
A Record of a Mortal's Journey to Immortality: A Sect Errand Boy Repairs Discarded Pills and Ascends!
凡人修仙:宗门杂役,修复废丹成仙!
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All-time: Popularity, Must-read votes.
305Chapters
214kPopularity
1.2kReaders
2.9kMust-read votes
9.0Score
1.7kRatings
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Reader comments 15
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I have read many kinds of questions, but this one is the best. From mortal to immortal, from weak to strong, you can fight your way back step by step through your own efforts. The plot is natural, no patchwork, no nonsense. Very good 👍
I still want to see it after watching it,…
Run quickly, some slightly, some lightly, some deeply, some murmuring, and some even open their mouths slightly. Why do novels nowadays not pay attention to plot, but try to depict the expressions of characters? It's so true. This is a common problem in current Internet articles and even many popular novels. The core reasons are these. Let me tell you directly: 1. Writing plot is difficult, writing expressions is the easiest and most efficient word count - Designing plot conflicts, foreshadowing, reversals, and logical chains is very brain-consuming, and requires careful setting and pacing. - But when writing a description of an expression such as "slightly raised eyebrows, red eyes, pursed lips, heavy eyes, and a cold complexion", it is very easy to write three or four lines in one second without using any templates. It is very easy to make up the number of words and chapters. Many authors are not capable enough to write plots, so they can only rely on appearance + expression + psychological fragments to make up the content. 2. Mainstream tastes have changed: now readers don't like "story" but only "character" I used to read books: plot, adventure, grudges, and ups and downs. There are now a large number of niche/romance/pure love/fantasy readers: I don't care whether things make sense or whether the plot progresses. I only care about: whether the male protagonist is suave enough, whether the female protagonist is beautiful enough, whether the character is sadistic enough, and whether the emotions are adequate. The plot is just the background board, the characters' emotions, appearance, and atmosphere are the core. Therefore, the author worked hard to dig out expressions, eyes, and micro-movements to amplify the sense of ambiguity, grievance, aloofness, and forbearance. 3. Fast-food reading, the plot is brain-consuming, and the expression description is "easy to eat without thinking" Nowadays, people only have fragmented time to read books and don't want to use their brains: - In complex plots, it is tiring to sort out the causes, consequences, and character relationships; - The sentence "He lowered his eyes, his fingertips were white, and he was silent" directly conveys emotions without using your brain, and instantly adds a sense of atmosphere. It is suitable for quick CP and character creation. 4. The sequelae of involution of online articles: prohibiting "straight narrative" and forcing anxiety in writing style Early novels: He was angry and turned away. Now the novel must be changed to: The man's face was suddenly covered with a layer of frost, his jawline was tight, and his thin lips were pursed into a cold straight line. Without saying a word, he turned around and walked away. A deformed aesthetic has formed in the industry: Straightforwardness = poor writing style, piling up expressions and rhetoric = good writing style. New authors are forced to pile on facial expression details even if there is no plot. 5. Psychological descriptions are rampant and expressions are used instead of actions. If you don't know how to write "doing things, interacting, and playing games", you can only write: What are you thinking + what expressions are on your face + how your eyes are changing. The whole process is full of emo, staring, pulling, and inner drama. A small incident lasts for three to five chapters, and the plot has zero advancement. To sum up what people say: It's not that I can't write plots, it's that I'm too lazy to write, can't write, and the market doesn't need it. The plot is too tiring. It is both easy to write and sell when it comes to depicting expressions, adding a sense of atmosphere, and selling characters. If you want to read a book with a compact plot, less nonsense, and not too many expressions, I can give you some tips on how to avoid lightning in book selection, and you can filter out this kind of nonsense at a glance.
Really good
Apart from some flaws in the details, it's still pretty good. It's a pity that it's unfinished. Finally, the settings of Qin and the Six Kingdoms are somewhat new and can be read as a separate book
This book is completely nonsense. In other immortal cultivation novels, you are just a low-level laborer in practicing qi. But here you are already a master, and to practice qi you have to make alchemy by yourself. Why do you need an alchemist?
The realm is too far. You can become a powerful person by building a foundation, and you can also recruit disciples. It's boring.
The overall plot is very good. The author will update it quickly. The female emotional advice is not too complicated.
Nice
This book is very well written. The only shortcoming is that there are too few chapters. It is much better than the 9-point bullshit masterpieces produced by some trolls. I won't specify which ones here.