Reborn in a parallel world that is remarkably similar to Earth, but where classical Chinese is revered, he writes A Life Shared with a Flight Attendant, sparking a wave of pure romance.
He writes Demi-Gods and Semi-Devils and The Little Li Flying Dagger, becoming a master of the new wuxia genre.
He writes Those Things About the Ming Dynasty, setting off a craze for Ming history.
He writes The Yongzheng Emperor, making the struggle among the nine princes to inherit the throne a classic of palace intrigue that no later work can surpass.
He writes Buddha Is the Tao, pioneering the primordial-world genre and reshaping the mythology of classical China. He writes Ghost Blows Out the Light and The Grave Robbers' Chronicles, ushering in the “tomb-raiding era” of Chinese popular fiction…
He is a leading figure in popular literature, a master of new wuxia, and a pioneer of online fiction. Countless works of his have been adapted for the screen.
Reader: “Compared with his life story, I think his novels are unbelievably lame. How can anyone create so many different genres? To me, he’s a man like a god.”
