Everyone Shrinks: Starting at 1.75 Centimeters

[This book is like a pack of Chinese cigarettes, the more you smoke, the more flavorful it becomes! Destruction never means the end, but the most barbaric rebirth of civilization: 1. Restarting civilization on a micro scale; 2. Hard-core development of the superpower system; 3. The rise of the doomsday warlord; 4. The new paradigm of breaking collectivism; 5. The aesthetics of violence in microscopic battlefields; 6. Alternative inheritance of the fire of civilization; … The novel breaks through the traditional doomsday framework through the reconstruction of campus scenes and changes in physical rules, and accurately anchors "survival literature lovers who pursue scientific rationality" and "innovative readers who are tired of templated superpowers." Looking forward to the follow-up "Countdown to the Thermal Power Station" with its sense of urgency and the intellectual confrontation with the villain Zheng Yangping and other exciting plots!

Rating: I can't see it at all What I just wrote turned into something else in the blink of an eye. Nothing written by AI is so outrageous. There is also a classic opening where the villain is the author's biological father, so we want to keep him alive, and let the opponent escape for various reasons. There are many superpowers in the team. Their abilities are a little worse than the protagonist's, but basically there is no limit. There is a limit for a few days before the protagonist becomes huge. As a result, the villain controls the creature infinitely, and there are no side effects when the creature dies. In other words, the giant wolf writes that the control has backlash. The villain also has a top-level superpower gem in his hand, or he picks up the creatures that the protagonist kills. Who is the protagonist? The protagonist of the rebirth story does not have any performance after rebirth except for the starting information. Does he have combat power? Yes, but it is equivalent to no. He has no ability to change the situation of the battle. He relies on supernatural powers. It is more humorous than not being reborn. There is also the issue of the protagonist's Madonna. I'm not saying that you are not allowed to let go of people who offend the protagonist group, but you have to write that there must be some reward for letting people go. In the end, there is nothing. It is equivalent to the protagonist being a soft persimmon, making people angry.