Hong Kong Entertainment Is Reviving at the Beginning, Domestic Entertainment Is in Urgent Need

All the tickets are given to you. Come on, keep writing and follow you.

Cheng Zhongji, the father of Prince Edward

I like this kind of eloquent story.

Box office poison of 1975?

This man was a member of the poison gas unit of the Japanese invaders, and judging from his diary and post-war deeds, he was also a representative of the anti-defeat team. And I remember that he had a movie called The Taste of Saury, where two old men brag in a tavern, and that's the theme.

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PS: Continuing from the previous script outline. He sprinkled the ashes on the base of the wooden sign. Ash blends into the soil. Chen Guoqiang: This is American soil. Stained with the ashes of Shantou. My mom can smell it. Lens 10-C3 Maria She came over. Kneel down next to your husband. She placed the child's little hand on the wooden sign. Maria: She could smell it. 10-D Shanghai-Xie Jinjia-Night Xie Jin sat alone in the study. There is a pot of jasmine on the windowsill. Lens 10-D1 close-up-Jasmine branches. That bud. A very faint white line showed through the edge. Lens 10-D2 Xie Jin He held out his hand. Gently cover the top three inches of the bud. Xie Jin: Mom. The rice is cooked. 11Xie Jin's Study Room-Late Night Lens 11-1 fixed lens Xie Jin sat at the desk. He picked up the three scripts stamped "Not for filing." "Family Temple". "New World". "Homecoming". Shot 11-2 Xie Jin's hand He stacked three scripts together. Edge alignment. Shot 11-3 Xie Jin He looked at the three scripts. Long time. Xie Jin (quietly): You did nothing wrong. It's just that I'm late. Shot 11-4 Xie Jin He picked up the manuscript paper for "The Biology of Home" that he had just finished writing. Put it on top of three scripts. Xie Jin: Now you can rest. Shot 11-5 Xie Jin's hand He turned to the last page of the manuscript. The tip of the pen hangs three inches above the paper. Like Master Zhou's hand hanging on the stove. Like Ye Jinrong's hand hanging above the blue and white bowl. Like Huang Yueping's hand hanging three inches above the keys. Like at this moment, On New Year's Eve 1981, In the ashes of San Francisco, Growing roots. Shot 11-6 Xie Jin He put pen to paper. The first line of words: "Mammalia" All organisms that feed their offspring with milk. He paused. Write another line below: And all the people who make up stories about "looking for nipples". Subtitles Black screen. White text fades in line by line: 160 million years ago. Dinosaurs ruled the earth. The first mammals woke up in the dark night. They are small in size. Body temperature is constant. Will protect the cubs on the belly. Will feed their offspring with milk. Will wait for dawn. 1981. China. Three hundred and twenty thousand villages. One hundred and twenty cities. At countless dining tables. The mother put the rice into the child's bowl. When a child asks. Said: Mom is not hungry. My father hid the tablet under the bed. Say: I remember you. The daughter looked in the mirror and said: You have finished teaching. The son said to the soil: Will it bloom? This is not love. This is something older than love. This is the response. After a long time, the response becomes instinctive. Over time, this instinct becomes happiness. Happiness is not about getting. Happiness is, The cub cries and the mother responds. When mother calls, mountains and rivers respond. The mountains and rivers cry, and the time responds. When time calls, The mountains call and the water responds. The cry was long and gentle. It will be heard by all sentient beings in the world. Gray Goose doesn't make up stories about itself. But we will. End of the play [End subtitles] Black screen. Three seconds of silence. A baby cries. The sound of Tibetan antelope's hooves trampling through the frozen soil. The sound of the snub-nosed monkey breathing as it hugs its cub tightly on a snowy night. There was a splash of a polar bear falling into the sea. There was a sound of a spatula hitting an iron pot. Bite! One time. Two times. Three times. Xie Jin's works New Year's Eve 1981·Shanghai

Shots 6-9 Cubs It jumped into the sea. Shots 6-10 follow up - cub swimming The forelimbs plow the water. The hind legs kick. The current pushed it off course. It swam halfway. Exhausted. Lens 6-11 Female Bear She jumped back into the sea. Swim towards the cub. Shot 6-12 close-up - the movements of the female bear She pressed her nose against the cub's chin. Let it breathe. She supported the weight of the cub on her back. Push towards the ice floe. Shot 6-13 Cubs It climbed up the ice floe. Lens 6-14 female bear She lay on the edge of the ice. The forelimbs rest on the edge of the ice. She didn't have the strength to climb onto the ice. Lens 6-15 Ice floe The current pushes it farther away. Lens 6-16 female bear Her forelegs slipped from the ice. Sink into the water. Shot 6-17 Cub It lies on the ice. He screamed toward the sea all night. 7 Interior view of Tiu Keng Leng, Hong Kong - Shen Jingyi's house - night - June 1981. Shot 7-1 Shen Jingyi's bedroom She is lying on the bed. The charcoal drawing of "Shanghai Alley Window View" on the wall has been blurred. Shot 7-2 Lin Wanqing She sat on the edge of the bed. Holding mother's hand. Lin Wanqing: Mom. What's on your mind? Shen Jingyi (quietly): Miss you grandma. Shot 7-3 Shen Jingyi's face Calm instrument: Your grandmother passed away in 1967. I couldn't send her off. She is in Shanghai. I'm in Hong Kong. When she left, I wasn't with her. Shot 7-4 Silencer's hand She touched the bronze mirror. Calm instrument: When I was little. Your grandmother taught me how to read. She held my hand. Write on the paper one stroke at a time. Her hands were hot. Like a hot water bottle that has just been warmed. Shot 7-5 Lin Wanqing Lin Wanqing: Mom. The first thing you taught me, Not literacy. Calm instrument: … Lin Wanqing: It's letting go. Shot 7-6 Flashback - March 1950 - Hong Kong Pier Lin Wanqing (4 years old) is held in her mother's arms. The ship is about to leave. Shen Jingyi picked her up. Let her look toward the shore. Calm instrument: Remember dad's face. Lens 7-7 Pier Lin Guodong stood in the crowd. He raised his hand. No wave. Just hold it up. Lens 7-8 Ship The whistle blew. The ship began to move. Lens 7-9 Silencer She didn't look back. She kept holding her daughter. Keep looking ahead. Lens 7-10 Reality-Lin Wanqing Lin Wanqing: You're teaching me how to say goodbye. Lens 7-11 Silencer She closed her eyes. Calm instrument: You learned. Lesson 4·Hunger Proposition 4: Hunger can be shared but cannot be eliminated. 8Exterior Scene at the Southern Foot of Kunlun Mountain-Sunday-December 1981 Shot 8-1 Long shot-Snowfield That winter was the coldest in thirty years. The snow line dropped three hundred meters. The pasture is covered with ice crust. Lens 8-2 Fixed lens-Tibetan antelope herd The female antelope kneels on the ice. She struck the ice shell repeatedly with her front hooves. Cracked hoof shell. Blood seeped into the cracks in the ice. Shot 8-3 close-up - ice surface Cracks expand. The ice cracked. Shot 8-4 Female antelope She lowered her head. Nibbling on a few yellow grass stems in the cracks in the ice. Shot 8-5 The movements of the female antelope She didn't swallow. She held the grass stalk in her mouth. Turn around. Pass it to the cub behind you. Shot 8-6 Cubs It is one year old. Just weaned. It won't shave ice. It does not know that hunger is a weight that can be shared by its mother. It lowers its head to eat grass. Lens 8-7 Female antelope She licked the blood from her front hooves. Shot 8-8 Time lapse - three days later The female antelope fell on the ice. Shot 8-9 Cubs It stands beside its mother. Didn't leave. Shots 8-10 of the cub's movements It lowered its head. Licking her mother's face with her tongue over and over again. Like the day I was born. Mother licked it like that. Lens 8-11 Patrol Record - Close-up Date: December 23, 1981. Pen writing: "A female antelope carcass was found. Cause of death: starvation. Next to the body was a young antelope, about one year old, which still refused to leave. The young antelope begins to eat the mother's fur, not because of hunger. It doesn't understand why the mother doesn't stand up anymore. " 9 Interior Shanghai - Xie Jin's House - Night - December 1981 Shot 9-1 Study room Xie Jin sat in front of the window. There is a pot of jasmine on the windowsill. Shot 9-2 Xie Jin He looked at the pot of jasmine. Xie Jin (voice-over): This pot of jasmine was planted by my mother in 1960. The year she left. Three flowers bloomed. Twenty years later. I water it every year. Never bloomed. Shot 9-3 Xie Jin's hand He touched the jasmine leaves. Xie Jin (voice-over): The time before my mother left. She says everything. The only thing I didn't say was "you have to take care of yourself." He paused. Xie Jin (voice-over): She just asks every day: What to eat today? Long pause. Xie Jin (voice-over): Tonight thirty years later, I am sitting in front of this pot of jasmine. Suddenly I understood. Shot 9-4 close-up-Jasmine branches. There is a bud. Very small. Very hard. Like a child who hasn't learned to speak yet. Xie Jin (voice-over): It's not that my mother can't remember. My mother was afraid that no one would ask me in the future. Final Act·Source of Happiness 10 Parallel Montage of Three Places - December 31, 1981·New Year's Eve 10-A Shanghai-Zhabei old house ruins-night Lin Guodong squatted in the corner of the ruins. He used broken bricks to build a small niche ten centimeters high. There are three things inside: Mother-of-pearl buttons. Wordless nan board. A copy of Shen Jingyi's 1950 letter. Lens 10-A1 Lin Guodong He set out three sets of dishes and chopsticks. Forgot the chopsticks. He looked down. Picked three twigs from the ground. Fold into chopstick length. Place on the edge of the bowl. Lin Guodong (quietly): Jingyi. Wanqing. Make do with it. Will buy new ones next year. The sound of firecrackers was heard in the distance. In 1981, Shanghai partially resumed Spring Festival firecrackers. 10-B Hong Kong-Tiu Keng Leng Public Housing-Night Lin Wanqing set out a pair of bowls and chopsticks. Next to it is the Seagull camera with a stillometer. The film that was installed in 1967 is still inside. Lens 10-B1 Lin Wanqing She didn't take out the film. Lin Wanqing (to her son Zhou Qiwen): Some memories. Does not develop, On the contrary, it is clearer. Shot 10-B2 Zhou Qiwen (14 years old) He pressed play on the tape recorder. Father Zhou Yaozu's voice came from the tape: Zhou Yaozu (recording): Wanqing. I'm in Taipei. New Year's Eve dinner here, There are egg dumplings. No shepherd's purse. Your grandma's shepherd's purse wontons. I have never eaten it for the second time in my life. (Pause) Eat a few more for me. 10-C San Francisco-Chinatown Backyard-Night Chen Guoqiang placed the dishes and chopsticks in front of the wooden sign. Maria holds the baby. Lens 10-C1 Chen Guoqiang He whispered in Teochew dialect: Chen Guoqiang: Dad, Mom. It's Chinese New Year. The son is unfilial. The family temple was built on someone else's land. Shot 10-C2 Chen Guoqiang's hand He took out a red paper envelope from his pocket. Open. It's a pinch of incense ash. Chen Guoqiang: My mother said that our ancestors recognized smell.

Easter egg: "The Biology of Home" script outline ——The fourth movie script in the family series Lesson 1·Milk Proposition 1: The first language of mammals is nutrition. 2 Exterior scene at the southern foot of Kunlun Mountain - Japan - June 1981 Lens 2-1 Aerial photography The skyline is like a knife. Herds of Tibetan antelopes are coming from the end of the horizon. Shot 2-2 Follow-up shot - a female antelope She leaves the flock. Walk alone to the depression on the back of the gentle slope. The hind legs began to push off the ground. Shot 2-3 close-up - ground The afterbirth breaks open. The amniotic fluid soaked the gravel. Shot 2-4 Fixed Shot - Childbirth The cub's front hooves are exposed first, wrapped in transparent fetal membranes. Female antelope lies on her side. She made no sound. Lens 2-5 close-up - the face of the female antelope She used her tongue to tear open the fetal membranes. The cub's nostrils quivered. First breath. Shot 2-6 The movements of the female antelope She lowered her head and licked. From forehead to back. From the back to the flanks. Shot 2-7 Cub trying to stand Push your front legs up. Hind legs slipping. Fall. Lens 2-8 Female antelope She didn't help. She just licked. Shot 2-9 Time lapse Licking. Hold up. Fall. Licking. Hold up. Fall. Licking. Hold up. Shot 2-10 standing Forty-three minutes later. The cub stood up. It shook. Go towards the mother's belly. Shot 2-11 close-up - latch on The cub finds the breast. Cover the nipple with your mouth. The jaws began to suck. First sip of milk. Shot 2-12 Female antelope She lowered her head and licked the back of the cub's head. One time. Two times. Three times. 3 Interior view of Zhabei, Shanghai - Lin Guodong's house - night - June 1981 Shot 3-1 Attic Fifteen-watt light bulb. Lin Guodong (64 years old) sat on the edge of the bed. The terminal lung cancer diagnosis certificate was pressed under the enamel cup. Shot 3-2 Lin Guodong's hand He opened an old iron box. There is a mother-of-pearl button in the box. A baby's woolen shoes, navy blue, turned white after washing, with holes in the soles. There is also a faded book. Lens 3-3 Close-up-Book "Home: A Cross-Cultural Examination." Pen calligraphy on title page. "1957 Fuzhou Road Thirty-eighth" Shot 3-4 Lin Guodong He touched the line of words. Lin Guodong (monologue): 1957… Fuzhou Road. Thirty-eight cents. (Pause) What do I use it for? Forgot. Shot 3-5 Flashback - October 1949 - Old House in Shanghai. Lin Guodong (32 years old) sat beside the bed. She held Lin Wanqing, who was three days old, in her arms. The baby is crying. Shen Jingyi (28 years old) leaned on the head of the bed, her face pale. Calm instrument (weak): The milk... Can't come down. Lin Guodong: I'm going to buy milk powder. Shot 3-6 Lin Guodong He looked at the baby in his arms. The baby cried until his face turned red. Shot 3-7 Lin Guodong's actions He stood up. Walk to the stove. Sugar bowl. Boil the kettle. A small spoon. Lens 3-8 close-up - small spoon Add sugar to boiling water. He stirred. Test the temperature with your lips. Shot 3-9 Lin Guodong He placed the spoon gently to the baby's lips. The baby stopped crying. Sucking the spoon. Lens 3-10 Silencer She looked at her husband's back. Shen Jingyi (quietly): Guodong. You will feed the children. Lin Guodong (did not look back): No. But I can't let her go hungry. Lens 3-11 Reality-Lin Guodong He put the woolen shoes back into the iron box. Put the book back too. Lin Guodong (monologue): It's 1981. Wanqing is in Hong Kong. I wonder if she eats well? I wonder if they were hungry? He closed the tin box. Lin Guodong (monologue): That spoonful of sugar water that year. He is the only person I have fed in my life. [Lesson 2·Body Temperature] Proposition 2: Constant temperature is a kind of energy consumption, and energy consumption is payment. 4 Exterior Scene Shennongjia Nature Reserve - Night - January 1981 Shot 4-1 Long shot-Snowy mountains and forest sea Two thousand meters above sea level. The temperature was minus five degrees. Lens 4-2 Fixed lens-golden monkey group The monkeys huddled on the leeward rock wall. Adult monkeys cling to each other. The young monkeys are surrounded in the center. Shot 4-3 close-up - a female monkey She took the baby monkey into her arms. Cross your arms. Arch your back. Like a living cave. Shot 4-4 Female monkey's face Wind and snow swept over the edge of the rock wall. Snow fell on her back. Eyelashes frosted. She didn't move. Lens 4-5 young monkey It fell asleep under its mother's armpit. Breathing is warm. Lens 4-6 patrol record - close-up Date: February 17, 1981. Pen writing: "The body of an adult female golden monkey was found in the core area of Shennongjia Nature Reserve. Cause of death: Frostbite. The body was in a crouched position with its arms folded. A surviving young monkey, about four months old, was found under the armpit, with no frostbite on the body. When the baby monkey was rescued, it still tried to crawl back into its mother's armpit. " 5 Interior Shanghai - Xie Jin's House - Night - February 1981 Shot 5-1 Xie Jin's study room There are storyboards spread out on the desk. It's snowing outside the window. Shot 5-2 Xie Jin He put down his pen. Looking out the window. Xie Jin (voice-over): Winter 1968. I was locked up in the bullpen. Not allowed to go home. The wife is at home with her three children. The ration of briquettes was withheld. The room was as cold as an ice cellar. Shot 5-3 Flashback-January 1968-Xie Jin's Family The wife (41 years old) filled the only hot water bottle with hot water. Tuck the children into bed. She held the youngest child herself. Sit on the edge of the bed. Shot 5-4 Wife's hands She didn't have a hot water bottle. She held the child's little feet in her palms. Lens 5-5 Reality-Xie Jin He looked at his hands. Xie Jin (voice-over): The youngest child was three years old that year. Twenty years later. I asked her: Weren't you cold that winter? She said: Forgot. Shot 5-6 Xie Jin's hand He wrote this line on the edge of the storyboard: Body temperature is the last shovelful of coal burned in the mother's body. He paused. Cross it out. Rewrite: Body temperature, is a fuel that does not require a burning license. Lesson 3·Let go Proposition 3: Independence is a necessary condition for individual survival, but the mother will sacrifice for it. 6 Exteriors Hudson Bay Coast - Day - June 1981 Shot 6-1 long shot-sea ice The ice is thawing. There are scattered ice floes floating on the sea surface. Lens 6-2 Fixed Lens - Polar Bear The female bear stood on the shore. Behind him was a two-year-old cub. Shot 6-3 Female bear She has been weaned for a year. The cubs are long overdue to hunt on their own. Shot 6-4 Cubs It follows its mother. My belly was sunken and I had been hungry for three days. Shot 6-5 The female bear looks towards the sea ice The ice floe is twenty kilometers away. That's the only place where seals can be hunted. Lens 6-6 female bear She jumped into the water. Two degrees below zero. Shot 6-7 Cubs It whined on the shore. Don't dare to go into the water. Lens 6-8 female bear She climbed onto the first ice floe. Looking back towards the shore. She called out. That voice, Not like a bear. Like any mammal, it makes a sound when calling for its children.

From beginning to end, there has never been such a person, what a pity!