I Worked as an Oddball in the Demon Spirit Tower for Three Years, and I Secretly Became an Immortal.

In terms of storyline and writing, Qimao can be considered a good review. However, the evaluation must be downgraded! Because the author is so badass, it's obvious that he just did it to disgust the readers. ⑴ She is keen to directly use well-known and typical female villains from other works, and then try her best to whiten them, which is quite good at "coaxing people to do good". - The ex-girlfriend started out as a monster, but this trash ex-girlfriend loved her so much. She was very talented and had good opportunities. She would dance around from time to time and continue to disgust people; - Liu Ruyan, Emperor Ruyan, what does this name mean? For old bookworms, there is no need to explain it. Hey~ Our author just insisted on using this name, but deliberately wrote it in a different way. How do you put this? It's like using Qin Hui's name but using it to write about Yue Fei. That's the concept. (Before Liu Ruyan came on the stage, she also made a name "Wang Yuyan". Shouldn't it usually be "Yuyan"? She changed it to "Yuyan" which is very similar to "Ruyan". When she appeared, she had an image of being high-minded, domineering, and incompetent, which is highly coincident with Liu Ruyan's inherent image. I felt that this was a trial in the early stage. I found that no one had any clear objection to the name, so Liu Ruyan went online to clear it up.) ⑵ The protagonist acts as if he has never seen a woman before. He kills male characters when they need to, chops off their hands when they need to, and grabs magic weapons when they need to... But as soon as he sees a woman, he can't walk (the key is that he can't walk with his eyes, and he is so incompetent that he is just a eunuch who goes to a brothel, just to have an eye addiction)? ? ? The author also kept cleaning up all kinds of female co-stars, no matter how dark they were, he would try his best to clean them up, and they would all be cleaned up to the point of being irritated: - While inhaling purple energy, he was violently kicked away by a very arrogant female deacon (A) who treated the low-level disciples and servants completely inappropriately. Later, he accidentally picked up the sword pill opportunity dropped by A, and was resented by A and sought revenge. The result? The two of them fought twice, and each time they were punished slightly and Katsuhi let him go and returned the sword pill obediently; the next time they met, this extremely arrogant A She was forcibly written as a pitiful little white rabbit who needs to be taken care of. Even the family background is set according to "the incompetent father, the injured mother, the young siblings, the broken home, and the strong hope of the whole family." In the blink of an eye, Wotama, the protagonist protected her under his strong arms, like an old hen protecting her chicks? ? ? - Whether it's the senior sister who comes to make trouble or the little girl who comes to get medicine, they are all well taken care of. If you are in danger, you will withstand every moment, and if you ask for something, you will be answered; it doesn't matter if you throw a tantrum, the little fairy has a normal temper like this; she is willing to give everything as a reward. How can I be embarrassed? I won't accept it. I am not that kind of person. I should save (female) people... It doesn't work anymore. I feel so sick when I recall these episodes. ⑶ The background settings related to realm (strength grading) are unstable and uncoordinated: When the protagonist attacks: The foundation builder cannot be killed, because the sect values "any foundation builder very much, every one is a treasure", so he cannot move lightly, he must endure it, he must avoid it, he must remain silent... When it's other people's turn to take action: no matter whether they are decent or villains, no matter their status (including the foundation mentioned above as a treasure), they can be tortured if they want, humiliated if they want, beaten if they want, and killed if they want to, without any scruples and no one to help. The protagonist worships under the sect of a certain peak. The peak master is a senior golden elixir expert, and the protagonist has fully attracted the attention of the peak master. The peak master has also directly or indirectly asked the protagonist to participate in some things and pay close attention to the protagonist's back; The protagonist has an enemy from another peak. The enemy's backing to the ancestor is just a fake elixir. Moreover, it was a fake elixir that was not caught and proven many years ago when it plotted to kill a fellow disciple, but has been secretly guarded against by everyone; But the problem is that this fake elixir ancestor is not afraid of the golden elixir peak masters of various peaks at all, and he is not afraid of just talking. Whether it was when he was plotting to harm the genius or now when he was playing the protagonist, he even had to face the master of Jindan Peak directly. He was still extremely stubborn and got into trouble easily. If you have to write it like this and create a powerful enemy for the protagonist, why bother writing the opponent's ancestor as a fake elixir? Can't it be written as the same golden elixir as the peak master? Deliberately downgrading the opponent by half a level in this way, but doing it very arrogantly, does it have any additional role in shaping the protagonist, and what special advantages does it have in promoting the plot? What is the significance of such a unique (twisted) design?

What do you think? If I was thinking about the harem, I would have accepted it. If I didn't want to write and wanted to write a single heroine, I wouldn't explain the matter of harvesting yin and replenishing yang. Anyway, I don't know how this kind of book can have such a high rating. Maybe it's just because there are not many words in it. It will definitely drop in the future.

I have seen more than 50 chapters so far, and all of them are strong in foundation building. The so-called foundation-building spiritual pressure is of no use to the protagonist. It's useless to put all your effort into writing about how awesome the Heavenly and Divine Way foundation building is, and it will kill you with just one slap from behind.

So-so, troublemaker, teddy attributes. The protagonist's words and actions are illogical, with a hammer in one place and a stick in the other.

It's okay, to my taste.

It's quite boring to make a gimmick of broken sword pills and force a feud.

All kinds of crazy words are dazzling. I think I am good at writing, but in fact I am just complaining for no reason.

No, no tricks! ! ! Can watch

This fantasy novel has a grand worldview structure, a rigorous and innovative cultivation system, the protagonist's growth line is ups and downs, and the supporting characters are vivid and full of arcs. The fighting scenes are described heartily and vividly, the foreshadowing is exquisitely laid out and recycled naturally, and the plot rhythm is relaxed and moderate. It has both exciting counterattack scenes and delicate emotional portrayals. It is a rare high-quality fantasy masterpiece in recent times.

It's a common problem among Internet writers that whenever they meet a woman, they will turn to wisdom or the Holy Mother.