Fang Guan Ji

When the twelve girls were sold into Jia's house, they did not know that the three words "Lixiangyuan" were a parting prophecy. They are actors, they are "things", they are a group of people whose names even have the prefix "Cao". Fangguan, Ouguan, Ruiguan, Fuguan... On the stage, they played out life and death; off the stage, they lived their lives into an excerpt that no one applauded. The rain in Gusu put Fangguan on the boat, and the snow in the Grand View Garden buried her in the dust. She sang "A Dream", dressed up as a man, was whipped, and knelt in a Buddhist hall. She had beaten Aunt Zhao and protected Liu Wuer, but she could not save Qingwen or keep Ou Guan. She thought she could be a good person after the drama ended, but after the drama ended, she really stepped into the bigger "prison pit". Ou Guan and Rui Guan put on a real show, with the living burning paper money for the deceased for several years; Rui Guan willingly acted as a substitute and sang the "afterlife" as a swan song in a thunderstorm. When two opera costumes were hung side by side under the branches, and when the water in the well of Shuiyue Temple could not illuminate people's faces, Fang Guan finally understood - they had not lost to Mrs. Wang, but to a world that assigned everyone as roles. This is a novel that grew out of the gaps in "A Dream of Red Mansions". Here are the few strokes that Cao Xueqin has not finished writing for you to see one by one. The man in the play finally became the man in the snow.