Seeking the Dao in the Mortal World

I thought the magnificent new world was slowly unfolding... But I didn't expect it to come to an abrupt end.

The writing is still good, you should read the book carefully and chew slowly

I watched 3/1 patiently and couldn't see clearly. To put it bluntly, there were a lot of pitfalls and people doing things for no reason. It was not like Jian Lai and there was nothing to think about, so I stopped reading. (Personal opinion)

It was uncomfortable to watch, and he imitated Jianlai's preaching tone. He couldn't set it up well, but he gave it to ordinary people.

If you only take the first fifty chapters of this book, it can be said to be a masterpiece, but let's not talk about it later. It gets worse and worse, and it becomes unreadable by the two hundred chapters.

If it weren't for the heavy heart of the Holy Mother, it would definitely be called a good book.

Why does such a modern word appear?

1. Collapse of long-term characters The pure love setting piled up in hundreds of chapters is no small matter. The readers have followed dozens or hundreds of chapters and trusted this long-term persistence. The author has continuously exaggerated the twenty-year relationship with his original wife and the long and painful wait in a long distance. He regards single-mindedness as the core background of the character, which is equivalent to reaching an invisible agreement with the readers. Easily breaking through the defense in the end is all the foreshadowing in the early stages of overdraft. 2. Change of heart logic is perfunctory to the point of distortion. With just one hug, the heart is moved and elevated to life salvation. The transition is completely hasty, and there are no layers of emotional pull and contradictions. It's not that it can't write about complex human nature and emotional turmoil, but it lacks sufficient conflict support. In "The Sword Comes", Chen Ping'an's emotional struggle, Jianhu's heart-searching, and Dao Xuanshan's inner demon test are all about long-term contradictions, conflicting positions, and values ​​​​games; this book only copies the shell of "The Heart-Walking Decision", and the emotional twists and turns inside are light and forcibly created to create a Shura field. 3. Self-cleansing change of heart is the most disturbing thing When the male protagonist falls in love with someone else, instead of frankly admitting that he is shaken and his feelings have deteriorated, he makes excuses for himself, believing that he is forced by the situation and is helpless. Reader's perspective: The relationship that has been held on for twenty-three years is no match for a sudden and brief encounter, and having to be persuaded by the protagonist's rhetoric is equivalent to being belittled for all the previous waiting and affection. 4. The two routes are not connected at both ends, which is the most embarrassing The author has great ambitions: he wants to use the sword-like torture of people's hearts and dilemmas, and he wants to write a complex plot of heart-searching; but his writing power cannot handle the heavy emotional pull. If a stallion and multiple heroine route were written from the beginning, readers would have expectations in advance and would not have pure love expectations; Crazy marketing in the early stage, foreshadowing pure love and single-mindedness, and forced opening of new love lines in the later stage, both ends fail, and old readers are the easiest to break the defense. To put it objectively: It's not that novels can't write about "moving people in a long-term relationship", but in reality human nature is complicated. But qualified writing requires a long period of inner tugging, the protagonist's ongoing guilt, the slow fermentation of cracks caused by long-term reality estrangement, and the gradual progression of conflicts. Relying on a hug to forcibly trigger a redemptive love, the affection of hundreds of chapters in the early chapters is directly devalued. This writing method essentially consumes the emotions invested by the readers in the early stage, and it is difficult not to feel queasy. If you plan to give up the book, there is no need to force yourself to continue reading; it is normal to be unwilling to accept the fact that you have invested hundreds of chapters in the early stage only to have the character collapse.

There are too many things buried in the front, it's too much. The main thing is that the comment section is full of stuff. If something happens, do you have to drag people into the water to help you?

I thought it was good at first, but when I read it later I was confused, and the preface and the follower were always inconsistent.