copy provides the protagonist with time and space to mix the essence of various schools. The history of civilization in which a hundred flowers bloom and a hundred schools of thought contend is vaguely reproduced to readers. When cultures collide and merge with each other, the competition is not about superiority, but competition and cooperation. What the cultural competition brings out is the same goal through different paths, harmony but differences. From eating raw hair and drinking blood to the information age, civilization has always been tempered by struggle. It fights against nature, various desires, and the evils of human nature. Just like the harmony of culture, civilization also progresses through struggle. Are you worried about the protagonist, whether he has too many opponents to fight against? Yes and no. Along the way, from the little gangsters in the slums to the powerful leaders of various forces in China and Turkey, they have all been defeated at the hands of Qin Feng. This is actually inevitable. It is written in the book that ghosts, monsters, and human warriors are all enemies, but in actual terms, for each of us readers, they are all human nature in another dimension or sense, and they are all "I". The protagonist, who is an id, is actually fighting against himself. Don't the negative emotions of ghosts, the bestiality of monsters, the impulses of most people in the Wu family, the speculation of assassin forces, and the crazy desires of Confucian opponents all exist in the human nature of each of us? Is the protagonist just fighting for a win or loss? No, he wants to fight against all the ugly sides of human nature on behalf of our truth, goodness and beauty! It is not difficult for loyal readers to find that the fate of many characters in Gu Yue's novels has been reversed. Ding Yi was resurrected in his small world and devoted himself to Confucianism. Qing Zong abandoned the dark side and surrendered to the bright side and died generously in battle. Ying Zheng Fan repented and went to die with dignity... There are many such characters. This reminds me of Hayao Miyazaki. There are not many real villains in his paintings, and most of them show the sublimation of human kindness at the end. Just like the characters in the book, good and evil are rewarded, they are just fighting. What is fought is cause and effect, and what is fought is the vitality of darkness corroding light. In the whole structure, they will not become the key chess pieces that affect the results, but they are the memory points that enter the readers' hearts one by one. As a reader, we don't actually need to delve too deeply into how many desires are mixed in the book and how many values ​​​​are hidden. We only need to follow the protagonist to be magnificent, ups and downs in the world, bold and free, and hearty. That's enough. Of course, we also have to let the protagonist bring our hidden attributes to fight for this destiny and fight for this troubled world together! From this point of view, Gu Yue did it!

Since he is a Confucian sage, he must be one of the most virtuous. I don't want the "Confucian sage" in this book to be the kind of person who enjoys grudges and grudges.

When Confucianism was persecuted by Emperor Wu, you were turned into ashes. Where is the so-called memory? Damn, the third chapter is so flawed, how can I keep reading?

If you are a grown man, don't talk like a girl. Don't worry about being disgusting. Don't act like a coquettish person. It's really disgusting. I'm a boy. I'm going to vomit after saying so much. Author, you can figure it out.

Go and have a look, look at your sister. You haven't figured out your own condition, the surrounding environment, or whether it's dangerous or not, so you just deal with the painful thing of cheating first. Have you ever seen cheating in your third life? So you want to take a look? Did the Confucian sage want to see how he was cheated on?

It's good to have women. But don't write too much. I hope to see good works with multiple clues going hand in hand, rather than blindly competing for strength!!!

It's a little unreasonable for you, a Confucian and Taoist saint, to kick someone else's balls.