A Concubine on the Road of Flight: I Bring Two Children and Marry a Prince

The supporting character is always looking for trouble, but the female protagonist is unhappy with the counterattack. The male protagonist is a bit stupid. He is right in front of him. Her mother is also in the village, and Jiang Jiang cannot be found yet. It would be nice if the male protagonist was smarter.

If something is too ugly, I will choose it. What kind of heroine is this? She is both a virgin and a steamed stuffed bun. How did she survive for five years in the apocalypse? I was convinced. I was so angry that I couldn't stand it anymore and gave up.

Traveling through a thousand years and returning to 2024, there is a new book.

To be honest, when I read the introduction, I thought it would be good. But the essay writing was quite speechless. The heroine is a person from the apocalypse and has lived in the apocalypse for a long time. But she doesn't have that kind of force value at all, and she doesn't look like someone who can live in the apocalypse. If it were directly set to be worn by ordinary people, it wouldn't be so strange at all. People who come to the end of the world will always be abused. After having a male protagonist, it feels useless to rely on him. Then there is this male protagonist who wanted to kill the heroine because of a misunderstanding with her in the early stage. He looked down on the heroine and even held a knife to the heroine's neck. He even thought that the heroine loved him too much and felt disgusting. In the end, the heroine fell in love with him. I don't think there can't be a male protagonist, but why would you want to find someone who wants to kill you?? There are so many men in the world, why do you have to fall in love with someone who looked down on you, scolded you or even wanted to kill you?? When you forgive the male protagonist every time, I treat it as the heroine's compromise and you want to gain strength and then try to overturn the original heroine's compromise. But later on, the male protagonist didn't believe that you misunderstood you and wanted to kill you. I thought it was good to be friends and we ended up still together. Why should the author set up the apocalypse? If the heroine doesn't have any apocalyptic qualities, then she's so depressed that she's so embarrassed that she has the nerve to call her a strong woman.

When I meet the fifth prince in the capital for the first time, shouldn't he be asked to help find his son? Let him confirm his identity as a traveling businessman? The princess actually asked the princess and her sister-in-law to mess up their seniority, right?

I couldn't stand it anymore and left. The female protagonist was a weak one and had all kinds of doubts. Fire