As space meteorites fell, five waves of disasters came one after another.
The first wave of catastrophic viruses breaks out, the second wave of catastrophic acid rain corrodes, the third wave of catastrophic land disappears, the fourth wave of catastrophic sea monsters rages, the fifth wave of catastrophic ice age, some survivors awaken their superpowers, and mankind has reached a moment of crisis.
When the disaster comes, Wang Miao awakens the apocalyptic survival system. Killing zombies can upgrade the system space.
Wang Miao started killing zombies frantically to hoard supplies.
Cold chain warehouses, supermarkets, cooked food processing plants, automobile factories, water conservancy stations, power stations, shipyards, oil bases, airlines...
If you can steal it, steal it, if you can't steal it, grab it. As long as it is needed in the end of the world, everything will be collected into the system space, and even a glacier will be absorbed as a fresh water reserve.
This protagonist is so frustrated. It doesn't feel like the protagonist anymore. Being suppressed everywhere
It's so fake that you were shown a live broadcast on your mobile phone on the plane. Have you ever been on a plane? No common sense at all
Are your five hundred drones controlled by Mao Mao?
When Zhizi threatens, if he doesn't pay attention and grabs a headshot, it will be over. Wang Miao is incompetent as the protagonist. It's like a story about a reborn male protagonist being tortured. It's almost impossible to watch? Where does strength lie in women?
In Chapter 69, Wang Miao feels the trouble of the underworld princess holding her son. I don't understand it. A person who has died once in the apocalypse can still cause trouble so stupidly. Life is too slow. He also wanted to take other people's powers and take them as his own. The character line of the male protagonist is really too cool. Do you want to give up the book?
It belongs to the average level of apocalyptic novels. It doesn't have a sense of apocalypse. The beginning is not obscene but a woman gets in the way. It's not my favorite apocalyptic style. Although it has a good system, the plot is distracting.
After reading this introduction, I want to ask the author, why don't you include the earth?
It would be better for the author to let Tang Shuyun know about the protagonist's space. Otherwise, would she really trust the protagonist as much as she does now if she finds out later? Although you wrote the book, wouldn't it create a barrier if Tang Shuyun knew that the protagonist kept it from her? Although the protagonist has done nothing wrong, you have written many times in the article that Tang Shuyun is the protagonist's girlfriend, and it turns out to be like this. Why can't you tell her about the space? If the system can't say it out, wouldn't it be enough to just say that he only has superpowers? The book is written by you, and everyone has different preferences, but I still hope that the author can let Tang Shuyun know the protagonist's space. Even if you write the protagonist and say that this is his power, it is okay. If you want the protagonist not to have this space power, then it is okay, because you can definitely write that a person can have more than one power.
This protagonist is so frustrated. It doesn't feel like the protagonist anymore. Being suppressed everywhere
It's so fake that you were shown a live broadcast on your mobile phone on the plane. Have you ever been on a plane? No common sense at all
Are your five hundred drones controlled by Mao Mao?
When Zhizi threatens, if he doesn't pay attention and grabs a headshot, it will be over. Wang Miao is incompetent as the protagonist. It's like a story about a reborn male protagonist being tortured. It's almost impossible to watch? Where does strength lie in women?
In Chapter 69, Wang Miao feels the trouble of the underworld princess holding her son. I don't understand it. A person who has died once in the apocalypse can still cause trouble so stupidly. Life is too slow. He also wanted to take other people's powers and take them as his own. The character line of the male protagonist is really too cool. Do you want to give up the book?
It belongs to the average level of apocalyptic novels. It doesn't have a sense of apocalypse. The beginning is not obscene but a woman gets in the way. It's not my favorite apocalyptic style. Although it has a good system, the plot is distracting.
After reading this introduction, I want to ask the author, why don't you include the earth?
It would be better for the author to let Tang Shuyun know about the protagonist's space. Otherwise, would she really trust the protagonist as much as she does now if she finds out later? Although you wrote the book, wouldn't it create a barrier if Tang Shuyun knew that the protagonist kept it from her? Although the protagonist has done nothing wrong, you have written many times in the article that Tang Shuyun is the protagonist's girlfriend, and it turns out to be like this. Why can't you tell her about the space? If the system can't say it out, wouldn't it be enough to just say that he only has superpowers? The book is written by you, and everyone has different preferences, but I still hope that the author can let Tang Shuyun know the protagonist's space. Even if you write the protagonist and say that this is his power, it is okay. If you want the protagonist not to have this space power, then it is okay, because you can definitely write that a person can have more than one power.