
Infinite Reconstruction Lord God
无限之重建主神
- Status
- Completed
- Length
- 790k Words
- Genre
- Fantasy
- Subgenre
- Cross-World
- Updated
- 13y ago
- Source
- Zongheng
Stats
All-time: Clicks.
263Chapters
496.4kClicks
Tags
Synopsis
Reader comments 2
Google Translate

无限之重建主神
All-time: Clicks.
Google Translate
Depend on…
After reading the Slam Dunk Handbook, there is a flaw, which is the communication problem between the Wang Biao team and the Slam Dunk crowd. At least a translator should be added. I don't think those brainless guys can speak Japanese. Also, damn... The parting chapter is very emotional...
4 Red is cast. . . . . Let's talk about technical flow. . . .
After reading Chapter 72 of Birds, I have some thoughts. . . . It is said that the two-sword style was first invented by the Japanese swordsman Miyamoto Musashi and was named "Two Ten First-Class". The Yanban style is undoubtedly the unique skill of Miyamoto Musashi's opponent Sasaki Kojiro. This dwarf from the Yagyu family actually combined the moves of two great swordsmen, which is indeed quite whimsical. . . . . But I had a vague feeling that something was not right, so I checked again and found that although Tsubaki is fast, its main advantage is that its attack range is extremely wide, making it inevitable for the opponent to avoid it. This is mainly because Sasaki uses the extremely long Nodachi "Monoganezhao" (translated from Chinese, it seems to mean fishing rod). In addition, the reason why Yan Fan is so fast is because he is a type of sword-drawing technique. Don't be fooled by Sasaki in fate/stay night. The real Sasaki's sword is only about one meter long, which is 40-20 centimeters longer than other ordinary swords, and it has a sheath. (There is a story to prove it: During the Battle of Genryu Island, Musashi was late on purpose and kept Sasaki waiting anxiously. After the two sides faced each other, Sasaki immediately pulled the sword and threw the sheath on the ground to start the fight. At this time, Musashi said the famous sentence: "Ojiro, you lose.") Think about it, the guy who drew the sword even threw the scabbard, and he can only fight with it, but Musashi is also very shameless. Okay, having said all that, let's take a look at the 2-sword style. First of all, the "two swords" in the 2-sword style means tachi and wakizashi. First of all, the tachi is much shorter than the nodachi (the difference between a two-handed weapon and a one-handed weapon). The wakizashi is even shorter and only a little longer than a dagger. It is undoubtedly difficult to take advantage of the attack range of Tsubame. In addition, the two-sword style must hold the sword with both hands, which means that it is impossible to have a sheath on the palm, and the skill of drawing the sword is even more unthinkable. It is disgusting to think about holding two swords in the hand and two sheaths dangling on the waist during the fight. In addition, the reason why the sword drawing technique works when using a single sword is because one hand is grasping the scabbard and can be used to block. What should I do if both hands are holding the sword? If both swords are sheathed, how can you block the opponent's attack? There's only one missing. Can you insert the scabbard if it shakes during the fight? Therefore, it can only be a joke to say that the second-sword style uses the sword-drawing technique. To sum up, although it is a very good idea to combine Miyamoto Musashi's two-sword style with Sasaki's Yanfan, it cannot be realized in actual combat. It makes sense that there are so many different schools of Xiao*kendo, and each has its own strengths. By the way, I have done so much by hand and browsed Baidu Encyclopedia for a long time. No matter what, you have to give me the essence, right?